{"id":220,"date":"2016-01-20T15:31:35","date_gmt":"2016-01-20T15:31:35","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=220"},"modified":"2016-01-28T15:19:58","modified_gmt":"2016-01-28T15:19:58","slug":"1970","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/01\/20\/1970\/","title":{"rendered":"1970"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
no. 1 – ronde II – 1 juni 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAmsterdam<\/td>\nLucy Lucy<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nDelaney and Bonny and Friends<\/td>\nFree the people<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nCrabby Appleton<\/td>\nGo Back<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nMr.Albert Show<\/td>\nWild Sensation<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nPretty Things<\/td>\nGood Mr.Square<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBintangs<\/td>\nHe didn’t wanna go home<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBlues Image<\/td>\nRide captain ride<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCrosby, Stills, Nash & Young<\/td>\nTeach your children<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nJohn Phillips<\/td>\nMississippi<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nFree<\/td>\nAllright Now<\/td>\n<\/tr>\n
no. 2 – ronde II – 8 juni 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nDelany and Bonnie and Friends<\/td>\nFree the people<\/td>\n<\/tr>\n
2<\/td>\n8<\/td>\n2<\/td>\nCrosby, Stills, Nash & Young<\/td>\nTeach your children<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nMr.Albert Show<\/td>\nWild Sensation<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n2<\/td>\nCrabby Appleton<\/td>\nGo Back<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nThunderclap Newman<\/td>\nAccidents<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nJohn Phillips<\/td>\nMississippi<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n2<\/td>\nBlues Image<\/td>\nRide captain ride<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n2<\/td>\nPretty Things<\/td>\nGood Mr.Square<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCrosby, Stills, Nash & Young<\/td>\nOhio<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nMountain<\/td>\nMississippi Queen<\/td>\n<\/tr>\n
no. 3 – ronde II – 15 juni 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nCrosby, Stills, Nash and Young<\/td>\nTeach your children<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n2<\/td>\nTunderclap Newman<\/td>\nAccidents<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nMr. Bloe<\/td>\nGroovin’ with Mr. Bloe<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nNeil Young<\/td>\nOh lonesome me<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n3<\/td>\nDelany and Bonnie and Friends<\/td>\nFree the people<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nDiverse Artiesten<\/td>\nWoodstock (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nUnit Gloria<\/td>\nHeartaches and sorrows<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJohn B.Sebastian<\/td>\nMagical connection<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nCrabby Appleton<\/td>\nGo Back<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAirport<\/td>\nPride of men<\/td>\n<\/tr>\n
no. 4 – ronde II – 22 juni 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nThunderclap Newman<\/td>\nAccidents<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nNeil Young<\/td>\nOh, lonesome me<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n2<\/td>\nMr. Bloe<\/td>\nGroovin’ with Mr.Bloe<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nDiverse Artiesten<\/td>\nWoodstock (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBlack Widow<\/td>\nCome to the sabbath<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nJohn B. Sebastian<\/td>\nMagical connection<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nToe Fat<\/td>\nBad side of the moon<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nAirport<\/td>\nPride of men<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFree<\/td>\nAllright now<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n2<\/td>\nUnit Gloria<\/td>\nHeartaches and sorrows<\/td>\n<\/tr>\n
no. 5 – ronde II – 29 juni 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nBlack Widow<\/td>\nCome to the sabbath<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nNeil Young<\/td>\nOh, lonesome me<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nSweet dreams<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nThunderclap Newman<\/td>\nAccidents<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nToe Fat<\/td>\nBad side of the moon<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nMr. Bloe<\/td>\nGroovin’ with Mr. Bloe<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n3<\/td>\nDiverse Artiesten<\/td>\nWoodstock (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nContinental Uptight Band<\/td>\nPlease sing a song for us<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nTen Years After<\/td>\nLove like a man<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n3<\/td>\nJohn B. Sebastian<\/td>\nMagical connection<\/td>\n<\/tr>\n
6 juli 1970 – geen Top Tien, Ad op vakantie<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
no. 6 – ronde II – 13 juli 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nYes<\/td>\nSweet dreams<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nBlue Planet<\/td>\nI’m going man, I’m going<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nToe Fat<\/td>\nBad side of the moon<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBlood Sweat and Tears<\/td>\nHi-de-ho<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n3<\/td>\nBlack Widow<\/td>\nCome to the sabbath<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nFairweather<\/td>\nNatural sinner<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nIdes of March<\/td>\nSuperman<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nGuess Who<\/td>\nHand me down world<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSeptember<\/td>\nLittle sister<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDozy Beaky Mick & Tich<\/td>\nMr. President<\/td>\n<\/tr>\n
no. 7 – ronde II – 20 juli 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nBlue Planet<\/td>\nI’m going man, I’m going<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nYes<\/td>\nSweet dreams<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nBlood Sweat and Tears<\/td>\nHi-de-ho<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nFair weather<\/td>\nNatural sinner<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAlive & Kicking<\/td>\nTighter, tighter<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n4<\/td>\nToe Fat<\/td>\nBad side of the moon<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nSeptember<\/td>\nLittle sister<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPacific Gas and Electric<\/td>\nAre you ready<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCreedence Clearwater Revival<\/td>\nLookin’out my backdoor<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n2<\/td>\nGuess Who<\/td>\nHand me down world<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nNeil Diamond<\/td>\nSolitairy man<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n(zal iedere week 1 plaats stijgen)<\/td>\n<\/tr>\n
no. 8 – ronde II – 27 juli 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nAlive & Kicking<\/td>\nTighter, tighter<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nFairweather<\/td>\nNatural sinner<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\n25 or 6 to 4<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nYes<\/td>\nSweet dreams<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n3<\/td>\nBlood Sweat and Tears<\/td>\nHi-de-ho<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n3<\/td>\nBlue Planet<\/td>\ni’m going man, I’m going<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nEdison Electric Band<\/td>\nShip of future<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n3<\/td>\nGuess Who<\/td>\nHand me down world<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nNeil Diamond<\/td>\nSolitary Man<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSteptrack<\/td>\nGoing up the country<\/td>\n<\/tr>\n
no. 9 – ronde II – 3 augustus 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nChicago<\/td>\n25 or 6 to 4<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nAlive & Kicking<\/td>\nTighter, tighter<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nFairweather<\/td>\nNatural Sinner<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nMama told me (not to come)<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n4<\/td>\nBlood Sweat and Tears<\/td>\nHi de ho<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nSteptrack<\/td>\nGoing up the country<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n2<\/td>\nEdison Electric Band<\/td>\nShip of future<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nSlip on through<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nFlashback<\/td>\nThere he comes<\/td>\n<\/tr>\n
no. 10 – ronde II – 10 augustus 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nThree Dog Night<\/td>\nMama told me (not to come)<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n3<\/td>\nEdison Electric Band<\/td>\nShip of future<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nChicken Shack<\/td>\nSad clown<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nPeddlers<\/td>\nTell the world we’re not in<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nEarth & Fire<\/td>\nWild and exciting<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nRare Earth<\/td>\n(I know) I’m losing you<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n3<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nAfter Tea<\/td>\nSun<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFamily<\/td>\nThe weaver’s answer<\/td>\n<\/tr>\n
10<\/td>\n2<\/td>\n4<\/td>\nAlive & Kicking<\/td>\nTighter, tighter<\/td>\n<\/tr>\n
no. 11 – ronde II – 17 augustus 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nChicken Shack<\/td>\nSad clown<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nPeddlers<\/td>\nTell the world we’re not in<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nRare Earth<\/td>\n(I know) I’m losing you<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nFamily<\/td>\nThe weaver’s answer<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n3<\/td>\nThree Dog Night<\/td>\nMama told me (not to come)<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n4<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nMemory of a free festival<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDiana Ross<\/td>\nAin’t no mountain high enough<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGolden Earring<\/td>\nGolden Earring (LP)<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n4<\/td>\nEdison Electric Band<\/td>\nShip of future<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n2<\/td>\nAfter Tea<\/td>\nSun<\/td>\n<\/tr>\n
no. 12 – ronde II – 24 augustus 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nFamily<\/td>\nThe weaver’s answer<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nDavid Bowie<\/td>\nMemory of a free festival<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nChicken Shack<\/td>\nSad clown<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nGolden Earring<\/td>\nGolden Earring (LP)<\/td>\n<\/tr>\n
5<\/td>\n6<\/td>\n5<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nHot Chocolate<\/td>\nLove is life<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n3<\/td>\nRare Earth<\/td>\n(I know) I’m losing you<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDeep Purple<\/td>\nBlack night<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n3<\/td>\nPeddlers<\/td>\nTell the world we’re not in<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n4<\/td>\nThree Dog Night<\/td>\nMama told me (not to come)<\/td>\n<\/tr>\n
no. 13 – ronde II – 31 augustus 1970
\npres. Chiel Montagne<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n4<\/td>\nFamily<\/td>\nThe weaver’s answer<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nMachine<\/td>\nRainmaker<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nDeep Purple<\/td>\nBlack night<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n6<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSteve Miller Band<\/td>\nGoing to the country<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n3<\/td>\nGolden Earring<\/td>\nGolden Earring (LP)<\/td>\n<\/tr>\n
6<\/td>\n6<\/td>\n2<\/td>\nHot Chocolate<\/td>\nLove is life<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nCrosby Stills Nash & Young<\/td>\nAlmost cut my hair<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMoebius Bottle<\/td>\nOh my mother<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCrown’s Clan<\/td>\nNo place for our minds<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n4<\/td>\nChicken Shack<\/td>\nSad clown<\/td>\n<\/tr>\n
no. 14 – ronde II – 7 september 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nMachine<\/td>\nRainmaker<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n5<\/td>\nFamily<\/td>\nThe weaver’s answer<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n7<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nCrosby Stills Nash & Young<\/td>\nAlmost cut my hair<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n2<\/td>\nMoebius Bottle<\/td>\nOh my mother<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nDeep Purple<\/td>\nBlack night<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n2<\/td>\nSteve Miller Band<\/td>\nGoing to the country<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJefferson Airplane<\/td>\nShe has funny cars<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n4<\/td>\nGolden Earring<\/td>\nGolden Earring (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSpinners<\/td>\nIt’s a shame<\/td>\n<\/tr>\n
no. 15 – ronde II – 14 september 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nCrosby Stills Nash & Young<\/td>\nAlmost cut my hair<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n8<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nMachine<\/td>\nRainmaker<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n6<\/td>\nFamily<\/td>\nThe weaver’s answer<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBlack Sabbath<\/td>\nParanoid<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCactus<\/td>\nParchman farm<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nSpinners<\/td>\nIt’s a shame<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nDeadman’s dream<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGreenfield & Cook<\/td>\nThe End<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCasey & his Pressure Group<\/td>\nLazy bones<\/td>\n<\/tr>\n
no. 16 – ronde II – 21 september 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nBlack Sabbath<\/td>\nParanoid<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nCactus<\/td>\nParchman farm<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nCrosby Stills Nash & Young<\/td>\nAlmost cut my hair<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nNeil Young & the Crazy Horse<\/td>\nCinnamon girl<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nGreenfield & Cook<\/td>\nThe End<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nBrainbox<\/td>\nDoomsday train<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nCasey & his Pressure Group<\/td>\nLazy bones<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nNice<\/td>\nCountry Pie<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n4<\/td>\nMachine<\/td>\nRainmaker<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nNeil Diamond<\/td>\nCherry cherry<\/td>\n<\/tr>\n
no. 17 – ronde II – 28 september 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nNeil Young & the Crazy Horse<\/td>\nCinnamon girl<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nSee me feel me<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nNice<\/td>\nCountry Pie<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nBlack Sabbath<\/td>\nParanoid<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n3<\/td>\nGreenfield & Cook<\/td>\nThe End<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nDizzy Man’s Band<\/td>\nYoung love<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nCactus<\/td>\nParchman farm<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n5<\/td>\nCrosby Stills Nash & Young<\/td>\nAlmost cut my hair<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nNeil Diamond<\/td>\nCherry cherry<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLes Reed Orchestra<\/td>\nMan of action<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPeter<\/td>\nPeace<\/td>\n<\/tr>\n
no. 18 – ronde II – 5 oktober 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nWho<\/td>\nSee me feel me<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nNice<\/td>\nCountry pie<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nNeil Young & the Crazy Horse<\/td>\nCinnamon Girl<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDusty Springfield<\/td>\nHow can I be sure<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nYoung love<\/td>\nAlone again or<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nOut in the country<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n2<\/td>\nDizzy Man’s Band<\/td>\nYoung love<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n3<\/td>\nNeil Diamond<\/td>\nCherry cherry<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nMagic Lanterns<\/td>\nOne night stand<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n4<\/td>\nGreenfield & Cook<\/td>\nThe End<\/td>\n<\/tr>\n
no. 19 – ronde II – 12 oktober 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nWho<\/td>\nSee me feel me<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nDusty Springfield<\/td>\nHow can I be sure<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nNice<\/td>\nCountry pie<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nYoung love<\/td>\nAlone again or<\/td>\n<\/tr>\n
5<\/td>\n6<\/td>\n2<\/td>\nThree Dog Night<\/td>\nOut in the country<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nMatthews Southern Comfort<\/td>\nWoodstock<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n4<\/td>\nNeil Young & the Crazy Horse<\/td>\nCinnamon Girl<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nMagic Lanterns<\/td>\nOne night stand<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nNeil Diamond<\/td>\nCracklin’ Rosie<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n4<\/td>\nNeil Diamond<\/td>\nCherry cherry<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
no. 20 – ronde II – 19 oktober 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nMatthews Southern Comfort<\/td>\nWoodstock<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nWho<\/td>\nSee me feel me<\/td>\n<\/tr>\n
3<\/td>\n10<\/td>\n2<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nQuicksilver<\/td>\nFresh air<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nJames Taylor<\/td>\nFire and rain<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n3<\/td>\nThree Dog Night<\/td>\nOut in the country<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nThe Band<\/td>\nTime to kill<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n3<\/td>\nDusty Springfield<\/td>\nHow can I be sure<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nHonest Men<\/td>\nHelp<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n3<\/td>\nMagic Lanterns<\/td>\nOne night stand<\/td>\n<\/tr>\n
no. 21 – ronde II – 26 oktober 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nQuicksilver<\/td>\nFresh air<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nMatthews Southern Comfort<\/td>\nWoodstock<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nJames Taylor<\/td>\nFire and rain<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nHonest Men<\/td>\nHelp<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nThe Band<\/td>\nTime to kill<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nKevin Ayers and the whole World<\/td>\nButterfly dance<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nByrds<\/td>\nChestnut mare<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSavage Grace<\/td>\nAll along the watchtower<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nIt don’t matter to me<\/td>\n<\/tr>\n
no. 22 – ronde II – 2 november 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nQuicksilver<\/td>\nFresh air<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nKevin Ayers and the whole World<\/td>\nButterfly dance<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nByrds<\/td>\nChestnut mare<\/td>\n<\/tr>\n
5<\/td>\n10<\/td>\n2<\/td>\nBread<\/td>\nIt don’t matter to me<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n1<\/td>\nSavage Grace<\/td>\nAll along the watchtower<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nEric Clapton<\/td>\nAfter midnight<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nThe Band<\/td>\nTime to kill<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSerenade<\/td>\nSymfonietta<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nJames Gang<\/td>\nFunk no.49<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nIron Butterfly<\/td>\nEasy rider<\/td>\n<\/tr>\n
no. 23 – ronde II – 9 november 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nKevin Ayers and the whole World<\/td>\nButterfly dance<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n3<\/td>\nBread<\/td>\nIt don’t matter to me<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nSavage Grace<\/td>\nAll along the watchtower<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n3<\/td>\nByrds<\/td>\nChestnut mare<\/td>\n<\/tr>\n
5<\/td>\n10<\/td>\n2<\/td>\nIron Butterfly<\/td>\nEasy rider<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nEric Clapton<\/td>\nAfter midnight<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n5<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
8<\/td>\n1<\/td>\n4<\/td>\nQuicksilver<\/td>\nFresh air<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAmsterdam<\/td>\nJuly come back<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n2<\/td>\nSerenade<\/td>\nSymfonietta<\/td>\n<\/tr>\n
no. 24 – ronde II – 16 november 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nSavage Grace<\/td>\nAll along the watchtower<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n4<\/td>\nByrds<\/td>\nChestnut mare<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nKevin Ayers and the whole World<\/td>\nButterfly dance<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nBread<\/td>\nIt don’t matter to me<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nAmsterdam<\/td>\nJuly come back<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCrabby Appleton<\/td>\nLucy<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPatricia & Golden Earring<\/td>\nTell me<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nEric Clapton<\/td>\nAfter midnight<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBadfinger<\/td>\nNo matter what<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRattles<\/td>\nThe witch<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n3<\/td>\nIron Butterfly<\/td>\nEasy rider<\/td>\n<\/tr>\n
no. 25 – ronde II – 23 november 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nGeorge Harrison<\/td>\nMy sweet lord<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n5<\/td>\nByrds<\/td>\nChestnut mare<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nCrabby Appleton<\/td>\nLucy<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nPatricia & Golden Earring<\/td>\nTell me<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n2<\/td>\nBadfinger<\/td>\nNo matter what<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n3<\/td>\nAmsterdam<\/td>\nJuly come back<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n5<\/td>\nBread<\/td>\nIt don’t matter to me<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nRattles<\/td>\nThe witch<\/td>\n<\/tr>\n
8<\/td>\n1<\/td>\n4<\/td>\nSavage Grace<\/td>\nAll along the watchtower<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n5<\/td>\nKevin Ayers and the whole World<\/td>\nButterfly dance<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nFree<\/td>\nStealer<\/td>\n<\/tr>\n
no. 26 – ronde II – 30 november 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nGeorge Harrison<\/td>\nMy sweet lord<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nPatricia & Golden Earring<\/td>\nTell me<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n3<\/td>\nRattles<\/td>\nThe witch<\/td>\n<\/tr>\n
4<\/td>\n10<\/td>\n2<\/td>\nFree<\/td>\nStealer<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n3<\/td>\nCrabby Appleton<\/td>\nLucy<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nDoes anybody really know what time it is?<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n3<\/td>\nBadfinger<\/td>\nNo matter what<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n6<\/td>\nByrds<\/td>\nChestnut mare<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nLivin’ Blues<\/td>\nWang dang doodle<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n4<\/td>\nAmsterdam<\/td>\nJuly come back<\/td>\n<\/tr>\n
no. 27 – ronde II – 7 december 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n4<\/td>\nPatricia & Golden Earring<\/td>\nTell me (You never gonna leave me)<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nFree<\/td>\nStealer<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nVan Morrison<\/td>\nDomino<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBrainbox<\/td>\n(Old friends have the right to) Smile<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nLivin’ Blues<\/td>\nWang dang doodle<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nSunflower (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFlying Burrito Brothers<\/td>\nTried so hard<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nStephen Stills<\/td>\nLove the one you’re with<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n2<\/td>\nChicago<\/td>\nDoes anybody really know what time it is?<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n4<\/td>\nCrabby Appleton<\/td>\nLucy<\/td>\n<\/tr>\n
no. 28 – ronde II – 14 december 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nBrainbox<\/td>\n(Old friends have the right to) Smile<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nVan Morrison<\/td>\nDomino<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nBeach Boys<\/td>\nSunflower (LP)<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nStephen Stills<\/td>\nLove the one you’re with<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n5<\/td>\nPatricia & Golden Earring<\/td>\nTell me<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLed Zeppelin<\/td>\nImmigrant Song<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSteve Miller Band<\/td>\nSteve Miller’s midnight tango<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nNeil Diamond<\/td>\nDo it<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n4<\/td>\nFree<\/td>\nStealer<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n3<\/td>\nLivin’ Blues<\/td>\nWang dang doodle<\/td>\n<\/tr>\n
no. 29 – ronde II – 21 december 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nNitti Gritti Dirt Band<\/td>\nMr. Bojangles<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nBeach Boys<\/td>\nSunflower (LP)<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nSteve Miller Band<\/td>\nSteve Miller’s midnight tango<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nLed Zeppelin<\/td>\nImmigrant Song<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n2<\/td>\nNeil Diamond<\/td>\nDo it<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nVan Morrison<\/td>\nDomino<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nEkseption<\/td>\nPeace planet<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nStaptrack<\/td>\nSunfree weekend<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n6<\/td>\nPatricia & Golden Earring<\/td>\nTell me<\/td>\n<\/tr>\n
10.<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nOne man band<\/td>\n<\/tr>\n
no. 30 – ronde II – 28 december 1970<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nNitti Gritti Dirt Band<\/td>\nMr. Bojangles<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nLed Zeppelin<\/td>\nImmigrant song<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nEmerson Lake & Palmer<\/td>\nLucky man<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nEkseption<\/td>\nPeace Planet<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n4<\/td>\nBeach Boys<\/td>\nSunflower (LP)<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nSteve Miller Band<\/td>\nSteve Miller’s midnight tango<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nStaptrack<\/td>\nSunfree weekend<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n3<\/td>\nNeil Diamond<\/td>\nDo it<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBeatles<\/td>\nNo reply<\/td>\n<\/tr>\n
10.<\/td>\n10<\/td>\n2<\/td>\nThree Dog Night<\/td>\nOne man band<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

no. 1 – ronde II – 1 juni 1970 1 – 1 Amsterdam Lucy Lucy 2 – 1 Delaney and Bonny and Friends Free the people 3 – 1 Crabby Appleton Go Back 4 – 1 Mr.Albert Show Wild Sensation 5 – 1 Pretty Things Good Mr.Square 6 – 1 Bintangs He didn’t wanna go […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/220"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=220"}],"version-history":[{"count":3,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/220\/revisions"}],"predecessor-version":[{"id":361,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/220\/revisions\/361"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}