{"id":228,"date":"2016-01-20T15:43:37","date_gmt":"2016-01-20T15:43:37","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=228"},"modified":"2017-04-21T13:37:53","modified_gmt":"2017-04-21T13:37:53","slug":"1973","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/01\/20\/1973\/","title":{"rendered":"1973"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
ABTT JAAROVERZICHT 1972 – ronde III –\u00a01 januari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
1,5<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nRoundabout<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nAmerica<\/td>\nVentura Highway<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nGuitar man<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nDavid Bowie<\/td>\nJohn I’m only dancing<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nStrawbs<\/td>\nLay down<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nDiverse artiesten<\/td>\nTommy (LP)<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nSailcat<\/td>\nMotorcycle mama<\/td>\n<\/tr>\n
ABTT 1972 – 1 januari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nAmerica<\/td>\nVentura Highway<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nColin Blunstone<\/td>\nCaroline goodbye<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nDavid Bowie<\/td>\nJohn, I’m only dancing<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nStrawbs<\/td>\nLay down<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nRondabout<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nDiverse artiesten<\/td>\nTommy (LP)<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nSailcat<\/td>\nMotorcycle mama<\/td>\n<\/tr>\n
jaaroverzicht – 1 januari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
1,5<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nRoundabout<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nGuitarman<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nAmerica<\/td>\nVentura highway<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nDavid Bowie<\/td>\nJohn I’m only dancing<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nChicago<\/td>\nLow down<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nDiverse artiesten<\/td>\nTommy (LP)<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nSailcat<\/td>\nMotorcycle mama<\/td>\n<\/tr>\n
no. 24 – ronde III – 8 januari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nHalo of flies<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nFlash<\/td>\nLifetime<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDoobie Brothers<\/td>\nJesus is just allright<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nKincade<\/td>\nDreams are ten a penny<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nCollectors<\/td>\nCollectors (LP)<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n3<\/td>\nUriah Heep<\/td>\nBlind eye<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n4<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n4<\/td>\nDavid Bowie<\/td>\nJean genie<\/td>\n<\/tr>\n
no. 25 – ronde III – 15 januari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nFlash<\/td>\nLifetime<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nAlice Cooper<\/td>\nHalo of flies<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDave Clark Five<\/td>\nDown at the scene<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDave Clark Five<\/td>\nOver and over<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDave Clark Five<\/td>\nCan’t you see<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDave Clark Five<\/td>\nBits and pieces<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDave Clark Five<\/td>\nCatch me if you can<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nHolland (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nO’Jays<\/td>\nLove train<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBarend Servet<\/td>\nWaar moet dat heen<\/td>\n<\/tr>\n
9<\/td>\n9<\/td>\n5<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n4<\/td>\nCollectors<\/td>\nCollectors (LP)<\/td>\n<\/tr>\n
no. 26 – ronde III – 22 januari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nFlash<\/td>\nLifetime<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nSmall Faces<\/td>\ncollage<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nMoody Blues<\/td>\nI’m just a singer in a r&r band<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nJanie & Marlettes<\/td>\nSchoolgirl notion<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nAlice Cooper<\/td>\nHalo of flies<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nStrawbs<\/td>\nPart of the union<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nAlquin<\/td>\nYou always can change<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAtomic Rooster<\/td>\nSave me<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nColin Blunstone<\/td>\nAndorra<\/td>\n<\/tr>\n
no. 27 – ronde III – 29 januari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n10<\/td>\n2<\/td>\nColin Blunstone<\/td>\nAndorra<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nAlquin<\/td>\nYou always can change<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nHello hurray<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nStrawbs<\/td>\nPart of the union<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n4<\/td>\nFlash<\/td>\nLifetime<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nDon’t cross the river<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n2<\/td>\nMoody Blues<\/td>\nI’m just a singer in a r&r band<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n2<\/td>\nJanie & Marlettes<\/td>\nSchoolgirl notion<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n4<\/td>\nAlice Cooper<\/td>\nHalo of flies<\/td>\n<\/tr>\n
no. 28 – ronde III – 5 februari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nHello hurray<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nColin Blunstone<\/td>\nAndorra<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nAlquin<\/td>\nYou always can change<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nZombies<\/td>\ncollage<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n5<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nKayak<\/td>\nLyrics<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTimmy Thomas<\/td>\nWhy can’t we live together<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n3<\/td>\nStrawbs<\/td>\nPart of the union<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDeep Purple<\/td>\nWoman from Tokyo<\/td>\n<\/tr>\n
9<\/td>\n7<\/td>\n1<\/td>\nAmerica<\/td>\nDon’t cross the river<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLou Reed<\/td>\nWalk on the wild side<\/td>\n<\/tr>\n
no. 29 – ronde III – 12 februari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n10<\/td>\n2<\/td>\nLou Reed<\/td>\nWalk on the wild side<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n2<\/td>\nKayak<\/td>\nLyrics<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nAlice Cooper<\/td>\nHello hurray<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nColin Blunstone<\/td>\nAndorra<\/td>\n<\/tr>\n
5<\/td>\n6<\/td>\n2<\/td>\nTimmy Thomas<\/td>\nWhy can’t we live together<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nPink Floyd<\/td>\nvolledige repertoire<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nYoko Ono<\/td>\nNow or never<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n4<\/td>\nAlquin<\/td>\nYou always can change<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n6<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n4<\/td>\nStrawbs<\/td>\nPart of the union<\/td>\n<\/tr>\n
no. 30 – ronde III – 19 februari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nKayak<\/td>\nLyrics<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nEarth & Fire<\/td>\nMaybe tomorrow<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n5<\/td>\nColin Blunstone<\/td>\nAndorra<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nAlice Cooper<\/td>\nHello hurray<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n3<\/td>\nLou Reed<\/td>\nWalk on the wild site<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nMove<\/td>\nVolledige repertoure<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n7<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nThin Lizzy<\/td>\nWhiskey in the jar<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n3<\/td>\nTimmy Thomas<\/td>\nWhy can’t we live together<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nWar<\/td>\nThis world is a ghetto<\/td>\n<\/tr>\n
no. 31 – ronde III – 26 februari 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n4<\/td>\nKayak<\/td>\nLyrics<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nGrand Hotel (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nBillion Dollar Babies (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDeep Purple<\/td>\nSuper trouper<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n6<\/td>\nColin Blunstone<\/td>\nAndorra<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nFlash<\/td>\nIn the can (LP)<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n8<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nKinks<\/td>\ncollage<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAmsterdam<\/td>\nDon’t be down<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
no. 32 – ronde III – 5 maart 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nProcol Harum<\/td>\nGrand Hotel (LP)<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nAlice Cooper<\/td>\nBillion dollar babies (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n2<\/td>\nDeep Purple<\/td>\nSuper trouper<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n5<\/td>\nKayak<\/td>\nLyrics<\/td>\n<\/tr>\n
6<\/td>\n6<\/td>\n2<\/td>\nFlash<\/td>\nIn the can (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\n<\/td>\ncollage soft soul<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n9<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAl Kooper<\/td>\nJolie<\/td>\n<\/tr>\n
no. 33 – ronde III – 12 maart 1973<\/strong><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nProcol Harum<\/td>\nGrand Hotel (LP)<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n3<\/td>\nAlice Cooper<\/td>\nBillion dollar babies (LP)<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n3<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n3<\/td>\nDeep Purple<\/td>\nSuper trouper<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nYardbirds<\/td>\nmontage<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n6<\/td>\nKayak<\/td>\nLyrics<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n10<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
no. 34 – ronde III – 19 maart 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nEarth & Fire<\/td>\nAtlantis (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n4<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nProcol Harum<\/td>\nGrand Hotel (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBlood Sweat & Tears<\/td>\nYou made me so very happy<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n4<\/td>\nAlice Cooper<\/td>\nBillion dollar babies (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nLoggins & Messina<\/td>\nThinking of you<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nApollo 100<\/td>\nBesame mucho<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDonovan<\/td>\nMaria Magenta<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSandy Coast<\/td>\nBlachboard jungle lady<\/td>\n<\/tr>\n
no. 35 – ronde III – 26 maart 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nEarth & Fire<\/td>\nAtlantis (LP)<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n2<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nGerard Cox<\/td>\nIk wil het overal met je doen<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nLoggins & Messina<\/td>\nThinking of you<\/td>\n<\/tr>\n
5<\/td>\n10<\/td>\n2<\/td>\nSandy Coast<\/td>\nBlackboard jungle lady<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n5<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n5<\/td>\nProcol Harum<\/td>\nGrand Hotel (LP)<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nApollo 100<\/td>\nBesame mucho<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1(11)<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n5<\/td>\nAlice Cooper<\/td>\nBillion dollar babies (LP)<\/td>\n<\/tr>\n
no. 36 – ronde III – 2 april 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nmontage 18 april<\/td>\nthe last time<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nEarth & Fire<\/td>\nAtlantis (LP)<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n3<\/td>\nLoggins & Messina<\/td>\nThinking of you<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n6<\/td>\nAlice Cooper<\/td>\nBillion Dollar Babys (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2(12)<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n6<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nStealers Wheel<\/td>\nStuck in the middle with you<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n6<\/td>\nProcol Harum<\/td>\nGrand Hotel (LP)<\/td>\n<\/tr>\n
Norderney op het strand – 9 april 1973<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
no. 37 – ronde III – 16 april 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nPaul Meier<\/td>\nDe glimlach van Paul Meier<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n2<\/td>\nmontage 18 april<\/td>\nthe last time<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n4<\/td>\nEarth & Fire<\/td>\nAtlantis (LP)<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n7<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDoobie Brothers<\/td>\nLong train runnin’<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n3(13)<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nNo more Mr.Nice guy<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nOnly in your heart<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n4<\/td>\nLoggins & Messina<\/td>\nThinking of you<\/td>\n<\/tr>\n
no. 38 – ronde III – 23 april 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nPaul Meier<\/td>\nDe glimlach van Paul Meier<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nDoobie Brothers<\/td>\nLong train runnin<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n8<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n5<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nAmerica<\/td>\nOnly in your heart<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nGerrit Dekzeil<\/td>\nIk ben Gerrit<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nAlice Cooper<\/td>\nNo more Mr. Nice guy<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n4(14)<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n5<\/td>\nEarth & Fire<\/td>\nAtlantis (LP)<\/td>\n<\/tr>\n
no. 39 – ronde III – 30 april 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nPaul Meier<\/td>\nDe glimlach van Paul Meyer<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nDoobie Brothers<\/td>\nLong train runnin’<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n3<\/td>\nAmerica<\/td>\nOnly in your heart<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nManassas<\/td>\nDown the road (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n2<\/td>\nGerrit Dekzeil<\/td>\nIk ben Gerrit<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nWizzard<\/td>\nSee my baby jive<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n6<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
no. 40 – ronde III – 7 mei 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n4<\/td>\nAmerica<\/td>\nOnly in your heart<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nWar<\/td>\nCisco kid<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n5<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n4<\/td>\nPaul Meier<\/td>\nDe glimlach van Paul Meier<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n2<\/td>\nManassas<\/td>\nDown on the road (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nRedbone<\/td>\nWe were all wounded at Wounded Knee<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nByrds<\/td>\nThings will be better<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n2<\/td>\nWizzard<\/td>\nSee my baby jive<\/td>\n<\/tr>\n
no. 41 – ronde III – 14 mei 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nWar<\/td>\nCisco kid<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nSolution<\/td>\nDivergence<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n5<\/td>\nAmerica<\/td>\nOnly in your heart<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nRedbone<\/td>\nWe were all wounded at Wounded Knee<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n3<\/td>\nChicago<\/td>\nBeginnings<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nByrds<\/td>\nThings will be better<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n6<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nJethro Tull<\/td>\nA passion play<\/td>\n<\/tr>\n
no. 42 – ronde III – 21 mei 1973<\/b><\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nGeorge Harrison<\/td>\nGive me love<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nWar<\/td>\nCisco kid<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBilly J.Kramer & Dakotas<\/td>\ncollage<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nJethro Tull<\/td>\nA passion play<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n4<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n6<\/td>\nAmerica<\/td>\nOnly in your heart<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n2<\/td>\nSolution<\/td>\nDivergence (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nStealers Wheel<\/td>\nStuck in the middle with you<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n7<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
no. 43 – ronde III – 28 mei 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n2<\/td>\nStealers Wheel<\/td>\nLate again<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n2<\/td>\nGeorge Harrison<\/td>\nGive me love<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nJethro Tull<\/td>\nPassion play<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n5<\/td>\nWar<\/td>\nCisco kid<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSimon Dupree & Big Sound<\/td>\ncollage<\/td>\n<\/tr>\n
6A<\/td>\n–<\/td>\n1<\/td>\nKarl Braun<\/td>\nGesproken Brief Den Haag<\/td>\n<\/tr>\n
6B<\/td>\n–<\/td>\n1<\/td>\nJacco Vreugdenhil<\/td>\nGesproken Brief Monster<\/td>\n<\/tr>\n
6C<\/td>\n–<\/td>\n1<\/td>\nAndre Wierlok & Cyril Schaven<\/td>\nGesproken Brief Dordrecht<\/td>\n<\/tr>\n
6D<\/td>\n–<\/td>\n1<\/td>\nDurk de Jong<\/td>\nGesproken Brief Friesland<\/td>\n<\/tr>\n
6E<\/td>\n–<\/td>\n1<\/td>\nJan de Swart<\/td>\nGesproken Brief Limburg<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nLoup<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n7<\/td>\nAmerica<\/td>\nOnly in your heart<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n5<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nRoxy Music<\/td>\nDo the strand<\/td>\n<\/tr>\n
no. 44 – ronde III – 4 juni 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nStealers Wheel<\/td>\nLate again<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nsmoelschuiverij<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nPremiata Forneria Marconi<\/td>\nCelebration<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nWings<\/td>\nLoup<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n4<\/td>\nJethro Tull<\/td>\nPassion play<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSpinners<\/td>\nOne of a kind<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nKayak<\/td>\nMammoth<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nRoxy Music<\/td>\nDo the strand<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFour Seasons<\/td>\nSherry<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n3<\/td>\nGeorge Harrison<\/td>\nGive me love<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAmsterdam<\/td>\nDonay<\/td>\n<\/tr>\n
no. 44A – ronde III – 11 juni 1973 –\u00a0Luisteraars Top Tien<\/b><\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nJethro Tull<\/td>\nA passion play<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nRoxy Music<\/td>\nDo the strand<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nStealers Wheel<\/td>\nStealers Wheel (LP)<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nYessongs (LP)<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nSolution<\/td>\nDivergence (LP)<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nUriah Heep<\/td>\nUriah Heep live (LP)<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nEagles<\/td>\nDesperado (LP)<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nPaul McCartney & Wings<\/td>\nRedrose Speedway (LP)<\/td>\n<\/tr>\n
ABF Hitpic<\/td>\n<\/td>\n<\/td>\nSteppenwolf<\/td>\nBorn to be wild<\/td>\n<\/tr>\n
no. 44B – ronde III – 18 juni 1973 –\u00a0Luisteraars Top Tien<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n<\/td>\nStealers Wheel<\/td>\nStealers Wheel (LP)<\/td>\n<\/tr>\n
2<\/td>\n8<\/td>\n<\/td>\nWizzard<\/td>\nSee my baby jive<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n<\/td>\nYes<\/td>\nYessongs (LP)<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n<\/td>\nRoxy Music<\/td>\nDo the strand<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n<\/td>\nJethro Tull<\/td>\nA passion play<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nHot Chocolate<\/td>\nBrother Louie<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nEdgar Winter Group<\/td>\nFrankenstein<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nKayak<\/td>\nMammoth<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nGeorge Harrison<\/td>\nLiving in the material world (LP)<\/td>\n<\/tr>\n
no. 45 – ronde III – 25 juni 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n<\/td>\nKayak<\/td>\nMammoth<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n<\/td>\nPremiata Forneria Marconi<\/td>\nCelebration<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nStories<\/td>\nBrother Louie<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n<\/td>\nGeorge Harrison<\/td>\nLiving in the material world (LP)<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n<\/td>\nJethro Tull<\/td>\nA passion play<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nCarpenters<\/td>\nNow and then (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nYessongs (LP)<\/td>\n<\/tr>\n
9<\/td>\n1<\/td>\n<\/td>\nStealers Wheel<\/td>\nStealers Wheel (LP)<\/td>\n<\/tr>\n
10<\/td>\n9<\/td>\n<\/td>\nRoxy Music<\/td>\nDo the strand<\/td>\n<\/tr>\n
extra<\/td>\n<\/td>\n1<\/td>\nRita Pavone<\/td>\nMama Papa<\/td>\n<\/tr>\n
ABTT – ongenummerd -ronde III – 2 juli\u00a01973<\/b><\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nKayak<\/td>\nMammoth<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nStealers Wheel<\/td>\nStealers Wheel (LP)<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nVivian Stanshall<\/td>\nSuspicions<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nLemon Pipers<\/td>\nGreen tambourine<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nCliff Richard & Shadows<\/td>\nDancing shoes<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nCarpenters<\/td>\nYesterday once more<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nSam Cooke<\/td>\nChain gang<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nPremiata Forneria Marconi<\/td>\nCelebration<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nAlive and Kicking<\/td>\nTighter, tighter<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nIsley Brothers<\/td>\nFreedom<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nDavid Bowie<\/td>\nLive on Mars<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nO’Jays<\/td>\nShiftless shady jealous kind of people<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nFirst Choice<\/td>\nArmed and extremely dangerous<\/td>\n<\/tr>\n
ABTT -ongenummerd- ronde III – 9 juli\u00a01973<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nLed Zeppelin<\/td>\nOver the hills and far away<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nStealers Wheel<\/td>\nLate again<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nKayak<\/td>\nMammoth<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGeordie<\/td>\nCan you do it<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nNew York City<\/td>\nI’m doing fine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMungo Jerry<\/td>\nAlright alright alright<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDave Edmunds<\/td>\nBorn to be with you<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPremiata Forneria Marconi<\/td>\nCelebration<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFleetwood Mac<\/td>\nNeed your love so bad<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCarpenters<\/td>\nYesterday once more<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nJethro Tull<\/td>\nA passion play<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGuess Who<\/td>\nGlamour boy<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRare Earth<\/td>\nI know I’m losing you<\/td>\n<\/tr>\n
no. 46 – ronde III – 16 juli 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nGerard Cox<\/td>\nWie wijst mij de weg in Hilversum<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n<\/td>\nPremiata Forneria Marconi<\/td>\nCelebration<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nWar<\/td>\nGypsy man<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n<\/td>\nJethro Tull<\/td>\nA passion play (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nChicago VI (LP)<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n<\/td>\nKayak<\/td>\nMammoth<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nHalo of flies<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFirst Choice<\/td>\nArmed and extremely dangerous<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDr.Hook & Medicine Show<\/td>\nRoland the roadie and Gertrud the groupie<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
no. 47 – ronde III – 23 juli 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n<\/td>\nJethro Tull<\/td>\nA passion play (LP)<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n<\/td>\nChicago<\/td>\nChicago VI (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nStealers Wheel<\/td>\nEveryone’s agreed that everything will turn out fine<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n2<\/td>\nWar<\/td>\nGypsy man<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n<\/td>\nPremiata Forneria Marconi<\/td>\nCelebration<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nThe hurt<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nDo wah diddy<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nPretty flamingo<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nOh no, not my baby<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nIf you gotta go, go now<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nSha la la<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\n5 4 3 2 1<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nUriah Heep<\/td>\nEasy livin<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nLive on Mars<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n<\/td>\nFirst Choice<\/td>\nArmed and extremely dangerous<\/td>\n<\/tr>\n
no. 48 – ronde III – 30 juli 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nStealers Wheel<\/td>\nEveryone’s agreed that everything will turn out fine<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nRobert’s box<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n3<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nCat Stevens<\/td>\nThe hurt<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nShadows<\/td>\ncollage<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nGrand Funk<\/td>\nWe’re an American band<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nM.F.S.B.<\/td>\nFamily affair<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nLet’s spend the night together<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nDavid Bowie<\/td>\nLife on Mars<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nWar<\/td>\nGypsy man<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n<\/td>\nPremiata Forneria Marconi<\/td>\nCelebration<\/td>\n<\/tr>\n
no. 49 – ronde III – 6 augustus 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n4<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nGrand Funk<\/td>\nWe’re an American band<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nStealers Wheel<\/td>\nEveryone’s agreed that everything will turn out fine<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n2<\/td>\nProcol Harum<\/td>\nRobert’s box<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLoving Spoonful<\/td>\nYou didn’t have to be so nice<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLoving Spoonful<\/td>\nDaydream<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLoving Spoonful<\/td>\nSummer in the city<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLoving Spoonful<\/td>\nRain on the roof<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLoving Spoonful<\/td>\nSix o’clock<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLoving Spoonful<\/td>\nDarling be home soon<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nRoy Wood<\/td>\nBolders (LP)<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n2<\/td>\nM.F.S.B.<\/td>\nFamily affair<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJimmy Helms<\/td>\nGonna make you an offer<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n2<\/td>\nDavid Bowie<\/td>\nLet’s spend the night together<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n3<\/td>\nCat Stevens<\/td>\nThe hurt<\/td>\n<\/tr>\n
ABTT ongenummerd – 13 augustus 1973<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCollectors<\/td>\nWhat is love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBeatles<\/td>\nGoodnight (instr.)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBuffalo Springfield<\/td>\nExpecting to fly<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nVentures<\/td>\nSlaughter on 10th Avenue<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBeach Boys<\/td>\nLet’s go away for a while<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCasey & Pressure Group<\/td>\nI’m coming home<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRay Conniff<\/td>\nPeople say we’re in love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nShadows<\/td>\nAtlantis<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nHerb Alpert<\/td>\nA banda<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nJohnny & Hurricanes<\/td>\nRocking goose<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAndre Brasseur<\/td>\nThe kid<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nLes Reed Orchestra<\/td>\nMan of action<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBeatles<\/td>\ncollage<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWilly Alberti<\/td>\nDe glimlach van een kind<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDave Davies<\/td>\nDeath of a clown<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nChicago<\/td>\nOnly the beginning<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBob More<\/td>\nMexico<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nKokomo<\/td>\nAsia minor<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFortunes<\/td>\nCaroline<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSwedanes<\/td>\nAt a Georgia camp meeting<\/td>\n<\/tr>\n
ABTT ongenummerd – 20 augustus 1973<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAnarchic System<\/td>\nPopcorn<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCollectors<\/td>\nWhat is love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nUriah Heep<\/td>\nEasy living<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nKayak<\/td>\nSee see the sun (LP)<\/td>\n<\/tr>\n
no. 51 – ronde III – 27 augustus 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nGrand Funk<\/td>\nWe’re an American band<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n5<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nAlbert Hammond<\/td>\nPeace maker<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDoobie Brothers<\/td>\nChina grove<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBarry White<\/td>\nI’m gonna love you just a little more<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSkylark<\/td>\nI’ll have to go away<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nMuskrat love<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFirst Choice<\/td>\nSmarty pants<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSeals & Crofts<\/td>\nDiamond girl<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDickie Goodman<\/td>\nWatergrate<\/td>\n<\/tr>\n
no. 52 – ronde III – 3 september 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n2<\/td>\nBarry White<\/td>\nI’m gonna love you just a little more<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nDoobie Brothers<\/td>\nChina grove<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nAngie<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nGrand Funk<\/td>\nWe’re an American band<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nAmerica<\/td>\nMuskrat love<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n6<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n2<\/td>\nSkylark<\/td>\nI’ll have to go away<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nKinks<\/td>\nSittin’ in the midday sun<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n2<\/td>\nAlbert Hammond<\/td>\nPeacemaker<\/td>\n<\/tr>\n
10<\/td>\n9<\/td>\n2<\/td>\nSeals & Crofts<\/td>\nDiamond girl<\/td>\n<\/tr>\n
no. 53 – ronde III – 10 september 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nLouis Davids<\/td>\nEen dagje naar Scheveningen<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nBarry White<\/td>\nI’m gonna love you just a little more<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nThem<\/td>\ncollage<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nKinks<\/td>\nSittin’in the midday sun<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBoudewijn de Groot<\/td>\nHoe sterk is de eenzame fietser (LP)<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nDoobie Brothers<\/td>\nChina grove<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n3<\/td>\nSkylark<\/td>\nI’ll have to go away<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n5<\/td>\nGrand Funk<\/td>\nWe’re an American band<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n3<\/td>\nAmerica<\/td>\nMuskrat love<\/td>\n<\/tr>\n
no. 50 – ronde III – 17-9-1973 19-23\u00a0uur, getypt in draaivolgorde<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nKilima Hawaiians<\/td>\nWini wini<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGlenn Miller<\/td>\nIn the mood<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMonnies<\/td>\nTwee handjes<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRia Valk<\/td>\nMoeder ik ben zo bang<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRedbone<\/td>\nWe were all wounded<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nStealers Wheel<\/td>\nLate again<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nGuitar man<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDoobie Brothers<\/td>\nChina grove<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nKinks<\/td>\nSittin’ in the midday sun<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nChicago<\/td>\nOnly the beginning<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWilly Alberti<\/td>\nDe glimlach van een kind<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDoors<\/td>\nMosquito<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nTineke & zingende zusjes<\/td>\nNee Adrie<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBarry White<\/td>\nI’m gonna love you just a little more<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGrand Funk<\/td>\nWe’re an American band<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWama’s<\/td>\nMet de school fijn een dagje naar buiten<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCollectors<\/td>\nWhat is love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGerrit Dekzeil<\/td>\nGeld drank en lekkere wijven<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGerrit Dekzeil<\/td>\nIk ben Gerrit<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nRoundabout<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAlice Cooper<\/td>\nHello Hurray<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nByrds<\/td>\nThings will be better<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBoudewijn de Groot<\/td>\nHoe sterk is de eenzame fietser (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBoudewijn de Groot<\/td>\nZuster Ursula<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSpinners<\/td>\nI’ll be around<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDavid Bowie<\/td>\nJean genie<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nM.F.S.B.<\/td>\nFamily affair<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRini van der Lee<\/td>\nPantomime<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nEarth & Fire<\/td>\nMaybe tomorrow<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nElvis Presley<\/td>\nJailhouse rock<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nTineke & zingende zusjes<\/td>\nNee Adrie<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAmerica<\/td>\nOnly in your heart<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nLou Reed<\/td>\nWalk on the wild side<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGentle Giant<\/td>\nThree friends<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAlice Cooper<\/td>\nNo more Mr. Nice guy<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nLindisfarne<\/td>\nLady Eleanor<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nKayak<\/td>\nMammoth<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAlquin<\/td>\nYou always can change<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPaul Meier<\/td>\nDe glimlach van Paul Meier<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nSmall beginnings<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nHawkwind<\/td>\nSilvermachine<\/td>\n<\/tr>\n
no. 54 – ronde III – 24 september 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nTineke & Zingende Zusjes<\/td>\nNee Adrie<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nSantana<\/td>\nSamba Pa Ti<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nBoudewijn de Groot<\/td>\nWat geweest is is geweest<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLois<\/td>\nreclames<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCentrale Verwarming Loosdrecht<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDe Vries en Lampe<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nVOO<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSpeelbal van de golven<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nQuadrofonische Drive In Show<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nKamerdebatten Schakel AR<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nJoe Walsh<\/td>\nRocky mountain way<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n2<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nColin Blunstone<\/td>\nWonderful<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nHeart<\/td>\nHang on<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBryan Ferry<\/td>\nA hard rain’s gonna fall<\/td>\n<\/tr>\n
no. 55 – ronde III – 1 oktober 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nJoe Walsh<\/td>\nRocky mountain way<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nSantana<\/td>\nSamba Pa Ti<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n2<\/td>\nSantana<\/td>\nSamba Pa Ti<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nSteve Miller Band<\/td>\nThe joker<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nCream<\/td>\nI feel free<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n3<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nColin Blunstone<\/td>\nWonderful<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nBryan Ferry<\/td>\nA hard rain’s gonna fall<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nEdgar Winter Group<\/td>\nFree ride<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBarry White<\/td>\nI’ve got so much to give (LP)<\/td>\n<\/tr>\n
no. 56 – ronde III – 8 oktober 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n2+3<\/td>\ndrie<\/td>\nSantana<\/td>\nSamba Pa Ti<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nSteve Miller Band<\/td>\nThe joker<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n3<\/td>\nBryan Ferry<\/td>\nThese foolish things (LP)<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nJoe Walsh<\/td>\nRocky mountain way<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nRoy Wood<\/td>\nNancy<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nIsley Brothers<\/td>\nThat lady<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBob Dylan<\/td>\nKnocking on heaven’s door<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\n5.15<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGrass<\/td>\nColourblind<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nFungus<\/td>\nFarewell to Tarwathie<\/td>\n<\/tr>\n
no. 57 – ronde III – 15 oktober 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n4<\/td>\nBryan Ferry<\/td>\nThese foolish things (LP)<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nIsley Brothers<\/td>\nThat lady<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nRoy Wood<\/td>\nNancy<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n2<\/td>\nWho<\/td>\n5.15<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nSteve Miller Band<\/td>\nThe joker<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n4<\/td>\nSantana<\/td>\nSamba Pa Ti<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMott the Hoople<\/td>\nAll the way from Memphis<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nBob Dylan<\/td>\nKnocking on heaven’s door<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nFungus<\/td>\nFarewell to Tarwathie<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nColin Blunstone<\/td>\nWonderful<\/td>\n<\/tr>\n
no. 58 – ronde III – 22 oktober 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nIsley Brothers<\/td>\nThat lady<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nPin ups (LP)<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n3<\/td>\nRoy Wood<\/td>\nNancy<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n5<\/td>\nBryan Ferry<\/td>\nThese foolish things (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nThe Band<\/td>\nMoondog matinee (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nAdje Bouman<\/td>\nBandje thuis<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nMott the Hoople<\/td>\nAll the way from Memphis<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n5<\/td>\nSantana<\/td>\nSamba Pa Ti<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nLinda Ronstadt<\/td>\nDon’t cry now (LP) HOES !<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n3<\/td>\nWho<\/td>\n5.15<\/td>\n<\/tr>\n
no. 59 – ronde III – 29 oktober 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n4<\/td>\nIsley Brothers<\/td>\nThat lady<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nThe Band<\/td>\nMoondog Matinee (LP)<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n2<\/td>\nDavid Bowie<\/td>\nPin ups (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nQuadrofonia (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nQuadrofonia (LP)<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n6<\/td>\nBryan Ferry<\/td>\nThese foolish things (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDr. John<\/td>\nSuch a night<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n6<\/td>\nSantana<\/td>\nSamba Pa Ti<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n4<\/td>\nRoy Wood<\/td>\nNancy<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nWalker Brothers<\/td>\nStay with me<\/td>\n<\/tr>\n
no. 60 – ronde III – 5 november\u00a01973, totaal<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nJohn Lennon<\/td>\nMindgames (LP)<\/td>\n<\/tr>\n
0<\/td>\n3<\/td>\n5<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n5<\/td>\nIsley Brothers<\/td>\nThat lady<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nthe Band<\/td>\nMoondog Matinee (LP)<\/td>\n<\/tr>\n
3<\/td>\n4 en 5<\/td>\n2<\/td>\nWho<\/td>\nQuadrophonia (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDiverse groepen<\/td>\nIsland People (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nStealers Wheel<\/td>\nStar<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nDr. John<\/td>\nSuch a night<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPaul Anka<\/td>\nFlashback<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nWar<\/td>\nMe and baby brother<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n7<\/td>\nBryan Ferry<\/td>\nThese foolish things (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nShadows<\/td>\nTurn around and touch me<\/td>\n<\/tr>\n
11<\/td>\n–<\/td>\n1<\/td>\nRede van Juul Geleick<\/td>\n<\/td>\n<\/tr>\n
no. 61 – ronde III – 12 november 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAerosmith<\/td>\nDream on<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nLoggins & Messina<\/td>\nMy music<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n3<\/td>\nWho<\/td>\nQuadrophonia (LP)<\/td>\n<\/tr>\n
BB1<\/td>\n–<\/td>\n1<\/td>\nSeals & Crofts<\/td>\nWe’ll never pass this way again<\/td>\n<\/tr>\n
BB2<\/td>\n–<\/td>\n1<\/td>\nGenesis<\/td>\nSelling England by the pound (LP)<\/td>\n<\/tr>\n
BB3<\/td>\n–<\/td>\n1<\/td>\nSeals & Crofts<\/td>\nWe’ll never pass this way again<\/td>\n<\/tr>\n
JG<\/td>\n–<\/td>\n1<\/td>\nCarole King<\/td>\nCorazon<\/td>\n<\/tr>\n
4<\/td>\n0<\/td>\n6<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n2<\/td>\nJohn Lennon<\/td>\nMindgames (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCockney Rebel<\/td>\nSebastian<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n6<\/td>\nIsley Brothers<\/td>\nThat lady<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nShadows<\/td>\nTurn around and touch me<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nIan Matthews<\/td>\nDevil in disguise<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSweepers<\/td>\nHarlem song<\/td>\n<\/tr>\n
no. 62 – ronde III – 19 november 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n3<\/td>\nJohn Lennon<\/td>\nMindgames (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nAerosmith<\/td>\nDream on<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBryan Ferry<\/td>\nThese foolish things (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nAlice Cooper<\/td>\nMuscle of love (LP)<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n2<\/td>\nLoggins & Messina<\/td>\nFull Sail (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nGenesis<\/td>\nSelling England by the pound (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nEmerson Lake & Palmer<\/td>\nBrain sailed surgery (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nLemming<\/td>\nLucifera<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nKayak<\/td>\nSee see the sun<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPaul Anka<\/td>\nFlashback<\/td>\n<\/tr>\n
no. 63 – ronde III – 26 november 1973<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n4<\/td>\nJohn Lennon<\/td>\nMind games (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nSteelers Wheel<\/td>\nFerguslie Park (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nJim Croce<\/td>\nI got a name<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nAerosmith<\/td>\nDream on<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nGladys Knight & Pips<\/td>\nMidnight train to Georgia<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nElton John<\/td>\nGoodbye yellow brick road<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nFirst Choice<\/td>\nSmarty pants<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nHarold Melvin & Blue Notes<\/td>\nThe love I lost<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nQuadrophonia (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n2<\/td>\nGenesis<\/td>\nSelling England by the pound (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nShadows<\/td>\nTurn around and touch me<\/td>\n<\/tr>\n
10<\/td>\n9<\/td>\n2<\/td>\nKayak<\/td>\nSee see the sun<\/td>\n<\/tr>\n
no. 64 – ronde III – 3 december 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nJim Croce<\/td>\nI got a name<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n5<\/td>\nJohn Lennon<\/td>\nMind games (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nBand on the run (LP)<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n2<\/td>\nStealers Wheel<\/td>\nFerguslie Park (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nTobographic Ocean (LP)<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n3<\/td>\nGenesis<\/td>\nSelling England by the pound (LP)<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n2<\/td>\nHarold Melvin & Blue Notes<\/td>\nThe love I lost<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBilly Paul<\/td>\nWar of gods<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nO’Jays<\/td>\nShip ahoy<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n2<\/td>\nGladys Knight & Pips<\/td>\nMidnight train to Georgia<\/td>\n<\/tr>\n
no. 65 – ronde III – 10 december 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nWings<\/td>\nBand on the run (LP)<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n6<\/td>\nJohn Lennon<\/td>\nMindgames (LP)<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nYes<\/td>\nTobographic ocean (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBuffalo Springfield<\/td>\nBuffalo Springfield (LP)<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n3<\/td>\nStealers Wheel<\/td>\nFerguslie Park (LP)<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n4<\/td>\nGenesis<\/td>\nSelling England by the pound (LP)<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nBilly Paul<\/td>\nThanks for saving my live<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nO’Jays<\/td>\nShip ahoy<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n2<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDave Mason<\/td>\nThe lonely one<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBob Dylan<\/td>\nMr.Bojangles<\/td>\n<\/tr>\n
10<\/td>\n1<\/td>\n3<\/td>\nJim Croce<\/td>\nI got a name<\/td>\n<\/tr>\n
no. 66 – ronde III – 17 december 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nElvis Presley<\/td>\nJailhouse rock<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n5<\/td>\nGenesis<\/td>\nSelling England by the pound (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nWings<\/td>\nBand on the run (LP)<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n3<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n4<\/td>\nStealers Wheel<\/td>\nFerguslie Park<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nBob Dylan<\/td>\nMr.Bojangles<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nYes<\/td>\nTobographic Ocean (LP)<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n7<\/td>\nJohn Lennon<\/td>\nMind games (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBill Haley & Comets<\/td>\nRock around the clock<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDel Shannon<\/td>\nRunaway<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPlatters<\/td>\nThe great pretender<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nBilly Paul<\/td>\nThanks for saving my life<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nOrleans<\/td>\nPlease be there<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nWally Tax<\/td>\nMiss Wonderful<\/td>\n<\/tr>\n
extra<\/td>\n<\/td>\n1<\/td>\nCarpenters<\/td>\nClose to you<\/td>\n<\/tr>\n
no. 67 – ronde III – 26 december 1973<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n4<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nElvis Presley<\/td>\nJailhouse rock<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n4<\/td>\nWings<\/td>\nBand on the run (LP)<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n6<\/td>\nGenesis<\/td>\nSelling England by the pound (LP)<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nOrleans<\/td>\nPlease be there<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n3<\/td>\nBob Dylan<\/td>\nMr.Bojangles<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n8<\/td>\nJohn Lennon<\/td>\nMindgames (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMiracles<\/td>\nGive me just another day<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCats<\/td>\nRock and roll<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n4<\/td>\nBilly Paul<\/td>\nThanks for saving my life<\/td>\n<\/tr>\n
extra<\/td>\n<\/td>\n1<\/td>\nRay Conniff Singers<\/td>\nRudolph the rednosed reindeer<\/td>\n<\/tr>\n
ABTT JAAROVERZICHT 197331 december 1973, getypt in draaivolgorde<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBob Dylan<\/td>\nKnocking on heaven’s door<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPremiata Forneria Marconi<\/td>\nCelebration<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCollectors<\/td>\nWhat is love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nChicago<\/td>\nOnly the beginning<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nO’Jays<\/td>\ncollage<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMoody Blues<\/td>\nGo now<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPaul Meier show<\/td>\n4.4.1974<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nBryan Ferry<\/td>\nThese foolish things (LP)<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nProcol Harum<\/td>\nGrand Hotel (LP)<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nColin Blunstone<\/td>\nAndorra<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nLed Zeppelin<\/td>\nD’yer m’ker<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nKayak<\/td>\nLyrics<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nIsley Brothers<\/td>\nThat lady<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nPink Floyd<\/td>\nDark side of the moon (LP)<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nJohn Lennon<\/td>\nMindgames (LP)<\/td>\n<\/tr>\n
Juul Geleick Top Tien<\/b><\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nHoeveel beur ik hier nou eigenlijk voor?<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nWie zal dat betalen?<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nHele repertoire van de Zoete Lieve Gerritjes<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nHelen Reddy<\/td>\nLeave me alone<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nRede van Juul Geleick<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nJim Croce<\/td>\nI got a name<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nHarold Melvin & Blue Notes<\/td>\nThe love I lost<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nDraaiorgel “De Arabier”<\/td>\nGezellige potpourri<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nCarole King<\/td>\nCorazon<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

ABTT JAAROVERZICHT 1972 – ronde III –\u00a01 januari 1973 1 Fields Friend of mine 1,5 Yes Roundabout 2 America Ventura Highway 2 Bread Guitar man 3 Uriah Heep Easy livin’ 4 David Bowie John I’m only dancing 5 Eric Clapton Let it rain 6 Strawbs Lay down 7 Skylark Skylark (LP) 8 Doors Mosquito 9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/228"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=228"}],"version-history":[{"count":3,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/228\/revisions"}],"predecessor-version":[{"id":989,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/228\/revisions\/989"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}