{"id":230,"date":"2016-01-20T15:46:00","date_gmt":"2016-01-20T15:46:00","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=230"},"modified":"2016-01-28T14:09:57","modified_gmt":"2016-01-28T14:09:57","slug":"1974","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/01\/20\/1974\/","title":{"rendered":"1974"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
no. 68 – ronde III – 7 januari 1974 <\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n5<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nElvis Presley<\/td>\nCollage<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nOrleans<\/td>\nPlease be there<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nKiki Dee<\/td>\nAmoureuse<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAlan Price<\/td>\nShame shame shame<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nJohn Fred & Playboyband<\/td>\nJudy in disguise<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAmerican Breed<\/td>\nBend me shape me<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLemon Piper<\/td>\nGreen tambourine<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nIan Thomas<\/td>\nPainted ladies<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n7<\/td>\nGenesis<\/td>\nSelling England by the pound (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nE.L.O.<\/td>\nShowdown<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nLou Reed<\/td>\nHow do you think it feels<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBadfinger<\/td>\nApple of my eye<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n5<\/td>\nWings<\/td>\nBand on the run (LP)<\/td>\n<\/tr>\n
extra<\/td>\n–<\/td>\n1<\/td>\nSearchers<\/td>\nEverybody come and clap hands<\/td>\n<\/tr>\n
no. 69 – ronde III – 14 januari 1974 <\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n4<\/td>\nOrleans<\/td>\nPlease be there<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n2<\/td>\nIan Thomas<\/td>\nPainted ladies<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n6<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nE.L.O.<\/td>\nOn the third day (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nRedbone<\/td>\nCome and get your love<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nLou Reed<\/td>\nHow do you think it feels<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFleetwood Mac<\/td>\nFor your love<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nGraham Nash<\/td>\nWild tales (LP)<\/td>\n<\/tr>\n
9<\/td>\n9<\/td>\n2<\/td>\nBadfinger<\/td>\nApple of my eye<\/td>\n<\/tr>\n
10<\/td>\n10<\/td>\n6<\/td>\nWings<\/td>\nBand on the run (LP)<\/td>\n<\/tr>\n
extra<\/td>\n–<\/td>\n1<\/td>\nSandie Shaw<\/td>\nGirl don’t come<\/td>\n<\/tr>\n
no. 70 – ronde III – 21 januari 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nE.L.O.<\/td>\nOn the third day (LP)<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n7<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nRedbone<\/td>\nCome and get your love<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nFleetwood Mac<\/td>\nFor your love<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n5<\/td>\nOrleans<\/td>\nPlease be there<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nIan Thomas<\/td>\nPainted ladies<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n3<\/td>\nLou Reed<\/td>\nHow do you think it feels<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nGraham Nash<\/td>\nWild tales (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCarpenters<\/td>\nHeather<\/td>\n<\/tr>\n
extra<\/td>\n–<\/td>\n1<\/td>\nFrank Ifield<\/td>\nThe summer is over<\/td>\n<\/tr>\n
no. 71 – ronde III – 28 januari 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n4<\/td>\nE.L.O.<\/td>\nOn the third day (LP)<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nRedbone<\/td>\nCome and get your love<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n8<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nChi-Lites<\/td>\nGreatest Hits (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nHollies<\/td>\nThe air that I breath<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nCarpenters<\/td>\nHeather<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDeep Purple<\/td>\nBurn (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nFleetwood Mac<\/td>\nFor your love<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n6<\/td>\nOrleans<\/td>\nPlease be there<\/td>\n<\/tr>\n
no. 72 – ronde III – 4 februari 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n3<\/td>\nCarpenters<\/td>\nHeather<\/td>\n<\/tr>\n
2<\/td>\n8<\/td>\n2<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n5<\/td>\nE.L.O.<\/td>\nOn the third day (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDavid Gates<\/td>\nFirst (LP)<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n2<\/td>\nChi-Lites<\/td>\nGreatest Hits (LP)<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n4<\/td>\nRedbone<\/td>\nCome and get your love<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n9<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSpinners<\/td>\nMighty love<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCatapult<\/td>\nHit the bit time<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBarabas<\/td>\nWoman<\/td>\n<\/tr>\n
no. 73 – ronde III – 11 februari 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n3<\/td>\nChi-Lites<\/td>\nGreatest Hits (LP)<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nDavid Gates<\/td>\nFirst (LP)<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nCarpenters<\/td>\nHeather<\/td>\n<\/tr>\n
5<\/td>\n10<\/td>\n2<\/td>\nBarabas<\/td>\nWoman<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n6<\/td>\nE.L.O.<\/td>\nOn the third day (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPink Floyd<\/td>\nUs and them<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSensation<\/td>\nBlack eyed woman<\/td>\n<\/tr>\n
9<\/td>\n7<\/td>\n10<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nM.F.S.B.<\/td>\nT.S.O.P.<\/td>\n<\/tr>\n
extra<\/td>\n–<\/td>\n1<\/td>\nSmoele schuiverij<\/td>\n<\/td>\n<\/tr>\n
no. 74 – ronde III – 18 februari 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n4<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nChi-Lites<\/td>\nGreatest Hits (LP)<\/td>\n<\/tr>\n
alt. nr.3<\/td>\n–<\/td>\n1<\/td>\nRob & Birgit<\/td>\nPapa wat gebeurt er<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n5<\/td>\nCarpenters<\/td>\nHeather<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n3<\/td>\nDavid Gates<\/td>\nFirst(LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nFather of day<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPink Floyd<\/td>\nUs and them<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n7<\/td>\nE.L.O.<\/td>\nOn the third day (LP)<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n3<\/td>\nBarabas<\/td>\nWoman<\/td>\n<\/tr>\n
10<\/td>\n9<\/td>\n11<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
extra<\/td>\n–<\/td>\n1<\/td>\nWim Sonneveld<\/td>\nPoen poen poen<\/td>\n<\/tr>\n
no. 75 – ronde III – 25 februari 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n5<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
2<\/td>\n9<\/td>\n4<\/td>\nBarabas<\/td>\nWoman<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nDoobie Brothers<\/td>\nWhat were once vices are now habits (LP)<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n4<\/td>\nDavid Gates<\/td>\nFirst (LP)<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n4<\/td>\nBarabas<\/td>\nWoman<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n5<\/td>\nChi-Lites<\/td>\nGreatest Hits (LP)<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n2<\/td>\nManfred Mann<\/td>\nFather of day<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nAlbert Hammond<\/td>\nI’m a train<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRick Derringer<\/td>\nAll American boy (LP)<\/td>\n<\/tr>\n
10<\/td>\n10<\/td>\n12<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
no. 76 – ronde III – 4 maart 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n6<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nManfred Mann<\/td>\nFather of day<\/td>\n<\/tr>\n
3<\/td>\n9<\/td>\n2<\/td>\nRick Derringer<\/td>\nAll American boy (LP)<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nAlbert Hammond<\/td>\nI’m a train<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n2<\/td>\nDoobie Brothers<\/td>\nWhat were once vices are now habits (LP)<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n5<\/td>\nDavid Gates<\/td>\nFirst (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nHarry Chapin<\/td>\nW.O.L.D.<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBachman Turner Overdrive<\/td>\nLet it ride<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nTrammps<\/td>\nLove epidemic<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n6<\/td>\nChi-Lites<\/td>\nGreatest Hits (LP)<\/td>\n<\/tr>\n
no. 77 – ronde III – 11 maart 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nManfred Mann<\/td>\nFather of day<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n3<\/td>\nDoobie Brothers<\/td>\nWhat were once vices are now habits (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n7<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nRick Derringer<\/td>\nAll American boy<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nHarry Chapin<\/td>\nW.O.L.D.<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nTrammps<\/td>\nLove epidemic<\/td>\n<\/tr>\n
Lex Harding hittip<\/td>\n–<\/td>\n1<\/td>\nColin Blunstone<\/td>\nAndorra<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nSeven Stars<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSensation<\/td>\nBlack eyed woman<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSutherland Brothers & Quiver<\/td>\nDream kid<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nHarold Melvin & Blue Notes<\/td>\nSatisfaction guaranteed<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nGuy Mitchell<\/td>\nThe roving kind<\/td>\n<\/tr>\n
no. 78 – ronde III – 18 maart 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n4<\/td>\nDoobie Brothers<\/td>\nWhat were once vices are now habits (LP)<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n3<\/td>\nHarry Chapin<\/td>\nW.O.L.D.<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n4<\/td>\nRick Derringer<\/td>\nAll American boy (LP)<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nSensation<\/td>\nBlack eyed woman<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n8<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nSutherland Brothers & Quiver<\/td>\nDream kid<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nArgent<\/td>\nThunder and lightning<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nHarold Melvin & Blue Notes<\/td>\nSatisfaction guaranteed<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n3<\/td>\nTrammps<\/td>\nLove epidemic<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nFirst Choice<\/td>\nNewsy Neighbours<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nTornadoes<\/td>\nTelstar<\/td>\n<\/tr>\n
no. 79 – ronde III – 25 maart 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n4<\/td>\nHarry Chapin<\/td>\nW.O.L.D.<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n5<\/td>\nDoobie Brothers<\/td>\nWhat were once vices are now habits (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nChicago VII (LP)<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n3<\/td>\nSutherland Brothers & Quiver<\/td>\nDream kid<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n3<\/td>\nSensation<\/td>\nBlack eyed woman<\/td>\n<\/tr>\n
nr.96<\/td>\n–<\/td>\n1<\/td>\nSimon Stokes & Nighthawks<\/td>\nVoodoo woman<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nFather of day<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n2<\/td>\nArgent<\/td>\nThunder and lightning<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nMike Ronson<\/td>\nSlaughter on 10th Avenue (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nThree Degrees<\/td>\nYear of decision (LP)<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n3<\/td>\nHarold Melvin & Blue Notes<\/td>\nSatisfaction guaranteed<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n3<\/td>\nSutherland Brothers & Quiver<\/td>\nDream kid<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGenesis<\/td>\nI know what I like<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n5<\/td>\nRick Derringer<\/td>\nAll American boy (LP)<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nI need you<\/td>\n<\/tr>\n
no. 80 – ronde III – 1 april 1974<\/b><\/td>\n<\/tr>\n
1 bis<\/td>\n–<\/td>\n1<\/td>\nB.Z.N.<\/td>\nMaybe someday<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nChicago<\/td>\nChicago VII (LP)<\/td>\n<\/tr>\n
2<\/td>\n2 en 8<\/td>\n4<\/td>\nSutherland Brothers & Quiver<\/td>\nDream kid<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n6<\/td>\nDoobie Brothers<\/td>\nWhat were once vices are now habits (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nGolden Earring<\/td>\nWinter Harvest (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n5<\/td>\nHarry Chapin<\/td>\nW.O.L.D.<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n6<\/td>\nRick Derringer<\/td>\nAll American boy<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n2<\/td>\nManfred Mann<\/td>\nSolar fire (LP)<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n2<\/td>\nThree Degrees<\/td>\nThe year of decision (LP)<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n4<\/td>\nHarold Melvin & Blue Notes<\/td>\nSatisfaction guaranteed<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n4<\/td>\nSensation<\/td>\nBlack eyed woman<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nThree Dog Night<\/td>\nThe show must go on<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nFour Seasons<\/td>\nDawn<\/td>\n<\/tr>\n
The Best of ABTT – 8 april 1974, getypt\u00a0in draaivolgorde<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMike Oldfield<\/td>\nTubular Bells (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDiverse soft soul<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSkylark<\/td>\nI’ll have to go away<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nHarry Chapin<\/td>\nW.O.L.D.<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBread<\/td>\nGuitar man<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nKayak<\/td>\nLyrics<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
Alternatieve Boord Top Tien – 15 april\u00a01974<\/b><\/td>\n<\/tr>\n
1. Henk Korthuis<\/td>\n<\/td>\n<\/td>\nABBA<\/td>\nWaterloo<\/td>\n<\/tr>\n
2. Maarten de Reus<\/td>\n<\/td>\n<\/td>\nMark Winter<\/td>\nDe Heilssoldaat<\/td>\n<\/tr>\n
3. Leo de Later<\/td>\n<\/td>\n<\/td>\nBobby Goldsboro<\/td>\nSummer the first time<\/td>\n<\/tr>\n
4. Jaap Borst<\/td>\n<\/td>\n<\/td>\nVader Abraham Show Orkest<\/td>\nKoek oeroe koekoe<\/td>\n<\/tr>\n
5. Arthur Endlich<\/td>\n<\/td>\n<\/td>\nOutsiders<\/td>\nTouch<\/td>\n<\/tr>\n
6. Jan van Bers<\/td>\n<\/td>\n<\/td>\nEmerson Lake & Palmer<\/td>\nTrilogy (LP)<\/td>\n<\/tr>\n
7. Norder ney<\/td>\n<\/td>\n<\/td>\nArmand<\/td>\nDe oorlog woedt in jezelf<\/td>\n<\/tr>\n
8. Willem Kuyper<\/td>\n<\/td>\n<\/td>\nBarbra Streisand<\/td>\nThe way we were<\/td>\n<\/tr>\n
9. Leen Kramer<\/td>\n<\/td>\n<\/td>\nAstrid Nijgh<\/td>\nDe nacht<\/td>\n<\/tr>\n
10. Chris Niehot<\/td>\n<\/td>\n<\/td>\nMireille Mathieu<\/td>\nRoma Roma Roma<\/td>\n<\/tr>\n
no. 81 – ronde III – 22 april 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n5<\/td>\nSutherland Brothers & Quiver<\/td>\nDream kid<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n1<\/td>\nRobert Long<\/td>\nVroeger of later (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nHot Chocolate<\/td>\nEmma<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nChicago<\/td>\nI’ve been searching so long<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nBand on the run<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n1<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nAmerican Gypsy<\/td>\nAngel eye<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nKing Crimson<\/td>\nThe nightwatch<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nElton John<\/td>\nBennie and the Jets<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGeorge Cash<\/td>\nNightingale<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLeo Unger<\/td>\nRun to the sunshine<\/td>\n<\/tr>\n
no. 82 – ronde III – 29 april 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nAmerican Gypsy<\/td>\nAngel eye<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nHot Chocolate<\/td>\nEmma<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n2<\/td>\nChicago<\/td>\nI’ve been searchin’ so long<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n2<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n6<\/td>\nSutherland Brothers & Quiver<\/td>\nDream kid<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n2<\/td>\nWings<\/td>\nBand on the run<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nKayak<\/td>\nKayak II (LP)<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nElton John<\/td>\nBennie and the Jets<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBeatles<\/td>\nYou’ve got to hide your love away<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSparks<\/td>\nThis town ain’t big enough for the both of us<\/td>\n<\/tr>\n
no. 83 – ronde III – 6 mei 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nRobert Long<\/td>\nVroeger of later (LP)<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nHot Chocolate<\/td>\nEmma<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nFocus<\/td>\nHamburger Concerto (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nJohn Harris<\/td>\nAll to bring you morning (LP)<\/td>\n<\/tr>\n
5<\/td>\n10<\/td>\n2<\/td>\nSparks<\/td>\nThis town ain’t big enough<\/td>\n<\/tr>\n
beurt: Joke<\/td>\n–<\/td>\n1<\/td>\nElton John<\/td>\nDaniel<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSteely Dan<\/td>\nRikki don’t loose that number<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n3<\/td>\nAmerican Gypsy<\/td>\nAngel eye<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n2<\/td>\nKayak<\/td>\nKayak II (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nO’Jays<\/td>\nFor the love of money<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nMontrose<\/td>\nRock the nation<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPremiata Foreneria Marconi<\/td>\nThe world became the world (LP)<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n3<\/td>\nWings<\/td>\nBand on the run<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nCrazy world of Arthur Brown<\/td>\nDevil’s gripp<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nBlack Widow<\/td>\nCome to the sabbath<\/td>\n<\/tr>\n
no. 84 – ronde III – 13 mei 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nJohn Harris<\/td>\nAll to bring you morning (LP)<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nSteely Dan<\/td>\nRikki don’t loose that number<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n3<\/td>\nSparks<\/td>\nThis town ain’t big enough<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
5<\/td>\n10<\/td>\n2<\/td>\nPremiata Foreneria Marconi<\/td>\nThe world became the world (LP)<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n3<\/td>\nKayak<\/td>\nKayak II (LP)<\/td>\n<\/tr>\n
verzoekje Carla<\/td>\n–<\/td>\n1<\/td>\nStevie Wonder<\/td>\nDon’t you worry ’bout a thing<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n2<\/td>\nFocus<\/td>\nHamburger Concerto (LP)<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n4<\/td>\nHot Chocolate<\/td>\nEmma<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n2<\/td>\nRobert Long<\/td>\nVroeger of later (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLove Unlimited Orchestra<\/td>\nRhapsody in white<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nYardbirds<\/td>\nHappenings are ten years time ago<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nAmsterdamse Makkertjes<\/td>\nStop de zeehonden moord<\/td>\n<\/tr>\n
no. 85 – ronde III – 20 mei 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n4<\/td>\nSparks<\/td>\nThis town ain’t big enough<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n5<\/td>\nSkylark<\/td>\nSkylark (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nStevie Wonder<\/td>\nDon’t you worry bout a thing<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nJohn Harris<\/td>\nAll to bring you morning (LP)<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n3<\/td>\nSteely Dan<\/td>\nRikki don’t loose that number<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTangerine Dream<\/td>\nPhaedra (LP)<\/td>\n<\/tr>\n
beurt: Marijke<\/td>\n–<\/td>\n1<\/td>\nChi Coltrane<\/td>\nYou were my friend<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nEllis<\/td>\nEl Doomo<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nRubettes<\/td>\nSugar baby love<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDe onbekende Dendermondse zanger<\/td>\nAi Maria<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n4<\/td>\nKayak<\/td>\nKayak II (LP)<\/td>\n<\/tr>\n
no. 86 – ronde III – 27 mei 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nEllis<\/td>\nEl Doomo<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nStevie Wonder<\/td>\nDon’t you worry ’bout a thing<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n5<\/td>\nSparks<\/td>\nKimono my house (LP)<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nTangerine Dream<\/td>\nPhaedra (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nI love my dog<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nWonderworld (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\n1984<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSeventh Wave<\/td>\nThings to come (LP)<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n4<\/td>\nSteely Dan<\/td>\nRikki don’t loose that number<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nEdgar Winter<\/td>\nShock treatment (LP)<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n4<\/td>\nJohn Harris<\/td>\nAll to bring you morning (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSeals & Crofts<\/td>\nKing of nothing<\/td>\n<\/tr>\n
no. 87 – ronde III – 2 juni 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nTangerine Dream<\/td>\nPhaedra (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nEllis<\/td>\nEl doomo<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nUriah Heep<\/td>\nWonderworld (LP)<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nEdgar Winter<\/td>\nShock treatment (LP)<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n6<\/td>\nSparks<\/td>\nKimono my house (LP)<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nSeventh Wave<\/td>\nThings to come (LP)<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n3<\/td>\nStevie Wonder<\/td>\nDon’t you worry ’bout a thing<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nDiamond dogs (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nGeorge McCrae<\/td>\nRock your baby prt.1<\/td>\n<\/tr>\n
no. 88 – ronde III – 10 juni 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nEdgar Winter<\/td>\nShock treatment (LP)<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n3<\/td>\nSeventh Wave<\/td>\nThings to come (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nTangerine Dream<\/td>\nPhaedra (LP)<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nEllis<\/td>\nEl doomo<\/td>\n<\/tr>\n
beurt: Francis Bouwman<\/td>\n–<\/td>\n1<\/td>\nSkylark<\/td>\nSuite for the ladies\/I’ll have to go away<\/td>\n<\/tr>\n
6<\/td>\n6<\/td>\n7<\/td>\nSparks<\/td>\nKimono my house (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nTen Years After<\/td>\nIt’s getting harder<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nEarth & Fire<\/td>\nLove of life<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBryan Ferry<\/td>\nThe incrowd<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n3<\/td>\nUriah Heep<\/td>\nWonderworld (LP)<\/td>\n<\/tr>\n
extra<\/td>\n<\/td>\n1<\/td>\nCuby & the Blizzards<\/td>\nThursday night<\/td>\n<\/tr>\n
no. 89 – ronde III – 17-06 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n5<\/td>\nTangerine Dream<\/td>\nPhaedra (LP)<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n4<\/td>\nSeventh Wave<\/td>\nThings to come (LP)<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nTen Years After<\/td>\nIt’s getting harder<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nEdgar Winter<\/td>\nShock treatment (LP)<\/td>\n<\/tr>\n
beurt: Bea de Waard<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nAngie<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n2<\/td>\nBryan Ferry<\/td>\nThe incrowd<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nEcstasy, Passion & Pain<\/td>\nI wouldn’t give you up<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n4<\/td>\nUriah Heep<\/td>\nWonderworld (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nHues Corporation<\/td>\nRock the boat<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n5<\/td>\nEllis<\/td>\nEl Doomo<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n8<\/td>\nSparks<\/td>\nKimono my house (LP)<\/td>\n<\/tr>\n
no. 90 – ronde III – 24 juni 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nTen Years After<\/td>\nIt’s getting better<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nDe onbekende Dendermondse Zanger<\/td>\nAi Maria<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n5<\/td>\nSeventh Wave<\/td>\nThings to come (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nHoliday (LP)<\/td>\n<\/tr>\n
5 beurt: Anita<\/td>\n–<\/td>\n1<\/td>\nMud<\/td>\nThe cat crept in<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n9<\/td>\nSparks<\/td>\nKimono my house (LP)<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n3<\/td>\nBryan Ferry<\/td>\nThe incrowd<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBlue Oyster Cult<\/td>\nSecret treaties (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBarend Servet<\/td>\nHoe kan dat nou<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n5<\/td>\nUriah Heep<\/td>\nWonderworld (LP)<\/td>\n<\/tr>\n
LBK<\/td>\n–<\/td>\n1<\/td>\nBrian Poole & Tremeloes<\/td>\nSomeone someone<\/td>\n<\/tr>\n
no. 91 – ronde III – 1 juli 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n4<\/td>\nTen Years After<\/td>\nIt’s getting harder<\/td>\n<\/tr>\n
beurt: Will Swarties<\/td>\n–<\/td>\n1<\/td>\nSkylark<\/td>\nWildflower<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n5<\/td>\nEdgar Winter<\/td>\nShock treatment (LP)<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n6<\/td>\nSeventh Wave<\/td>\nThings to come (LP)<\/td>\n<\/tr>\n
TD<\/td>\n–<\/td>\n1<\/td>\nMarianne Faithful<\/td>\nSummer nights<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nTangerine Dream<\/td>\nPhaedra (LP)<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n4<\/td>\nBryan Ferry<\/td>\nThe incrowd<\/td>\n<\/tr>\n
6. beurt: Rina Tuip<\/td>\n–<\/td>\n1<\/td>\nSensation<\/td>\nBlack eyed woman<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n2<\/td>\nAmerica<\/td>\nHoliday (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBad Company<\/td>\nBad Company (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCats<\/td>\nIf you wanna tangle<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n10<\/td>\nSparks<\/td>\nKimono my house (LP)<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nVolendam liederen<\/td>\n<\/td>\n<\/tr>\n
no. 92 – ronde III – 8 juli 1974<\/b><\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nTen Years After<\/td>\nIt’s getting harder<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nEric Clapton<\/td>\nI shot the sheriff<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nRobin Tronwer<\/td>\nTwo rolling stones<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n5<\/td>\nBryan Ferry<\/td>\nThe incrowd<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBad Company<\/td>\nCan’t get enough<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nHot Chocolate<\/td>\nThe changin’ world<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSouther Hillman Furay Band<\/td>\nGreetings from Glamour City (LP)<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n6<\/td>\nEdgar Winter<\/td>\nShock treatment (LP)<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n7<\/td>\nSeventh Wave<\/td>\nThings to come (LP)<\/td>\n<\/tr>\n
no. 93 – ronde III – 15 juli 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nEric Clapton<\/td>\nI shot the sheriff<\/td>\n<\/tr>\n
2. Beurt: Lydia<\/td>\n–<\/td>\n1<\/td>\nCollectors<\/td>\nLydia Purple<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n5<\/td>\nTen Years After<\/td>\nIt’s getting harder<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nHot Chocolate<\/td>\nThe changin’ world<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n2<\/td>\nSouther Hillman Furay Band<\/td>\nGreetings from Glamour City (LP)<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nScope<\/td>\nScope (LP)<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n7<\/td>\nEdgar Winter<\/td>\nShock treatment (LP)<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n6<\/td>\nBryan Ferry<\/td>\nThe incrowd<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFirst Class<\/td>\nBeach baby<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSweet<\/td>\nThe six teens<\/td>\n<\/tr>\n
L.I.<\/td>\n–<\/td>\n1<\/td>\nThunderclap Newman<\/td>\nSomething in the air<\/td>\n<\/tr>\n
no. 94 – ronde III – 22 juli 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nEric Clapton<\/td>\nI shot the sheriff<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nBloodrock<\/td>\nD.O.A.<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nTangerine Dream<\/td>\nPhaedra (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nGentle Giant<\/td>\nThree friends<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n3<\/td>\nHot Chocolate<\/td>\nThe changin’ world<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n3<\/td>\nSouther Hillman Furay Band<\/td>\nGreetings from Glamour City (LP)<\/td>\n<\/tr>\n
7<\/td>\n6<\/td>\n2<\/td>\nScope<\/td>\nScope (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nAbout to die<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nHoliday (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDoobie Brothers<\/td>\nEyes of silver<\/td>\n<\/tr>\n
–<\/td>\n–<\/td>\n1<\/td>\nFamily<\/td>\nMe my friend<\/td>\n<\/tr>\n
no. 95 – ronde III – 29 juli 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n3<\/td>\nScope<\/td>\nScope (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nAlbert Hammond<\/td>\nAir disaster<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nWilliam de Vaughn<\/td>\nBe thankful for what you’ve got<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n4<\/td>\nSouther Hillman Furay Band<\/td>\nGreetings from Glamour City (LP)<\/td>\n<\/tr>\n
5 A:beurt : Elisabeth<\/td>\n–<\/td>\n1<\/td>\nCarpenters<\/td>\nClose to you<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n4<\/td>\nEric Clapton<\/td>\nI shot the sheriff<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDoobie Brothers<\/td>\nDaughter of the sea<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCommodores<\/td>\nMachine gun<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSparks<\/td>\nAmateur hour<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSparks<\/td>\nKimono my house (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nNeil Young<\/td>\nOn the beach (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nRare Earth<\/td>\nChained<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBrotherhood of Man<\/td>\nLady<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nThree Degrees & MFSB<\/td>\nLove is the message<\/td>\n<\/tr>\n
Warming Up<\/td>\n–<\/td>\n1<\/td>\nDave Berry<\/td>\nI’m gonna take you there<\/td>\n<\/tr>\n
no. 96 – ronde III – 5 augustus 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nAlbert Hammond<\/td>\nAir disaster<\/td>\n<\/tr>\n
2<\/td>\n9<\/td>\n2<\/td>\nBrotherhood of Man<\/td>\nLady<\/td>\n<\/tr>\n
2A: beurt : Marjolein vd Drift<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nSparks<\/td>\nAmateur hour<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nScope<\/td>\nScope (LP)<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n2<\/td>\nDoobie Brothers<\/td>\nDaughter of the sea<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n5<\/td>\nSouther Hillman Furay Band<\/td>\nGreetings from Glamour City (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nLove Unlimited Orchestra<\/td>\nTheme from Together Brothers<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n5<\/td>\nEric Clapton<\/td>\nI shot the sheriff<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSupertramp<\/td>\nDreamer<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n2<\/td>\nWilliam de Vaughn<\/td>\nBe thankful for what you’ve got<\/td>\n<\/tr>\n
no. 97 – ronde III – 12 augustus 1974<\/b><\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nAlbert Hammond<\/td>\nAir disaster<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nSparks<\/td>\nAmateur hour<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nLove Unlimited Orchestra<\/td>\nTheme from Together Brothers<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nSupertramp<\/td>\nDreamer<\/td>\n<\/tr>\n
5<\/td>\n4<\/td>\n5<\/td>\nScope<\/td>\nScope (LP)<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\n3<\/td>\nDoobie Brothers<\/td>\nDaugter of the sea<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSimon Stokes<\/td>\nCaptain Howdy<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n6<\/td>\nSouther Hillman Furay Band<\/td>\nGreetings from Glamour City (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGuess Who<\/td>\nClap for the Wolfman<\/td>\n<\/tr>\n
10<\/td>\n10<\/td>\n3<\/td>\nWilliam de Vaughn<\/td>\nBe thankful for what you’ve got<\/td>\n<\/tr>\n
extra<\/td>\n–<\/td>\n1<\/td>\nRonnie & de Ronnies<\/td>\nIk ga er eentje pikken<\/td>\n<\/tr>\n
no. 98 – ronde III – 19 augustus 1974,\u00a0hh. 20-8-74<\/b><\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nDiana Ross & Marvin Gaye<\/td>\nSomeday we’ll be together<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nSupertramp<\/td>\nDreamer<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBachman Turner Overdrive<\/td>\nTaking care of business<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nGuess Who<\/td>\nClap for the Wolfman<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n3<\/td>\nLove Unlimited Orchestra<\/td>\nTheme from Together Brothers<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nSimon Stokes<\/td>\nCaptain Howdy<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nAl Stewart<\/td>\nNostradamus (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nAnother saturdaynight<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n4<\/td>\nDoobie Brothers<\/td>\nDaughter of the sea<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n6<\/td>\nScope<\/td>\nScope (LP)<\/td>\n<\/tr>\n
Leuke Binnen komer<\/td>\n–<\/td>\n1<\/td>\nAmsterdam<\/td>\nLucy Lucy<\/td>\n<\/tr>\n
no. 99 – 26 augustus 1974, getypt in\u00a0draaivolgorde<\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBeatles<\/td>\nI want to hold your hand<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBeatles<\/td>\nAll my loving<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGolden Earrings<\/td>\nJust a little bit of peace in my heart<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nChambers Brothers<\/td>\nTime has come today<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAlan Price<\/td>\nI never had a dime<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRaspberries<\/td>\nDon’t wanna say goodbye<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPetula Clark<\/td>\nDon’t give up<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRoaring Sixties<\/td>\nWe love the pirates<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAmsterdam<\/td>\nDon’t be down<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nThree Dog Night<\/td>\nLiar<\/td>\n<\/tr>\n
no. 100 – ronde III – 26 augustus 1974, getypt in draaivolgorde<\/b><\/td>\n<\/tr>\n
beurt: Josje Bouman<\/td>\n<\/td>\n<\/td>\nFrankie Valli<\/td>\nCan’t take my eyes off you<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nHollies<\/td>\nMan without a heart<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPink Floyd<\/td>\nUs and them<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDeep Purple<\/td>\nChild in time<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAlice Cooper<\/td>\nHalo of flies<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nTineke & Zingende Zusjes<\/td>\nNee Adri<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDiana Ross & Marvin Gaye<\/td>\nSomeday we’ll be together<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

no. 68 – ronde III – 7 januari 1974 1 1 5 Buoys Look back America the beautiful 2 2 3 Elvis Presley Collage 3 5 3 Orleans Please be there 4 – 1 Kiki Dee Amoureuse 5 – 1 Alan Price Shame shame shame 5 – 1 John Fred & Playboyband Judy in disguise […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/230"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":9,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/230\/revisions"}],"predecessor-version":[{"id":357,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/230\/revisions\/357"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}