{"id":222,"date":"2016-01-20T15:34:32","date_gmt":"2016-01-20T15:34:32","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=222"},"modified":"2016-01-20T15:34:32","modified_gmt":"2016-01-20T15:34:32","slug":"1971","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/01\/20\/1971\/","title":{"rendered":"1971"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1971 no. 31 ronde II – 4 januari <\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nEmerson Lake & Palmer<\/td>\nLucky man<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nNitti Gritti Dirt Band<\/td>\nMr. Bojangles<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n3<\/td>\nStaptrack<\/td>\nSun free weekend<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nLed Zeppelin<\/td>\nImmigrant song<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAllman Brothers Band<\/td>\nRevival<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPretty Things<\/td>\nOctober 26<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJacky Cornell<\/td>\nEveryday’s torture<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nVivian Stanshall<\/td>\nSuspicion<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nTen Years After<\/td>\nI’m going home<\/td>\n<\/tr>\n
no. 32 ronde II – 11 januari 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nPretty Things<\/td>\nOctober 26<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nEmerson Lake & Palmer<\/td>\nLucky man<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nJacky Cornell<\/td>\nEveryday’s torture<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nVivian Stanshall<\/td>\nSuspicion<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nTime and a word (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nIron Butterfly<\/td>\nSoul experience<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nEric Burdon & War<\/td>\nThey can’t take away our music<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n2<\/td>\nAllman Brothers Band<\/td>\nRevival<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n4<\/td>\nNitti Gritti Dirt Band<\/td>\nMr. Bojangles<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n4<\/td>\nStaptrack<\/td>\nSunfree weekend<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nFairweather<\/td>\nRoad to freedom<\/td>\n<\/tr>\n
no. 33 ronde II – 18 januari 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nJacky Cornell<\/td>\nEveryday’s torture<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nPretty Things<\/td>\nOctober 26<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nEmerson Lake & Palmer<\/td>\nLucky man<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nEric Burdon & War<\/td>\nThey can’t take away our music<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n3<\/td>\nVivian Stanshall<\/td>\nSuspicion<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBloodrock<\/td>\nD.O.A. (Dead On Arrival)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nMother<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDonovan<\/td>\nCelia of seals<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nLet your love go<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n3<\/td>\nAllman Brothers Band<\/td>\nRevival<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nTom Jones<\/td>\nShe’s a lady (intro)<\/td>\n<\/tr>\n
no. 34 ronde II – 25 januari 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n4<\/td>\nPretty Things<\/td>\nOctober 26<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nBloodrock<\/td>\nD.O.A.<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n3<\/td>\nEric Burdon & War<\/td>\nThey can’t take away our music<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n5<\/td>\nEmerson Lake & Palmer<\/td>\nLucky man<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n2<\/td>\nTen Years After<\/td>\nI’m going home<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n2<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nBread<\/td>\nLet your love go<\/td>\n<\/tr>\n
8<\/td>\n1<\/td>\n4<\/td>\nJacky Cornell<\/td>\nEveryday’s torture<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nIron Butterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n4<\/td>\nVivian Stanshall<\/td>\nSuspicion<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n2<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nMother<\/td>\n<\/tr>\n
no. 35 ronde II – 1 februari 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nBloodrock<\/td>\nD.O.A.<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n4<\/td>\nEric Burdon & War<\/td>\nThey can’t take away our music<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n5<\/td>\nPretty Things<\/td>\nOctober 26<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n3<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nIron Butterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nNeil Young<\/td>\nWhen you dance I can really love<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nElton John<\/td>\nYour song<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nNanda<\/td>\nEverything’s allright<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGordon Lightfoot<\/td>\nIf you could read my mind<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n3<\/td>\nTen Years After<\/td>\nI’m going home<\/td>\n<\/tr>\n
no. 36 ronde II – 8 februari 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n4<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nBloodrock<\/td>\nD.O.A.<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nNeil Young<\/td>\nWhen you dance I can really love<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n3<\/td>\nIron Butterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nGordon Lightfoot<\/td>\nIf you could read my mind<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nNanda<\/td>\nEverything’s allright<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFamily<\/td>\nMe, my friend<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n2<\/td>\nElton John<\/td>\nYour song<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFleetwood Mac<\/td>\nJewel eyed Judy<\/td>\n<\/tr>\n
10<\/td>\n2<\/td>\n5<\/td>\nEric Burdon & War<\/td>\nThey can’t take away our music<\/td>\n<\/tr>\n
no. 37 ronde II – 15 februari 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n4<\/td>\nIron Butterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n5<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nFleetwood Mac<\/td>\nJewel eyed Judy<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n3<\/td>\nNanda<\/td>\nEverything’s allright<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nFamily<\/td>\nMe, my friend<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nNeil Young<\/td>\nSouthern man<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n2<\/td>\nNeil Young<\/td>\nWhen you dance I can really love<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n5<\/td>\nGordon Lightfoot<\/td>\nIf you could read my mind<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n1<\/td>\nBloodrock<\/td>\nD.O.A.<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nthe Yes Album (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n<\/td>\nVan Morrison<\/td>\nSpanish rose<\/td>\n<\/tr>\n
no. 38 ronde II – 22 februari 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nGeorge Harrison<\/td>\nWhat is life<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n5<\/td>\nIron Butterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nFleetwood Mac<\/td>\nBlue eyed Judy<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n6<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSandy Coast<\/td>\nTrue love that’s a wonder<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n3<\/td>\nFamily<\/td>\nMe my friend<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nFree<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nNanda<\/td>\nEverything’s allright<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nDeep Purple<\/td>\nStrange kinda woman<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n2<\/td>\nNeil Young<\/td>\nSouthern man<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n4<\/td>\nNeil Young<\/td>\nWhen you dance I can really love<\/td>\n<\/tr>\n
no. 39 ronde II – 1 maart 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n2<\/td>\nGeorge Harrison<\/td>\nWhat is life<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nChicago<\/td>\nFree<\/td>\n<\/tr>\n
4<\/td>\n10<\/td>\n3<\/td>\nNeilYoung<\/td>\nSouthern man<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n6<\/td>\nDeepPurple<\/td>\nChild in time<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nDeepPurple<\/td>\nStrange kinda woman<\/td>\n<\/tr>\n
6<\/td>\n6<\/td>\n2<\/td>\nSandy Coast<\/td>\nTrue love that’s a wonder<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n6<\/td>\nIronButterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n4<\/td>\nFleetwood Mac<\/td>\nBlue eyed Judy<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
no. 40 ronde II – 8 maart 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n10<\/td>\n2<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nJimi Hendrix Experience<\/td>\nFreedom<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nJimi Hendrix Experience<\/td>\nCry of love (LP)<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n3<\/td>\nGeorge Harrison<\/td>\nWhat is life<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n4<\/td>\nNeil Young<\/td>\nSouthern man<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPebbles<\/td>\nTo the rising sun<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n7<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nTen Years After<\/td>\nWalking on the road<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n3<\/td>\nChicago<\/td>\nFree<\/td>\n<\/tr>\n
no. 41 ronde II – 15 maart 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n2<\/td>\nJimi Hendrix Experience<\/td>\nFreedom<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n2<\/td>\nJimi Hendrix Experience<\/td>\nCry of love (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSeatrain<\/td>\n13 Questions<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nStephen Stills<\/td>\nSit yourself down<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nTen Years After<\/td>\nWalking on the road<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFleetwood Mac<\/td>\nDragonfly<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSugarloaf<\/td>\nTongue in cheek<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAfter Tea<\/td>\nI’m here and nowhere else<\/td>\n<\/tr>\n
no. 42 ronde II – 22 maart 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nSeatrain<\/td>\n13 Questions<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nJimi Hendrix Experience<\/td>\nFreedom<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nStephen Stills<\/td>\nSit yourself down<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n4<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n4<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nFleetwood Mac<\/td>\nDragon fly<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nPower to the people<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDavid Crosby<\/td>\nIf I could only remember my name (LP)<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n3<\/td>\nTen Years After<\/td>\nWalking on the road<\/td>\n<\/tr>\n
no. 43 ronde II – 29 maart 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n4<\/td>\nJimi Hendrix Experience<\/td>\nFreedom<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nSeatrain<\/td>\n13 Questions<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n5<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nPower to the people<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSugarloaf<\/td>\nTongue in cheek<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nDavid Crosby<\/td>\nIf I could only remember my name (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n5<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nStephen Stills<\/td>\nSit yourself down<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n5<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
no. 44 ronde II – 5 april 1971 <\/b><\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n–<\/td>\ngeen nr.1<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n6<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nSeatrain<\/td>\n13 Questions<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nSugarloaf<\/td>\nTongue in cheek<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nLove her madley<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBuoys<\/td>\nTimothy<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n5<\/td>\nJimi Hendrix Experience<\/td>\nFreedom<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFortunes<\/td>\nHere comes that rainy day feeling again<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGreenfield & Cook<\/td>\nA day begins (Peter Groeneveld & Rink Kok)<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n6<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
11<\/td>\n–<\/td>\n1<\/td>\nFour Tops<\/td>\nIt’s the same old song<\/td>\n<\/tr>\n
no. 45 ronde II – 12 april 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nDoors<\/td>\nLove her madley<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nBuoys<\/td>\nTimothy<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nSugarloaf<\/td>\nTongue in cheek<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSeptember<\/td>\nJelly Rose<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nMarvin, Welch & Farrar<\/td>\nFaithfull<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nRingo Starr<\/td>\nIt don’t come easy<\/td>\n<\/tr>\n
8<\/td>\n11<\/td>\n2<\/td>\nFour Tops<\/td>\nIt’s the same old song<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n5<\/td>\nSeatrain<\/td>\n13 Questions<\/td>\n<\/tr>\n
10<\/td>\n2<\/td>\n7<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
no. 46 ronde II – 19 april 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nRingo Starr<\/td>\nIt don’t come easy<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n4<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nDoors<\/td>\nLove her madly<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nBuoys<\/td>\nTimothy<\/td>\n<\/tr>\n
5<\/td>\n6<\/td>\n2<\/td>\nMarvin, Welch & Farrar<\/td>\nFaithful<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nEric Burdon & War<\/td>\nPaint it black<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nLucifer’s Friend<\/td>\nRide the sky<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n2<\/td>\nSeptember<\/td>\nJelly rose<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCrabby Appleton<\/td>\nCrab on<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n4<\/td>\nSugarloaf<\/td>\nTongue in cheek<\/td>\n<\/tr>\n
no. 47 ronde II – 26 april 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n4<\/td>\nDoors<\/td>\nLove her madly<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nLucifer’s Friend<\/td>\nRide the sky<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nCrosby Stills Nash & Young<\/td>\nFourway street (LP)<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n5<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSteve Gibbons<\/td>\nAllright now<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n4<\/td>\nBuoys<\/td>\nTimothy<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n3<\/td>\nMarvin, Welch & Farrar<\/td>\nFaithfull<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n2<\/td>\nEric Burdon & War<\/td>\nPaint it black<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJethro Tull<\/td>\nHymn 43<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBintangs<\/td>\nI’m on my own again<\/td>\n<\/tr>\n
no.48 ronde II – 3 mei 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n9<\/td>\n2<\/td>\nJohn Kongos<\/td>\nHe’s gonna step on you again<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n2<\/td>\nSteve Gibbons<\/td>\nAll right now<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nNitty Gritti Dirt Band<\/td>\nHouse at Pooh Corner<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nLucifer’s Friend<\/td>\nRide the sky<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nLow down<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n6<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nJethro Tull<\/td>\nHymn 43<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFree<\/td>\nMy brother Jack<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n2<\/td>\nCrosby Stills Nash & Young<\/td>\nFourway street (LP)<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n5<\/td>\nBuoys<\/td>\nTimothy<\/td>\n<\/tr>\n
no.49 ronde II – 10 mei 1971 <\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nNitti Gritti Dirt Band<\/td>\nHouse at Pooh Corner<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nJohn Kongos<\/td>\nHe’s gonna step on you again<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nDerek & the Domino’s<\/td>\nLayla<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nSteve Gibbons<\/td>\nAllright now<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n2<\/td>\nChicago<\/td>\nLow down<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n4<\/td>\nLucifer’s Friend<\/td>\nRide the sky<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nTuesday’s dead<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nFree<\/td>\nMy brother Jake<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAshton Gardner & Dyke<\/td>\nCan you get it<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n7<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
no.50 ronde II – 17 mei 1971 (geflopte
\nNo.1 in de ABTT)<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nDerek & the Domino’s<\/td>\nLayla<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nThunderclap Newman<\/td>\nAccidents<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nBlack Widow<\/td>\nCome to the sabbath<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nSweet dreams<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nAlive and kickin’<\/td>\nTighter tighter<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nChicken Shack<\/td>\nSad clown<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nMachine<\/td>\nRainmaker<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nCrosby Stills Nash & Young<\/td>\nAlmost cut my hair<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nNeil Young & Crazy Horse<\/td>\nCinnamon Girl<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nQuicksilver<\/td>\nFresh air<\/td>\n<\/tr>\n
11<\/td>\n<\/td>\n<\/td>\nKevin Ayers & the whole world<\/td>\nButterfly dance<\/td>\n<\/tr>\n
12<\/td>\n<\/td>\n<\/td>\nSavage Grace<\/td>\nAll along the watchtower<\/td>\n<\/tr>\n
13<\/td>\n<\/td>\n<\/td>\nPatricia & Golden Earring<\/td>\nTell me<\/td>\n<\/tr>\n
14<\/td>\n<\/td>\n<\/td>\nBloodrock<\/td>\nD.O.A.<\/td>\n<\/tr>\n
15A<\/td>\n<\/td>\n<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
15B<\/td>\n<\/td>\n<\/td>\nIron Butterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
16<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
17<\/td>\n<\/td>\n<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
18<\/td>\n<\/td>\n<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
19<\/td>\n<\/td>\n<\/td>\nSeatrain<\/td>\n13 Questions<\/td>\n<\/tr>\n
20<\/td>\n<\/td>\n<\/td>\nNitti Gritti Dirt Band<\/td>\nHouse at Pooh Corner<\/td>\n<\/tr>\n
no. 51 ronde II – 24 mei 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nDerek & the Domino’s<\/td>\nLayla<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n3<\/td>\nChicago<\/td>\nLow down<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n3<\/td>\nNitti Gritti Dirt Band<\/td>\nHouse at Pooh Corner<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nHollies<\/td>\nHey Willy<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n4<\/td>\nJohn Kongos<\/td>\nHe’s gonna step on you again<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nEast of Eden<\/td>\nJig-a-jig<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n4<\/td>\nSteve Gibbons<\/td>\nAll right now<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nTemple<\/td>\nSearching for places<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBureno Brothers<\/td>\nI shall not be moved<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n3<\/td>\nFree<\/td>\nMy brother Jake<\/td>\n<\/tr>\n
no. 52 ronde II – 31 mei 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nMove<\/td>\nTonight<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nEast of Eden<\/td>\nJig-a-jig<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nGraham Nash<\/td>\nChicago<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nPaul McCartney<\/td>\nRam (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nFisher and Friends<\/td>\nIsland of hope<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n4<\/td>\nDerek & the Domino’s<\/td>\nLayla<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nByrds<\/td>\nI trust<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n4<\/td>\nChicago<\/td>\nLow down<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nIsa\u00e4c Hayes<\/td>\nNever can say goodbye<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n4<\/td>\nNitti Gritti Dirt Band<\/td>\nHouse at Pooh Corner<\/td>\n<\/tr>\n
11<\/td>\n–<\/td>\n1<\/td>\nMarvin Welch & Farrar<\/td>\nLady of the morning<\/td>\n<\/tr>\n
no. 53 ronde II – 07 juni 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nGraham Nash<\/td>\nSongs for beginners (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nMove<\/td>\nTonight<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nByrds<\/td>\nI trust<\/td>\n<\/tr>\n
4<\/td>\n11<\/td>\n2<\/td>\nMarvin, Welch & Farrar<\/td>\nLady of the morning<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n2<\/td>\nPaul McCartney<\/td>\nRam (LP)<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nEast of Eden<\/td>\nJig-a-jig<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nStephen Stills<\/td>\nChange partners<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n2<\/td>\nFisher and Friends<\/td>\nIsland of hope<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBrainbox<\/td>\nVirgin<\/td>\n<\/tr>\n
no. 54 ronde II – 14 juni 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nMarvin Welsh & Farrar<\/td>\nLady of the morning<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nByrds<\/td>\nI trust<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nGraham Nash<\/td>\nChicago<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nMove<\/td>\nTonight<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nStephen Stills<\/td>\nChange partners<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nBrainbox<\/td>\nVirgin<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nMatthews Southern Comfort<\/td>\nI sure like your smile<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nCrazy Horse<\/td>\nDown town<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSlade<\/td>\nGet down and get with it<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCobra<\/td>\nI’m in love<\/td>\n<\/tr>\n
no. 55 ronde II – 21 juni 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n4<\/td>\nMarvin Welch & Farrar<\/td>\nLady of the morning<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nWild Horses<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n3<\/td>\nCrazy Horse<\/td>\nDowntown<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n3<\/td>\nBrainbox<\/td>\nVirgin<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n4<\/td>\nMove<\/td>\nTonight<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nMatthews Southern Comfort<\/td>\nI sure like your smile<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBuoys<\/td>\nGive up your guns<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nCobra<\/td>\nI’m in love<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nSlade<\/td>\nGet down and get with it<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCarole King<\/td>\nYou’ve got a friend<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nHamilton, Joe Frank & Reynolds<\/td>\nDon’t pull your love<\/td>\n<\/tr>\n
no. 56 ronde II – 28 juni 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nBlack Swan<\/td>\nEchoes and rainbows<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nBuoys<\/td>\nGive up your gun<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n2<\/td>\nRolling Stones<\/td>\nWild horses<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nLong promised road<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n5<\/td>\nMarvin Welch & Farrar<\/td>\nLady of the morning<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n3<\/td>\nMatthews Southern Comfort<\/td>\nI sure like your smile<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFocus<\/td>\nHocus Pocus<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nRiders on the storm<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nChase<\/td>\nGet it on<\/td>\n<\/tr>\n
no. 57 ronde II – 05 juli 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nRolling Stones<\/td>\nWild horses<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nWon’t get fooled again<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nBeach Boys<\/td>\nLong promised road<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nBuoys<\/td>\nGive up your guns<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
5<\/td>\n10<\/td>\n2<\/td>\nChase<\/td>\nGet it on<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nDoors<\/td>\nRiders on the storm<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nFocus<\/td>\nHocus Pocus<\/td>\n<\/tr>\n
8<\/td>\n1<\/td>\n2<\/td>\nBlack Swan<\/td>\nEchoes and rainbows<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nLiving without you<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nJethro Tull<\/td>\nLocomotive breath<\/td>\n<\/tr>\n
no. 58 ronde II – 12 juli 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n3<\/td>\nDoors<\/td>\nRiders on the storm<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n2<\/td>\nWho<\/td>\nWon’t get fooled again<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n3<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n3<\/td>\nChase<\/td>\nGet it on<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n4<\/td>\nRolling Stones<\/td>\nWild horses<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nMother freedom<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBig Wheel<\/td>\nPlease excuse me<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n3<\/td>\nBeach Boys<\/td>\nLong promised road<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nHurricane Smith<\/td>\nDon’t lt it die<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n4<\/td>\nBuoys<\/td>\nGive up your guns<\/td>\n<\/tr>\n
no. 59 ronde II – 19 juli 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n4<\/td>\nDoors<\/td>\nRiders on the storm<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nDavid Crosby<\/td>\nOrleans<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nFamily<\/td>\nIn my own time<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nBread<\/td>\nMother freedom<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n4<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nPaul McCartney<\/td>\nEat at home<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n2<\/td>\nBig Wheel<\/td>\nPlease excuse me<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nRuby love<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n4<\/td>\nChase<\/td>\nGet it on<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nLiar<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCasey & Golden Earring<\/td>\nComing home baby<\/td>\n<\/tr>\n
no. 60 ronde II – 26 juli 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nDavid Crosby<\/td>\nOrleans<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nFamily<\/td>\nIn my own time<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n3<\/td>\nBread<\/td>\nMother Freedom<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nThree Dog Night<\/td>\nLiar<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n5<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nFather and son<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nCasey & Golden Earring<\/td>\nComing home baby<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nT.Rex<\/td>\nGet it on<\/td>\n<\/tr>\n
9<\/td>\n7<\/td>\n3<\/td>\nBig Wheel<\/td>\nPlease excuse me<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n2<\/td>\nCat Stevens<\/td>\nRuby love<\/td>\n<\/tr>\n
no. 61 ronde II – 02 augustus 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nCat Stevens<\/td>\nFather and son<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nDavid Crosby<\/td>\nOrleans<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n3<\/td>\nThree Dog Night<\/td>\nLiar<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n6<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nGeorge Harrison & Friends<\/td>\nBangla Desh<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nT.Rex<\/td>\nGet it on<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n3<\/td>\nCasey & Golden Earring<\/td>\nComing home baby<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nStephen Stills<\/td>\nMarianne<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nStephen Stills<\/td>\nStephen Stills 2 (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBlood Sweat & Tears<\/td>\nGo down gambling<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRare Earth<\/td>\nI just want to celebrate<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAtomic Rooster<\/td>\nDevil’s answer<\/td>\n<\/tr>\n
no. 62 ronde II – 09 augustus 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nGeorge Harrison & Friends<\/td>\nBangla Desh<\/td>\n<\/tr>\n
2<\/td>\n10<\/td>\n2<\/td>\nAtomic Rooster<\/td>\nDevil’s answer<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nCat Stevens<\/td>\nFather and son<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n4<\/td>\nThree Dog Night<\/td>\nLiar<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nStephen Stills<\/td>\nMarianne<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nStephen Stills<\/td>\nStephen Stills 2 (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nMoody Blues<\/td>\nStory in your eyes<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n4<\/td>\nCasey & Golden Earring<\/td>\nComing home baby<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nRare Earth<\/td>\nI just want to celbrate<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nJupiter<\/td>\nPaper trees<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n7<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
10<\/td>\n2<\/td>\n4<\/td>\nDavid Crosby<\/td>\nOrkans<\/td>\n<\/tr>\n
no. 63 ronde II – 16 augustus 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nAtomic Rooster<\/td>\nDevil’s answer<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nMoody Blues<\/td>\nStory in your eyes<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nStephen Stills<\/td>\nMarianne<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nGeorge Harrison & Friends<\/td>\nBangla Desh<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nWho’s next (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSandy Coast<\/td>\nJust a friend<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n5<\/td>\nThree Dog Night<\/td>\nLiar<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nGuess Who<\/td>\nRain dance<\/td>\n<\/tr>\n
9<\/td>\n7<\/td>\n5<\/td>\nCasey & Golden Earring<\/td>\nComing home baby<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n4<\/td>\nCat Stevens<\/td>\nFather and son<\/td>\n<\/tr>\n
no. 64 ronde II – 23 augustus 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n4<\/td>\nStephen Stills<\/td>\nMarianne<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nAtomic Rooster<\/td>\nDevil’s answer<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nWho<\/td>\nWho’s next (LP)<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n2<\/td>\nMoody Blues<\/td>\nStory in your eyes<\/td>\n<\/tr>\n
5<\/td>\n6<\/td>\n2<\/td>\nSandy Coast<\/td>\nJust a friend<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nPaul McCartney<\/td>\nUncle Albert\/Admiral Halsey<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSupersister<\/td>\nTo the highest bidder (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nGraham Nash<\/td>\nMilitary madness<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFlying Burrito Brothers<\/td>\nColorado<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n6<\/td>\nThree Dog Night<\/td>\nLiar<\/td>\n<\/tr>\n
Cees Man in ‘t Veld Top Tien – 30 augustus\u00a01971<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
no. 65 ronde II – 06 september 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nSupersister<\/td>\nTo the highest bidder (LP)<\/td>\n<\/tr>\n
2<\/td>\n9<\/td>\n2<\/td>\nFlying Burrito Brothers<\/td>\nColorado<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nGraham Nash<\/td>\nMilitary madness<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n5<\/td>\nAtomic Rooster<\/td>\nThe devil’s answer<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n3<\/td>\nWho<\/td>\nWho’s next (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nMothers of Invention<\/td>\nTears began to fall<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n4<\/td>\nMoody Blues<\/td>\nStory in your eyes<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nBroken barricades<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nMarmelade<\/td>\nCousin Norman<\/td>\n<\/tr>\n
no. 66 ronde II – 13 september 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nMothers of Invention<\/td>\nTears began to fall<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n3<\/td>\nGraham Nash<\/td>\nMilitary madness<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nProcol Harum<\/td>\nBroken barricades<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSupersister<\/td>\nNo tree will grow<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBlack Oak Arkansas<\/td>\nUncle Elyah<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nFlying Burrito Brothers<\/td>\nColorado<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGreenfield & Cook<\/td>\nOnly lies<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n4<\/td>\nWho<\/td>\nWho’s next (LP)<\/td>\n<\/tr>\n
no. 67 ronde II – 20 september 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nBlack Oak Arkansas<\/td>\nUncle Elyah<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nProcol Harum<\/td>\nBroken barricades<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nMothers of Invention<\/td>\nTears began to fall<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n2<\/td>\nSupersister<\/td>\nNo tree will grow<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTen Years After<\/td>\nOne of these days<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nEmerson Lake & Palmer<\/td>\nStone of years<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n4<\/td>\nGraham Nash<\/td>\nMilitary madness<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nIan Matthews<\/td>\nReno Nevada<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nNeil Diamond<\/td>\nGirl you’ll be a woman soon<\/td>\n<\/tr>\n
no. 68 ronde II – 27 september 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n–<\/td>\ngeen nr.1<\/td>\n–<\/td>\n<\/tr>\n
2<\/td>\n9<\/td>\n2<\/td>\nIan Matthews<\/td>\nReno Nevada<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n4<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nBlack Oak Arkansas<\/td>\nUncle Elyah<\/td>\n<\/tr>\n
5<\/td>\n6<\/td>\n2<\/td>\nTen Years After<\/td>\nOne of these days<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nEmerson Lake & Palmer<\/td>\nStone of years<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n4<\/td>\nMothers of Invention<\/td>\nTears began to fall<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJethro Tull<\/td>\nLive’s a long song<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n4<\/td>\nProcol Harum<\/td>\nBroken barricades<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n3<\/td>\nSupersister<\/td>\nNo tree will grow<\/td>\n<\/tr>\n
no. 69 ronde II – 04 oktober 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nImagine (LP)<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n3<\/td>\nEmerson Lake & Palmer<\/td>\nStone of years<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nTen Years After<\/td>\nOne of these days<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n5<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n3<\/td>\nIan Matthews<\/td>\nReno Nevada<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nJethro Tull<\/td>\nLife’s a long song<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nWaiting for the sun<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSingin Dogs<\/td>\nHappy birthday to you<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRod Stewart<\/td>\nMaggie May<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n5<\/td>\nMothers of Invention<\/td>\nTears began to fall<\/td>\n<\/tr>\n
no. 70 ronde II – 11 oktober 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nImagine (LP)<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nDoors<\/td>\nWaiting for the sun<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nRedbone<\/td>\nWitchqueen of New Orleans<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nSurf’s up (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nLook at yourself<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n4<\/td>\nEmerson Lake & Palmer<\/td>\nStone of years<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBand<\/td>\nLive is a carnival<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n6<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n4<\/td>\nIan Matthews<\/td>\nReno Nevada<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nVan Morrison<\/td>\nWild night<\/td>\n<\/tr>\n
no. 71 ronde II – 18 oktober 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nDoors<\/td>\nWaiting for the sun<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nImagine (LP)<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nBeach Boys<\/td>\nSurf’s up (LP)<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nUriah Heep<\/td>\nLook at yourself<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nBand<\/td>\nLive is a carnival<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nVan Morrison<\/td>\nWild night<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFive Men Electrical Band<\/td>\nAbsolutely right<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nC.C.S. (Collective Consciousness Society)<\/td>\nTap turns on the water<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nEarth & Fire<\/td>\nSong of the Marching Children (LP)<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n7<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
no. 72 ronde II – 25 oktober 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nFive Men Electrical Band<\/td>\nAbsolutely right<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n3<\/td>\nBand<\/td>\nLife is a carnival<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n3<\/td>\nUriah Heep<\/td>\nLook at yourself (LP)<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nEarth & Fire<\/td>\nSong of the Marching Children (LP)<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n4<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nImagine (LP)<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nBeach Boys<\/td>\nSurf’s up (LP)<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nC.C.S. (Collective Consciousness Society)<\/td>\nTap turns on the water<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSeptember<\/td>\nLydia Purple<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nBaby I’m a want you<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nFour Tops<\/td>\nSimple game<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBrainbox<\/td>\nDilemma<\/td>\n<\/tr>\n
no. 73 ronde II – 01 november 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nEarth & Fire<\/td>\nSong of the marching children (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nFive Men Electrical Band<\/td>\nAbsolutely right<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n4<\/td>\nUriah Heep<\/td>\nLook at yourself (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBill Withers<\/td>\nAin’t no sunshine<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n5<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nImagine (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSly & Family Stone<\/td>\nFamily affair<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nBread<\/td>\nBaby I’m a want you<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMarvin Welch & Farrar<\/td>\nThe time to care<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nBrainbox<\/td>\nDilemma<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nOld fashioned lovesong<\/td>\n<\/tr>\n
no. 74 ronde II – 08 november 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nBil Withers<\/td>\nAin’t no sunshine<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nSly & Family Stone<\/td>\nFamily affair<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBuffalo Springfield<\/td>\nExpecting to fly<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nEarth & Fire<\/td>\nSong of the marching children (LP)<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n4<\/td>\nFime Men Electrical Band<\/td>\nAbsolutely right<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nThree Dog Night<\/td>\nOld fashioned love song<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nIsa\u00e4c Hayes<\/td>\nTheme from Shaft<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nMarvin Welch & Farrar<\/td>\nThe time to care<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSlade<\/td>\nCoz I luv you<\/td>\n<\/tr>\n
10<\/td>\n9<\/td>\n3<\/td>\nBread<\/td>\nBaby I’m a want you<\/td>\n<\/tr>\n
no. 75 ronde II – 15 november 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nFragile (LP)<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n3<\/td>\nThree Dog Night<\/td>\nOld fashioned love song<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nIsa\u00e4c Hayes<\/td>\nTheme from Shaft<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nSly & Family Stone<\/td>\nFamily affair<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nBil Withers<\/td>\nAin’t no sunshine<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n2<\/td>\nBuffalo Springfield<\/td>\nExpecting to fly<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nSlade<\/td>\nCoz I luv you<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nGeorge Kooijman<\/td>\nJojo (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nRod Stewart & Faces<\/td>\nI know I’m losing you<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n3<\/td>\nMarvin Welch & Farrar<\/td>\nThe time to care<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n5<\/td>\nEarth & Fire<\/td>\nSong of the marching children (LP)<\/td>\n<\/tr>\n
op 22 november 1971: wegens storm geen ABTT, nr. 76 doorgeschoven naar volgende week (29 november 1971)<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
no. 76 ronde II – 29 november 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nYes<\/td>\nFragile (LP)<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n4<\/td>\nSly & Family Stone<\/td>\nFamily affair<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nIsa\u00e4c Hayes<\/td>\nTheme from Shaft<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nThree Dog Night<\/td>\nOld fashioned lovesong<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n3<\/td>\nSlade<\/td>\nCoz I luv you<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nGeorge Kooijmans<\/td>\nJo Jo (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTony Joe White<\/td>\nDelta love<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nRod Stewart & Faces<\/td>\nI know I’m losing you<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nGrand Funk Railroad<\/td>\nPeople let’s stop the war<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDeep Purple<\/td>\nFire ball<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n3<\/td>\nBuffalo Springfield<\/td>\nExpecting to fly<\/td>\n<\/tr>\n
no. 77 ronde II – 06 december 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n5<\/td>\nSly & Family Stone<\/td>\nFamily affair<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nYes<\/td>\nFragile (LP)<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nGrand Funk Railroad<\/td>\nPeople let’s stop the war<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBuoys<\/td>\nBloodknot<\/td>\n<\/tr>\n
5<\/td>\n6<\/td>\n2<\/td>\nTony Joe White<\/td>\nDelta love<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTwee Pinten<\/td>\nAls ik jou kus<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n5<\/td>\nThree Dog Night<\/td>\nOld fashioned lovesong<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nArgent<\/td>\nHold your head up<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSpencer Davis Group<\/td>\nMaxi gold<\/td>\n<\/tr>\n
9<\/td>\n7<\/td>\n2<\/td>\nRod Stewart & Faces<\/td>\nI know I’m losing you<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n3<\/td>\nGeorge Kooijmans<\/td>\nJoJo (LP)<\/td>\n<\/tr>\n
no. 78 ronde II – 13 december 1971<\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nArgent<\/td>\nHold your head up<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nBuoys<\/td>\nBloodknot<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nBehind blue eyes<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n6<\/td>\nSly & Family Stone<\/td>\nFamily affair<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n4<\/td>\nYes<\/td>\nFragile (LP)<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nSpencer Davis Group<\/td>\nMaxi Gold<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n3<\/td>\nGrand Funk Railroad<\/td>\nPeople let’s stop the war<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n3<\/td>\nTony Joe White<\/td>\nDelta love<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBob Dylan<\/td>\nGeorge Jackson<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBadfinger<\/td>\nDay after day<\/td>\n<\/tr>\n
beste platen volgens de collega’s – 20\u00a0december 1971<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBob Dylan<\/td>\nGeorge Jackson<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAmerica<\/td>\nHorse with no name<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nTopaz<\/td>\nChristmas<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nUndisputed Truth<\/td>\nBall of confusion<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nJohn Lennon<\/td>\nImagine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGilbert O’Sullivan<\/td>\nNo matter how I try<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWho<\/td>\nMeaty Beaty Big and Bouncy (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRod Stewart<\/td>\nI know I’m losing you<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWho<\/td>\nMeaty Beaty Big and Bouncy (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nJose Feliciano<\/td>\nFeliz Navidad<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nBaby I’m a want you<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nArgent<\/td>\nHold your head up<\/td>\n<\/tr>\n
no. 79 ronde II – 27 december 1971<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nArgent<\/td>\nHold your head up<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nIan Matthews<\/td>\nReno Nevada<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBuoys<\/td>\nTimothy<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBuoys<\/td>\nGive up your guns<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBuoys<\/td>\nBloodknot<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nEarth & Fire<\/td>\nSong of the marching children (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMove<\/td>\nNight of fear<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWho<\/td>\nBehind blue eyes<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPaul McCartney<\/td>\nRam (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSupersister<\/td>\nTo the highest bidder (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBadfinger<\/td>\nDay after day<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nIt don’t matter to me<\/td>\n<\/tr>\n
Top Tien over 1971 – 27 december 1971<\/b><\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nIron Butterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nPretty Things<\/td>\nOctober 26<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nJohn Lennon & Plastic Ono Band<\/td>\nImagine (LP)<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nSly & Family Stone<\/td>\nFamily affair<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nDeep Purple<\/td>\nChild in Time<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

1971 no. 31 ronde II – 4 januari 1 3 2 Emerson Lake & Palmer Lucky man 2 1 3 Nitti Gritti Dirt Band Mr. Bojangles 3 7 3 Staptrack Sun free weekend 4 2 4 Led Zeppelin Immigrant song 5 – 1 Allman Brothers Band Revival 6 – 1 Deep Purple Child in time […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/222"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=222"}],"version-history":[{"count":1,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/222\/revisions"}],"predecessor-version":[{"id":223,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/222\/revisions\/223"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}