{"id":226,"date":"2016-01-20T15:40:45","date_gmt":"2016-01-20T15:40:45","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=226"},"modified":"2016-01-28T15:33:46","modified_gmt":"2016-01-28T15:33:46","slug":"1972","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/01\/20\/1972\/","title":{"rendered":"1972"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
no. 80 ronde II – 3 januari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nHorse with no name<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nWho<\/td>\nBehind blue eyes<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nArgent<\/td>\nHold your head up<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nByrds<\/td>\nAmerica’s great national pastime<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n3<\/td>\nBuoys<\/td>\nBloodknot<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nMorning has broken<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nBadfinger<\/td>\nDay after day<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDizzy Man’s Band<\/td>\nA matter of facts<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nKinks<\/td>\n20th Century man<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n5<\/td>\nYes<\/td>\nFragile (LP)<\/td>\n<\/tr>\n
no. 81 ronde II – 10 januari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nAmerica<\/td>\nHorse with no name<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nByrds<\/td>\nAmerica’s great national pastime<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nCat Stevens<\/td>\nMorning has broken<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n3<\/td>\nBadfinger<\/td>\nDay after day<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n3<\/td>\nWho<\/td>\nBehind blue eyes<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nJethro Tull<\/td>\nLocomotive breath<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n4<\/td>\nArgent<\/td>\nHold your head up<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nNever been to Spain<\/td>\n<\/tr>\n
9<\/td>\n9<\/td>\n2<\/td>\nKinks<\/td>\n20th Century man<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n4<\/td>\nBuoys<\/td>\nBloodknot<\/td>\n<\/tr>\n
no. 82 ronde II – 17 januari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nJethro Tull<\/td>\nLocomotive breath<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nByrds<\/td>\nAmerica’s great national pastime<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n3<\/td>\nCat Stevens<\/td>\nMorning has broken<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n4<\/td>\nBadfinger<\/td>\nDay after day<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n2<\/td>\nThree Dog Night<\/td>\nNever been tot Spain<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n4<\/td>\nWho<\/td>\nBehind blue eyes<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nNeil Young<\/td>\nHarvest (LP)<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n5<\/td>\nArgent<\/td>\nHold your head up<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nElton John<\/td>\nLevon<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nGrassroots<\/td>\nMidnight confessions<\/td>\n<\/tr>\n
no. 83 ronde II – 24 januari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nRoundabout<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nJethro Tull<\/td>\nLocomotive Breath<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n4<\/td>\nCat Stevens<\/td>\nMorning has broken<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n3<\/td>\nThree Dog Night<\/td>\nNever been to Spain<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nNeil Young<\/td>\nHarvest (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLivin’ Blues<\/td>\nLB boogie<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nElectric Prunes<\/td>\nI had too much to dream<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDon McLean<\/td>\nAmerican Pie<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nElton John<\/td>\nLevon<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n4<\/td>\nByrds<\/td>\nAmerica’s great national pastime<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n5<\/td>\nBadfinger<\/td>\nDay after day<\/td>\n<\/tr>\n
no. 84 ronde II – 31 januari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nYes<\/td>\nRoundabout<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nLivin’ Blues<\/td>\nLB boogie<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nNeil Young<\/td>\nHarvest (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nEverything I own<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAmboy Dukes<\/td>\nJourney to the center of the mind<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLighthouse<\/td>\nLittle kind words<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n4<\/td>\nJethro Tull<\/td>\nLocomotive breath<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nChase<\/td>\nSo many people<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n5<\/td>\nCat Stevens<\/td>\nMorning has broken<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nGrand Funk Railroad<\/td>\nFootstomping music<\/td>\n<\/tr>\n
no. 85 ronde II – 7 februari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nYes<\/td>\nRoundabout<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nLighthouse<\/td>\nLittle kind words<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nBread<\/td>\nEverything I own<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nChase<\/td>\nSo many people<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nPeter & Gordon<\/td>\nI go to pieces<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSly & Family Stone<\/td>\nRunning away<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nLivin’ Blues<\/td>\nLB boogie<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nApollo 100<\/td>\nJesu Joy<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSandy Coast<\/td>\nTwo little creatures<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCher<\/td>\nThe way of love<\/td>\n<\/tr>\n
no. 86 ronde II – 14 februari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nLighthouse<\/td>\nLittle kind words<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nChase<\/td>\nSo many people<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nSly & Family Stone<\/td>\nRunnin’ away<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nYes<\/td>\nRoundabout<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLocomotive<\/td>\nMr. Armageddon<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nBread<\/td>\nEverything I own<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nChickory Tip<\/td>\nSon of my father<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBlack Sabbath<\/td>\nIron man<\/td>\n<\/tr>\n
9<\/td>\n7<\/td>\n4<\/td>\nLivin’ Blues<\/td>\nLB boogie<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n2<\/td>\nApollo 100<\/td>\nJesu Joy<\/td>\n<\/tr>\n
no. 87 ronde II – 21 februari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nBeatles<\/td>\nMedley<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nLighthouse<\/td>\nLittle kind words<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n3<\/td>\nSly & Family Stone<\/td>\nRunnin’ away<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nBlack Sabbath<\/td>\nIron man<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nColin Blunstone<\/td>\nCaroline goodbye<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nHeads, Hands & Feet<\/td>\nDelaware<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nKitty<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nLoggins & Messina<\/td>\nVahevala<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nJake Holmes<\/td>\nTrust me<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n4<\/td>\nBread<\/td>\nEverything I own<\/td>\n<\/tr>\n
no. 88 ronde II – 28 februari 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nBeatles<\/td>\nMedley<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nBlack Sabbath<\/td>\nIron man<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nHeads, Hands & Feet<\/td>\nDelaware<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nColin Blunstone<\/td>\nCaroline goodbye<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nCat Stevens<\/td>\nKitty<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nLoggins & Messina<\/td>\nVahevala<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nJake Holmes<\/td>\nTrust me<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBrainbox<\/td>\nApart of me is a part of you<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n5<\/td>\nLighthouse<\/td>\nLittle kind words<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n4<\/td>\nSly & the Family Stone<\/td>\nRunnin’ away<\/td>\n<\/tr>\n
no. 89 ronde II – 6 maart 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nColin Blunstone<\/td>\nCaroline goodbye<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nHeads Hands & Feet<\/td>\nDelaware<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nCat Stevens<\/td>\nKitty<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nBlack Sabbath<\/td>\nIron man<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n3<\/td>\nJake Holmes<\/td>\nTrust me<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nBrainbox<\/td>\nA part of me is a part of you<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nDoggs<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nGreenfield & Cook<\/td>\nDon’t turn me loose<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n3<\/td>\nLoggins & Messina<\/td>\nVahevala<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nJethro Tull<\/td>\nThick als a brick (LP)<\/td>\n<\/tr>\n
no. 90 ronde II – 13 maart 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n4<\/td>\nColin Blunstone<\/td>\nCaroline goodbye<\/td>\n<\/tr>\n
2<\/td>\n10<\/td>\n2<\/td>\nJethro Tull<\/td>\nThick as a brick (LP)<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n4<\/td>\nCat Stevens<\/td>\nKitty<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nEmerson Lake & Palmer<\/td>\nNutrocker<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nRupert walpurgis<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nManfred Mann’s Earth Band<\/td>\nLiving without you<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n4<\/td>\nHeads Hands & Feet<\/td>\nDelaware<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n5<\/td>\nBlack Sabbath<\/td>\nIron man<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nChristie<\/td>\nIron horse<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPagliaro<\/td>\nLovin’you ain’t easy<\/td>\n<\/tr>\n
no. 91 ronde II – 20 maart 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nRingo Starr<\/td>\nBack off Boogaloo<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nJethro Tull<\/td>\nThick as a brick (LP)<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nEmerson Lake & Palmer<\/td>\nNutrocker<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n5<\/td>\nColin Blunstone<\/td>\nCaroline goodbye<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nGroep 1850<\/td>\nZero<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nManassas<\/td>\nIt doesn’t matter<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n5<\/td>\nCat Stevens<\/td>\nKitty<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n2<\/td>\nManfred Mann’s Earth Band<\/td>\nLivin’ without you<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nMarvin Welch & Farrar<\/td>\nMarmaduke<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\ngeen radioplaatje<\/td>\n<\/td>\n<\/tr>\n
no. 92 ronde II – 27 maart 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nDiv.\u00a0Uitvoeringen<\/td>\nNotenkraker suite<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nJethro Tull<\/td>\nThick as a brick (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nSimon Stokes & Nighthawks<\/td>\nVoodoo woman<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDr.Hook & the Medicine Show<\/td>\nSylvia’s mother<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n6<\/td>\nCat Stevens<\/td>\nKitty<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nRingo Starr<\/td>\nBack off Boogaloo<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nMarvin Welsh & Farrar<\/td>\nMarmaduke<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nShips with sails<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n2<\/td>\nManassas<\/td>\nIt doens’t matter<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n6<\/td>\nColin Blunstone<\/td>\nCaroline goodbye<\/td>\n<\/tr>\n
hitparade van 5 februari 1966 – 3 april\u00a01972<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
no. 93 ronde II – 10 april 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nEarth & Fire<\/td>\nMemories<\/td>\n<\/tr>\n
2<\/td>\n9<\/td>\n3<\/td>\nManassas<\/td>\nIt doesn’t matter<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nDoors<\/td>\nShips with sails<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nJo Jo Gun<\/td>\nRun run run<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nNice<\/td>\nCountry pie<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nTodd Rundgren<\/td>\nI saw the light<\/td>\n<\/tr>\n
9<\/td>\n1<\/td>\n4<\/td>\nEmerson Lake & Palmer<\/td>\nNutrocker<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n5<\/td>\nJethro Tull<\/td>\nThick as a brick (LP)<\/td>\n<\/tr>\n
<\/b><\/b><\/b><\/b><\/b>no. 94 ronde II – 1<\/b>7 april 1972<\/b><\/b><\/b><\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nDoors<\/td>\nShips with sails<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nManassas<\/td>\nIt doesn’t matter<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDouble Feature<\/td>\nBaby get your head screwed on<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nUp the junction<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTime box<\/td>\nBaggin’<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nChris Farlowe<\/td>\nYesterday’s papers<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nSomething happened to me yesterday<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n2<\/td>\nJo Jo Gun<\/td>\nRun run run<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n5<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n2<\/td>\nTodd Rundgren<\/td>\nI saw the light<\/td>\n<\/tr>\n
no. 95 ronde II – 24 april 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n5<\/td>\nManassas<\/td>\nRaven\/Wildener\/Consider\/R&R is here to stay (LP)<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n5<\/td>\nManassas<\/td>\nRaven\/Wildener\/Consider\/R&R is here to stay (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nDoors<\/td>\nShips with sails<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSammy Soul Set<\/td>\nMoontalk<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nFocus<\/td>\nSylvia<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nDiary<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMoody Blues<\/td>\nIsn’t life strange<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n3<\/td>\nJo Jo Gun<\/td>\nRun run run<\/td>\n<\/tr>\n
10<\/td>\n9<\/td>\n6<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
no. 96 ronde II – 1 mei 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n6<\/td>\nManassas<\/td>\nRaven\/Wildner\/Consicer\/R&R is here to stay (LP)<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n4<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nFocus<\/td>\nSylvia<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nIn concert with Edmonton S.O. (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSupersister<\/td>\nRadio (Pudding en Gisteren….LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLove Unlimited<\/td>\nWalking in the rain<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFamily<\/td>\nMe my friend<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n2<\/td>\nBread<\/td>\nDiary<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nReparata & the Delrons<\/td>\nOctopus garden<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nNeil Diamond<\/td>\nSong sung blue<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n5<\/td>\nDoors<\/td>\nShips with sails<\/td>\n<\/tr>\n
oude nr.1’s – 8 mei 1972<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRolling Stones<\/td>\nWild horses<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDerek & the Domino’s<\/td>\nLayla<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nNitti Gritti Dirt Band<\/td>\nHouse at pooh corner<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSteve Gibbons<\/td>\nAllright now<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRingo Starr<\/td>\nIt don’t come easy<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nLove her madly<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nJimi Hendrix<\/td>\nFreedom<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSeatrain<\/td>\nThirteen questions<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGolden Earring<\/td>\nJust a little bit of peace in my heart<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nTurtles<\/td>\nEleonora<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nJoe Cocker<\/td>\nWith a little help from my friends<\/td>\n<\/tr>\n
<\/b><\/b><\/b><\/b><\/b>Top\u00a0Tien vd.luisteraars<\/b>15 mei 1972<\/b><\/b><\/b><\/b><\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nSupersister<\/td>\nRadio<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nManassas<\/td>\nManassas (LP)<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nFocus<\/td>\nSylvia<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nProcol Harum<\/td>\nIn concert with Edmonton S.O. \u00a0(LP)<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nLoggins & Messina<\/td>\nSittin’ in (LP)<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nDiary<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nShips with sails<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nNeil Young<\/td>\nOld man<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nNash & Crosby<\/td>\nGraham Nash & David Crosby (LP)<\/td>\n<\/tr>\n
no. 97 ronde II – 22 mei 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nJohn Lennon<\/td>\nWoman is the nigger of the world<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nT Rex<\/td>\nMetal guru<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nSupersister<\/td>\nPudding en Gisteren (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nHigh tide green grass (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nRaspberries<\/td>\nDon’t wanna say goodbye<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nYou’re lost little girl<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nMary had a little lamb<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n2<\/td>\nProcol Harum<\/td>\nIn concert with Edmonton S.O.\u00a0(LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nHolies<\/td>\nMan without a heart<\/td>\n<\/tr>\n
10<\/td>\n1<\/td>\n7<\/td>\nManassas<\/td>\nManassas (LP)<\/td>\n<\/tr>\n
no. 98 ronde II – 29 mei 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nJohn Lennon<\/td>\nWoman is the nigger of the world<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nT Rex<\/td>\nMetal guru<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nSupersister<\/td>\nPudding en Gisteren (LP)<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nRaspberries<\/td>\nDon’t wanna say goodbye<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nAndromeda<\/td>\nAfter the storm<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nZombies<\/td>\nSummertime – Tell her no – Time of the season<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nHollies<\/td>\nMan without a heart<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n2<\/td>\nDoors<\/td>\nYou’re lost little girl<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSandy Coast<\/td>\nSummertrain<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nTommy James<\/td>\nCat’s eye in the window<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nI need you<\/td>\n<\/tr>\n
no. 99 ronde II – 5 juni 1972 – 12 nummers<\/b><\/td>\n<\/tr>\n
1<\/td>\n10<\/td>\n2<\/td>\nAmerica<\/td>\nI need you<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nAndromeda<\/td>\nAfter the storm<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nJohn Lennon<\/td>\nWoman is the nigger of the world<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nSupersister<\/td>\nPudding en Gisteren (LP)<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nTommy James<\/td>\nCat’s eye in the window<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n2<\/td>\nSandy Coast<\/td>\nSummertrain<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n3<\/td>\nDoors<\/td>\nYou’re lost little girl<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n3<\/td>\nHollies<\/td>\nMan without a heart<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n2<\/td>\nZombies \u00a0– \u00a0Maxi single<\/td>\nSummertime – Tell her no – Time of the season<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nThem<\/td>\nGreatest Hits (LP)<\/td>\n<\/tr>\n
9<\/td>\n1<\/td>\n3<\/td>\nT Rex<\/td>\nMetal guru<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n3<\/td>\nRaspberries<\/td>\nDon’t wanna say goodbye<\/td>\n<\/tr>\n
Alternatieve ABTT – 11 juni 1972<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
no. 100 ronde II – 12 juni 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n4<\/td>\nHollies<\/td>\nMan without a heart<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n4<\/td>\nDoors<\/td>\nYou’re lost little girl<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nSandy Coast<\/td>\nSummertrain<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nAmerica<\/td>\nI need you<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n3<\/td>\nTommy James<\/td>\nCat’s eye in the window<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nEli’s coming<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nAndromeda<\/td>\nAfter the storm<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n4<\/td>\nJohn Lennon<\/td>\nWoman is the nigger of the world<\/td>\n<\/tr>\n
9<\/td>\n7<\/td>\n3<\/td>\nZombies –\u00a0Maxi single<\/td>\nSummertime – Tell her no – Time of the season<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nJim Pepper<\/td>\nWichita-to<\/td>\n<\/tr>\n
Top 12 ARTIESTEN<\/b><\/td>\n<\/tr>\n
12<\/td>\n<\/td>\n<\/td>\nBrainbox<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\n<\/td>\n<\/td>\nProcol Harum<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nCat Stevens<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nChicago<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nNeil Young<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nWho<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nNeil Diamond<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nSteve Stills and Manassas<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nThree Dog Night<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nYes<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nBread<\/td>\n<\/td>\n<\/tr>\n
ABTT Top 101 deel 1 – 19 juni 1972<\/b><\/td>\n<\/tr>\n
101<\/td>\n<\/td>\n<\/td>\nToe Fat<\/td>\nBad side of the moon<\/td>\n<\/tr>\n
100<\/td>\n<\/td>\n<\/td>\nBuoys<\/td>\nBloodknot<\/td>\n<\/tr>\n
99<\/td>\n<\/td>\n<\/td>\nThe Band<\/td>\nLive is a carnival<\/td>\n<\/tr>\n
98<\/td>\n<\/td>\n<\/td>\nEmerson, Lake & Palmer<\/td>\nStone of years<\/td>\n<\/tr>\n
97<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nWaiting for the sun<\/td>\n<\/tr>\n
96<\/td>\n<\/td>\n<\/td>\nGeorge Harrison & Friends<\/td>\nBangla Desh<\/td>\n<\/tr>\n
95<\/td>\n<\/td>\n<\/td>\nMatthews Southern Comfort<\/td>\nWoodstock<\/td>\n<\/tr>\n
94<\/td>\n<\/td>\n<\/td>\nBlack Sabbath<\/td>\nParanoid<\/td>\n<\/tr>\n
93<\/td>\n<\/td>\n<\/td>\nSugarloaf<\/td>\nTongue in cheek<\/td>\n<\/tr>\n
92<\/td>\n<\/td>\n<\/td>\nGeorge Harrison<\/td>\nWhat is life<\/td>\n<\/tr>\n
91<\/td>\n<\/td>\n<\/td>\nChicago<\/td>\nLow down<\/td>\n<\/tr>\n
90<\/td>\n<\/td>\n<\/td>\nBlue Planet<\/td>\nI’m going man I’m going<\/td>\n<\/tr>\n
89<\/td>\n<\/td>\n<\/td>\nBill Withers<\/td>\nAin’t no sunshine<\/td>\n<\/tr>\n
ABTT Top 101 deel 2 – 20 juni 1972<\/b><\/td>\n<\/tr>\n
88<\/td>\n<\/td>\n<\/td>\nManassas<\/td>\nIt doesn’t matter<\/td>\n<\/tr>\n
87<\/td>\n<\/td>\n<\/td>\nMoody Blues<\/td>\nStory in your eyes<\/td>\n<\/tr>\n
86<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nYou’re lost little girl<\/td>\n<\/tr>\n
85<\/td>\n<\/td>\n<\/td>\nJackie Cornell<\/td>\nEveryday’s torture<\/td>\n<\/tr>\n
84<\/td>\n<\/td>\n<\/td>\nThree Dog Night<\/td>\nMama told me not to come<\/td>\n<\/tr>\n
83<\/td>\n<\/td>\n<\/td>\nCat Stevens<\/td>\nFather and Son<\/td>\n<\/tr>\n
82<\/td>\n<\/td>\n<\/td>\nNeil Young<\/td>\nOh, lonesome me<\/td>\n<\/tr>\n
81<\/td>\n<\/td>\n<\/td>\nLucifer’s Friend<\/td>\nRide the sky<\/td>\n<\/tr>\n
80<\/td>\n<\/td>\n<\/td>\nHeads, Hands and Feet<\/td>\nDelaware<\/td>\n<\/tr>\n
79<\/td>\n<\/td>\n<\/td>\nDelany, Bonnie and Friends<\/td>\nFree the people<\/td>\n<\/tr>\n
78<\/td>\n<\/td>\n<\/td>\nEmerson, Lake & Palmer<\/td>\nNutrocker<\/td>\n<\/tr>\n
77<\/td>\n<\/td>\n<\/td>\nSteve Gibobons<\/td>\nAll right now<\/td>\n<\/tr>\n
76<\/td>\n<\/td>\n<\/td>\nMothers of Invention<\/td>\nTears began to fall<\/td>\n<\/tr>\n
75<\/td>\n<\/td>\n<\/td>\nChicago & Graham Nash<\/td>\nSongs for beginners (LP)<\/td>\n<\/tr>\n
ABTT Top 101 deel 3 – 21 juni 1972<\/b><\/td>\n<\/tr>\n
74<\/td>\n<\/td>\n<\/td>\nAlive and Kicking<\/td>\nTighter tighter<\/td>\n<\/tr>\n
73<\/td>\n<\/td>\n<\/td>\nBlood, Sweat and Tears<\/td>\nHi de ho<\/td>\n<\/tr>\n
72<\/td>\n<\/td>\n<\/td>\nBuoys<\/td>\nTimothy<\/td>\n<\/tr>\n
71<\/td>\n<\/td>\n<\/td>\nByrds<\/td>\nAmerica’s great national passtime<\/td>\n<\/tr>\n
70<\/td>\n<\/td>\n<\/td>\nChicken Shack<\/td>\nSad clown<\/td>\n<\/tr>\n
69<\/td>\n<\/td>\n<\/td>\nJohn Kongos<\/td>\nHe’s gonna step on you again<\/td>\n<\/tr>\n
68<\/td>\n<\/td>\n<\/td>\nNitti Gritti Dirt Band<\/td>\nHouse at Pooh Corner<\/td>\n<\/tr>\n
67<\/td>\n<\/td>\n<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
66<\/td>\n<\/td>\n<\/td>\nEarth and Fire<\/td>\nSong of the marching children (LP)<\/td>\n<\/tr>\n
65<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nRiders on the storm<\/td>\n<\/tr>\n
64<\/td>\n<\/td>\n<\/td>\nBeach Boys<\/td>\nSunflower (LP)<\/td>\n<\/tr>\n
63<\/td>\n<\/td>\n<\/td>\nLed Zeppelin<\/td>\nImmigrant song<\/td>\n<\/tr>\n
62<\/td>\n<\/td>\n<\/td>\nWho<\/td>\nBehind blue eyes<\/td>\n<\/tr>\n
ABTT Top 101 deel 4 – 22 juni 1972<\/b><\/td>\n<\/tr>\n
61<\/td>\n<\/td>\n<\/td>\nBlack Sabbath<\/td>\nIron man<\/td>\n<\/tr>\n
60<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nShips with sails<\/td>\n<\/tr>\n
59<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nIt don’t matter to me<\/td>\n<\/tr>\n
58<\/td>\n<\/td>\n<\/td>\nJethro Tull<\/td>\nThick as a brick (LP)<\/td>\n<\/tr>\n
57<\/td>\n<\/td>\n<\/td>\nSteve Stills<\/td>\nSteve Stills and Manassas (LP)<\/td>\n<\/tr>\n
56<\/td>\n<\/td>\n<\/td>\nSavage Grace<\/td>\nAll along the watchtower<\/td>\n<\/tr>\n
55<\/td>\n<\/td>\n<\/td>\nUriah Heep<\/td>\nLook at yourself<\/td>\n<\/tr>\n
54<\/td>\n<\/td>\n<\/td>\nThree Dog Night<\/td>\nLiar<\/td>\n<\/tr>\n
53<\/td>\n<\/td>\n<\/td>\nFair Weather<\/td>\nNatural Sinner<\/td>\n<\/tr>\n
52<\/td>\n<\/td>\n<\/td>\nMachine<\/td>\nRainmaker<\/td>\n<\/tr>\n
51<\/td>\n<\/td>\n<\/td>\nNeil Young and the Crazy Horse<\/td>\nCynamon girl<\/td>\n<\/tr>\n
50<\/td>\n<\/td>\n<\/td>\nQuicksilver<\/td>\nFresh air<\/td>\n<\/tr>\n
49<\/td>\n<\/td>\n<\/td>\nDavid Crosby<\/td>\nOrleans<\/td>\n<\/tr>\n
48<\/td>\n<\/td>\n<\/td>\nFive Men Electric Band<\/td>\nAlboslutely right<\/td>\n<\/tr>\n
ABTT Top 101 deel 5 – 23 juni 1972<\/b><\/td>\n<\/tr>\n
47<\/td>\n<\/td>\n<\/td>\nArgent<\/td>\nHold your head up<\/td>\n<\/tr>\n
46<\/td>\n<\/td>\n<\/td>\nThree Dog Night<\/td>\nOld fashioned love song<\/td>\n<\/tr>\n
45<\/td>\n<\/td>\n<\/td>\nJethro Tull<\/td>\nLocomotive Breath<\/td>\n<\/tr>\n
44<\/td>\n<\/td>\n<\/td>\nEric Burdon<\/td>\nThey can’t take away our music<\/td>\n<\/tr>\n
43<\/td>\n<\/td>\n<\/td>\nManassas<\/td>\nManassas (LP)<\/td>\n<\/tr>\n
42<\/td>\n<\/td>\n<\/td>\nCat Stevens<\/td>\nMorning has broken<\/td>\n<\/tr>\n
41<\/td>\n<\/td>\n<\/td>\nSupersister<\/td>\nPudding en Gisteren (LP)<\/td>\n<\/tr>\n
40<\/td>\n<\/td>\n<\/td>\nJohn Lennon<\/td>\nWoman is the nigger of the world<\/td>\n<\/tr>\n
39<\/td>\n<\/td>\n<\/td>\nNice<\/td>\nCountry Pie<\/td>\n<\/tr>\n
38<\/td>\n<\/td>\n<\/td>\nThunderclap Newman<\/td>\nAccidents<\/td>\n<\/tr>\n
ABTT Top 101 deel 6 – 26 juni 1972<\/b><\/td>\n<\/tr>\n
37<\/td>\n<\/td>\n<\/td>\nMove<\/td>\nTonight<\/td>\n<\/tr>\n
36<\/td>\n<\/td>\n<\/td>\nCrosby, Stills, Nash & Young<\/td>\nAlmost cut my hair<\/td>\n<\/tr>\n
35<\/td>\n<\/td>\n<\/td>\nNitti Gritti Dirt Band<\/td>\nMr.Bojangles<\/td>\n<\/tr>\n
34<\/td>\n<\/td>\n<\/td>\nMarvin, Welch & Farrar<\/td>\nLady of the morning<\/td>\n<\/tr>\n
33<\/td>\n<\/td>\n<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
32<\/td>\n<\/td>\n<\/td>\nRolling Stones<\/td>\nWild horses<\/td>\n<\/tr>\n
31<\/td>\n<\/td>\n<\/td>\nKevin Ayers and the Whole World<\/td>\nButterfly Dame<\/td>\n<\/tr>\n
30<\/td>\n<\/td>\n<\/td>\nDerek and the Domino’s<\/td>\nLayla<\/td>\n<\/tr>\n
29<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nSweet dreams<\/td>\n<\/tr>\n
28<\/td>\n<\/td>\n<\/td>\nCat Stevens<\/td>\nKitty<\/td>\n<\/tr>\n
27<\/td>\n<\/td>\n<\/td>\nSeatrain<\/td>\nThirteen questions<\/td>\n<\/tr>\n
26<\/td>\n<\/td>\n<\/td>\nLighthouse<\/td>\nLittle kind words<\/td>\n<\/tr>\n
25<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nLove her madly<\/td>\n<\/tr>\n
ABTT Top 101 deel 7 – 27 juni 1972<\/b><\/td>\n<\/tr>\n
24<\/td>\n<\/td>\n<\/td>\nBroodrock<\/td>\nD.O.A.<\/td>\n<\/tr>\n
23<\/td>\n<\/td>\n<\/td>\nAtomic Rooster<\/td>\nDevil’s answer<\/td>\n<\/tr>\n
22<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
21<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nFragile (LP)<\/td>\n<\/tr>\n
20<\/td>\n<\/td>\n<\/td>\nJimi Hendrix<\/td>\nCry of love (LP)<\/td>\n<\/tr>\n
19<\/td>\n<\/td>\n<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
18<\/td>\n<\/td>\n<\/td>\nIron Butterfly<\/td>\nStone believer<\/td>\n<\/tr>\n
17<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nRoundabout<\/td>\n<\/tr>\n
16<\/td>\n<\/td>\n<\/td>\nByrds<\/td>\nChestnut mare<\/td>\n<\/tr>\n
15<\/td>\n<\/td>\n<\/td>\nPatricia<\/td>\nTell me<\/td>\n<\/tr>\n
14<\/td>\n<\/td>\n<\/td>\nWho<\/td>\nSee me feel me<\/td>\n<\/tr>\n
ABTT Top 101 deel 8 – 28 juni 1972<\/b><\/td>\n<\/tr>\n
13<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nIf<\/td>\n<\/tr>\n
12<\/td>\n<\/td>\n<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
11<\/td>\n<\/td>\n<\/td>\nLighthouse<\/td>\nOne fine morning<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nPretty Things<\/td>\nOctober 26<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nJohn Lennon<\/td>\nImagine (LP)<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nColin Blunstone<\/td>\nCaroline goodbye<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nEmerson, Lake & Palmer<\/td>\nLucky man<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nFamily<\/td>\nWeaver’s answer<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nThe Yes Album (LP)<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nSupersister<\/td>\nA girl named you<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nSly & Family Stone<\/td>\nFamily affair<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
no. 1 – ronde III – 3 juli 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nLindisfarne<\/td>\nLady Elenor<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nChris Hodge<\/td>\nWe’re on our way<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nFlash<\/td>\nSmall beginnings<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nJ.J.Cale<\/td>\nAfter midnight<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBach Boys<\/td>\nMarcella<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nKazimierz Lux<\/td>\nBrown Christal<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nQuicksilver<\/td>\nDoing time in the USA<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFleetwood Mac<\/td>\nSentimental lady<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nB.Bumble and the Stingers<\/td>\nNutrocker<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nContinental Uptight Band<\/td>\nI’m going home<\/td>\n<\/tr>\n
no. 2 – ronde III – 10 juli 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nLindisfarne<\/td>\nLady Eleanor<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n2<\/td>\nBeach Boys<\/td>\nMarcella<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n2<\/td>\nChris Hodge<\/td>\nWe’re on our way<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n2<\/td>\nFlash<\/td>\nSmall beginnings<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n2<\/td>\nKazimierz Lux<\/td>\nBrown Chrystal<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n2<\/td>\nJ.J.Cale<\/td>\nAfter midnight<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFocus<\/td>\nTommy<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSailcat<\/td>\nMotorcycle mama<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nArgent<\/td>\nTragedy<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nJim Croce<\/td>\nYou don’t mess around with Jim<\/td>\n<\/tr>\n
extra<\/td>\n–<\/td>\n1<\/td>\nChi-Lites<\/td>\nHave you seen her<\/td>\n<\/tr>\n
no. 3 – ronde III – 17 juli 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n8<\/td>\n2<\/td>\nSailcat<\/td>\nMotorcycle mama<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nLindisfarne<\/td>\nLady Eleanor<\/td>\n<\/tr>\n
3<\/td>\n10<\/td>\n2<\/td>\nJim Croce<\/td>\nYou don’t mess around with Jim<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nFocus<\/td>\nTommy<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n3<\/td>\nFlash<\/td>\nSmall beginnings<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nPink Floyd<\/td>\nFree four<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nBeach Boys<\/td>\nMarcella<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nJ.J.Cale<\/td>\nAfter midnight<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nEmerson, Lake & Palmer<\/td>\nTrilogy (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nEl Chicano<\/td>\nBrown eyed girl<\/td>\n<\/tr>\n
no. 4 – ronde III – 24 juli 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nPink Floyd<\/td>\nFree four<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nSailcat<\/td>\nMotorcycle mama<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nGuitar man<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nEmerson, Lake & Palmer<\/td>\nTrilogy (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSearchers<\/td>\nDon’t throw your love away<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSearchers<\/td>\nNeedles and pins<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSearchers<\/td>\nSomeday we’re gonna love again<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSearchers<\/td>\nHe’s got no love<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSearchers<\/td>\nLove Potion nr. 9<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSearchers<\/td>\nSweets for my sweet<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nJim Croce<\/td>\nYou don\u2019t mess around with Jim<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nSeven separate fools (LP)<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n4<\/td>\nBeach Boys<\/td>\nMarcella<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n4<\/td>\nFlash<\/td>\nSmall beginnings<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nSaturday in the park<\/td>\n<\/tr>\n
no. 5 – ronde III – 31 juli 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nBread<\/td>\nGuitar man<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nPink Floyd<\/td>\nFree four<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nSailcat<\/td>\nMotorcycle mama<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nThree Dog Night<\/td>\nSeven separate fools (LP)<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n4<\/td>\nJim Croce<\/td>\nYou don’t mess around with Jim<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nArnhem<\/td>\nGoodbye my friend<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nChicago<\/td>\nSaturday in the park<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nRaspberries<\/td>\nGo all the way<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n3<\/td>\nEmerson, Lake & Palmer<\/td>\nTrilogy (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nF, F & Z<\/td>\nSpaced on happy<\/td>\n<\/tr>\n
no. 6 – ronde III – 7 augustus 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nBread<\/td>\nGuitarman<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n3<\/td>\nChicago<\/td>\nSaturday in the park<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nThree Dog Night<\/td>\nSeven separate fools (LP)<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nPink Floyd<\/td>\nFree four<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n5<\/td>\nSailcat<\/td>\nMotorcycle mama<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n4<\/td>\nEmerson Lake & Palmer<\/td>\nTrilogy (LP)<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nF, F en Z<\/td>\nSpaced on happy<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nRaspberries<\/td>\nGo all the way<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGentle Giant<\/td>\nThree friends (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nStarman<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n2<\/td>\nArnhem<\/td>\nGoodbye my friend<\/td>\n<\/tr>\n
no. 7 – ronde III – 21 augustus 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
2<\/td>\n9<\/td>\n2<\/td>\nGentle Giant<\/td>\nLP Three friends<\/td>\n<\/tr>\n
3<\/td>\n9<\/td>\n2<\/td>\nDavid Bowie<\/td>\nStarman<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nE.L.O.<\/td>\n10538 Ouverture<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nSchool’s out<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nDavy James<\/td>\nYou go your way<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nTommy James<\/td>\nLove song<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n4<\/td>\nChicago<\/td>\nSaturday in the park<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nAmerica<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n4<\/td>\nThree Dog Night<\/td>\nSeven desperate fools (LP)<\/td>\n<\/tr>\n
no. 8 – ronde III – 28 augustus 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nE.L.O.<\/td>\n10538 Ouverture<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nAlice Cooper<\/td>\nSchool’s out<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nYes<\/td>\nAmerica<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nDavid Bowie<\/td>\nStar man<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMott the Hoople<\/td>\nAll the young dudes<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nGentle Giant<\/td>\nThree friends (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nVan Morrison<\/td>\nJacky Wilson said<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nEagles<\/td>\nWitchy woman<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nJonathan King<\/td>\nI say a little prayer<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nHobby Horse<\/td>\nSummertime<\/td>\n<\/tr>\n
no. 9 – ronde III – 4 september 1972<\/b><\/td>\n<\/tr>\n
0,5<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nClose to the edge (LP)<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nYes<\/td>\nAmerica<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nAlice Cooper<\/td>\nSchool’s out<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nE.L.O.<\/td>\n10538 Ouverture<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nEagles<\/td>\nWitchy woman<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n4<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLeon Russell<\/td>\nTight rope<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nEarl Bostic<\/td>\nFlamingo<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n4<\/td>\nDavid Bowie<\/td>\nStarman<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nWama’s<\/td>\nMet de school een dagje naar buiten<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLoggins & Messina<\/td>\nHouse at Pooh corner<\/td>\n<\/tr>\n
no. 10 – ronde III – 11 september 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nLynsey de Paul<\/td>\nSugar me<\/td>\n<\/tr>\n
2<\/td>\n0,5<\/td>\n2<\/td>\nYes<\/td>\nClose to the edge (LP)<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n3<\/td>\nE.L.O.<\/td>\n10538 Ouverture<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nWama’s<\/td>\nMet de school een dagje naar buiten<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nRoxy Music<\/td>\nVirginia plain<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nPeter Bewley<\/td>\nIt’s allright Bill<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n3<\/td>\nYes<\/td>\nAmerica<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMarcus Hoek Roll Band<\/td>\nNatural man<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n3<\/td>\nAlice Cooper<\/td>\nSchool’s out<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n5<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
no. 11 – ronde III – 2 oktober 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nWama’s<\/td>\nMet de school een dagje naar buiten<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nNilsson<\/td>\nSpaceman<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nYes<\/td>\nClose to the edge (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nJohn I’m only dancing<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nElected<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n2<\/td>\nRoxy Music<\/td>\nVirginia plain<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nWalker Brothers<\/td>\nVolledige repertoire<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nEagles<\/td>\nWitchie woman<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBobby Gentry<\/td>\nGirl from Cincinatti<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nO’Jays<\/td>\nBack Stabbers<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCurtis Mayfield<\/td>\nFreddie’s dead<\/td>\n<\/tr>\n
no. 12 – ronde III – 9 oktober 1972<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\nGrand Funk Railroad<\/td>\nRock & Roll Soul<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n3<\/td>\nRoxy Music<\/td>\nVirginia plain<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nDavid Bowie<\/td>\nJohn I’m only dancing<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n2<\/td>\nNilsson<\/td>\nSpaceman<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nAlice Cooper<\/td>\nElected<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLighthouse<\/td>\nSunny days<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDr.Hook & Medicine Show<\/td>\nCarry me Carrie<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFour Seasons<\/td>\nWalk on, don’t look back<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCashman and Werl<\/td>\nAmerican city suite<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAirline<\/td>\nhe was very kind to me<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSmyle<\/td>\nIt’s gonna be allright<\/td>\n<\/tr>\n
no. 13 – ronde III – 16 oktober 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nDavid Bowie<\/td>\nJohn I’m only dancing<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nFour Seasons<\/td>\nWalk on, don’t look back<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nVentura highway<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n4<\/td>\nRoxy Music<\/td>\nVirginia plain<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nDoobie Brothers<\/td>\nListen to the music<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nAirline<\/td>\nHe was very kind to me<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBeatles<\/td>\nsoundtrack “Help”<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n2<\/td>\nCashman and West<\/td>\nAmerican City Suite<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nWalker Brothers Revival<\/td>\nYou don’t have to tell me<\/td>\n<\/tr>\n
no. 14 – ronde III – 23 oktober 1972<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\nGrand Funk<\/td>\nPhoenix (LP)<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nAmerica<\/td>\nVentura highway<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nDoobie Brothers<\/td>\nListen to the music<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nDavid Bowie<\/td>\nJohn I’m only dancing<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nStrawbs<\/td>\nLay down<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nGreenfield & Cook<\/td>\nMelody<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n3<\/td>\nAirline<\/td>\nHe was very kind to me<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFocus<\/td>\nFocus III (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSpinners<\/td>\nI’ll be around<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nWalker Brothers Revival<\/td>\nStay with me<\/td>\n<\/tr>\n
no. 15 – ronde III – 30 oktober 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nAmerica<\/td>\nVentura Highway<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n2<\/td>\nStrawbs<\/td>\nLay down<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n4<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nDoobie Brothers<\/td>\nListen to the music<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n2<\/td>\nFocus<\/td>\nFocus III (LP)<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n5<\/td>\nDavid Bowie<\/td>\nJohn I’m only dancing<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n2<\/td>\nGreenfield & Cook<\/td>\nMelody<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nSpinners<\/td>\nI’ll be around<\/td>\n<\/tr>\n
9<\/td>\n7<\/td>\n4<\/td>\nAirline<\/td>\nHe was very kind to me<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nWalker Brothers Revival<\/td>\nMy ship is coming in<\/td>\n<\/tr>\n
no. 16 – ronde III – 6 november 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nAmerica<\/td>\nVentura highway<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nStrawbs<\/td>\nLay down<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n5<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nJim Campbell<\/td>\nHallelujah Freedom<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nElton John<\/td>\nCrocodile Rock<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n1<\/td>\nLong Tall Ernie & Shakers<\/td>\nKiss me baby<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nWild Angels<\/td>\nBeauty spoon drop out<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSettlers<\/td>\nThe lightning tree<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJan Akkerman<\/td>\nProfile (LP)<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n6<\/td>\nDavid Bowie<\/td>\nJohn I’m only dancing<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nWalker Brothers Revival<\/td>\nWalking in the rain<\/td>\n<\/tr>\n
no. 17 – ronde III – 13 november 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n4<\/td>\nStrawbs<\/td>\nLay down<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nSweet surrender<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n5<\/td>\nAmerica<\/td>\nVentura highway<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nAnd you and I<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nHollies<\/td>\nLong dark road<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSteely Dan<\/td>\nDo it again<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDemsey & Dover<\/td>\nAnyone but me<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAlbert Hammond<\/td>\nIt never rains in southern California<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nDialogue<\/td>\n<\/tr>\n
no. 18 – ronde III – 20 november 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nGuitar man (LP)<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nYes<\/td>\nAnd you and I<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nHollies<\/td>\nLong dark road<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n5<\/td>\nStrawbs<\/td>\nLay down<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nMoody Blues<\/td>\nSeventh sojourn (LP)<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nAlbert Hammond<\/td>\nIt never rains in southern California<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n2<\/td>\nSteely Dan<\/td>\nDo it again<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDr.Hook & Medicine Show<\/td>\nThe cover of the Rolling Stone<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nJr.Campbell<\/td>\nHallelujah freedom<\/td>\n<\/tr>\n
no. 19 – ronde III – 27 november 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nMoody Blues<\/td>\nSeventh sojourn (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBolland & Bolland<\/td>\nFlorida<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n3<\/td>\nSteely Dan<\/td>\nDo it again<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n4<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n3<\/td>\nHollies<\/td>\nLong dark road<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nSitting<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nAphrodite’s Child<\/td>\nBreak<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n3<\/td>\nYes<\/td>\nAnd you and I<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n6<\/td>\nStrawbs<\/td>\nLay down<\/td>\n<\/tr>\n
no. 20 – ronde III – 4 december 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n4<\/td>\nSteely Dan<\/td>\nDo it again<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nCat Stevens<\/td>\nSitting<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDiv. Artiesten<\/td>\nTommy (LP)<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n3<\/td>\nMoody Blues<\/td>\nLP Seventh sojourn<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nHi hi hi<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n2<\/td>\nBolland & Bolland<\/td>\nFlorida<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nKevin Ayers<\/td>\nOh what a dream<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nPianobird<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n5<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPretty Things<\/td>\nOver the moon<\/td>\n<\/tr>\n
no. 21 – ronde III – 11 december 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nDiv. Artiesten<\/td>\nTommy (LP)<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nCat Stevens<\/td>\nSitting<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nKevin Ayers<\/td>\nOh what a dream<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nJean genie<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nRelay<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nT.Rex<\/td>\nSolid gold easy action<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nDoors<\/td>\nPianobird<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n4<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n4<\/td>\nMoody Blues<\/td>\nLP Seventh sojourn<\/td>\n<\/tr>\n
no. 22 – ronde III – 18 december 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nDiv. Artiesten<\/td>\nTommy (LP)<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nDavid Bowie<\/td>\nJean genie<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nKevin Ayers<\/td>\nOh what a dream<\/td>\n<\/tr>\n
5<\/td>\n6<\/td>\n2<\/td>\nWho<\/td>\nRelay<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nT.Rex<\/td>\nSolid gold easy action<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCollectors<\/td>\nCollectors (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nHalo of flies<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n4<\/td>\nCat Stevens<\/td>\nSitting<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nWizzard<\/td>\nBall park incident<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nBlind eye<\/td>\n<\/tr>\n
no. 23 – ronde III – 26 december 1972<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n4<\/td>\nDiv. Artiesten<\/td>\nTommy (LP)<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nCollectors<\/td>\nCollectors (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nHorse with no name<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nDavid Bowie<\/td>\nJean genie<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nAlice Cooper<\/td>\nHalo of flies<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n3<\/td>\nWho<\/td>\nRelay<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n3<\/td>\nT.Rex<\/td>\nSolid gold easy action<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nWizzard<\/td>\nBallpark incident<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nUriah Heep<\/td>\nBlind eye<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n4<\/td>\nKevin Ayers<\/td>\nOh what a dream<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

no. 80 ronde II – 3 januari 1972 1 – 1 America Horse with no name 2 3 2 Who Behind blue eyes 3 1 3 Argent Hold your head up 4 – 1 Byrds America’s great national pastime 5 2 3 Buoys Bloodknot 6 – 1 Cat Stevens Morning has broken 7 10 2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/226"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=226"}],"version-history":[{"count":4,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/226\/revisions"}],"predecessor-version":[{"id":364,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/226\/revisions\/364"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}