{"id":235,"date":"2016-01-20T15:48:59","date_gmt":"2016-01-20T15:48:59","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=235"},"modified":"2016-04-09T21:13:41","modified_gmt":"2016-04-09T21:13:41","slug":"1975","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/01\/20\/1975\/","title":{"rendered":"1975"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
4 jan 1975<\/td>\n<\/tr>\n
10b<\/td>\n–<\/td>\n<\/td>\nPerry Como<\/td>\nChristmas dream<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n<\/td>\nTrammps<\/td>\nShout!<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n<\/td>\nJohn Lennon<\/td>\n# 9 Dream<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n<\/td>\nDan Fogelberg<\/td>\nPart of the plan<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n<\/td>\nLaBelle<\/td>\nLady Marmalade<\/td>\n<\/tr>\n
7<\/td>\n5<\/td>\n<\/td>\nHarry Chapin<\/td>\nCat’s in the cradle<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n<\/td>\nLeft Side<\/td>\nTessie<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n<\/td>\nGino Vanelli<\/td>\nPeople gotta move<\/td>\n<\/tr>\n
5<\/td>\n7<\/td>\n<\/td>\nSupertramp<\/td>\nLP \u00a0Crime of the century<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n<\/td>\nCape Canary<\/td>\nLet there be light<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n<\/td>\nJohn Holt<\/td>\nHelp me make it trough the night<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n<\/td>\nSplinter<\/td>\nCostafine town<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n<\/td>\nLivin’ Blues<\/td>\nBoogie woogie woman<\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n<\/td>\nAce<\/td>\nHow long<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
11 jan 1975<\/td>\n<\/tr>\n
33<\/td>\n–<\/td>\n<\/td>\nPickel Nickel Orchestra<\/td>\nPim pam pom<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n<\/td>\nDisco Tex & Sex-O-Lettes<\/td>\nGet dancin’<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n<\/td>\nLivin’ Blues<\/td>\nBoogie woogie woman<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n<\/td>\nGuess Who<\/td>\nDancing fool<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nStatus Quo<\/td>\nDown down<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n<\/td>\nDan Fogelberg<\/td>\nPart of the plan<\/td>\n<\/tr>\n
6<\/td>\n6<\/td>\n<\/td>\nLeft Side<\/td>\nTessie<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n<\/td>\nTymes<\/td>\nMrs. Grace<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n<\/td>\nAce<\/td>\nHow long<\/td>\n<\/tr>\n
4<\/td>\n10<\/td>\n<\/td>\nJohn Lennon<\/td>\n# 9 Dream<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n<\/td>\nJohn Holt<\/td>\nHelp me make it trough the night<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n<\/td>\nCape Canary<\/td>\nLet there be light<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n<\/td>\nSplinter<\/td>\nCostafine town<\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n<\/td>\nSupertramp<\/td>\nLP \u00a0Crime of the century<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
18 jan 1975<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n<\/td>\nLeft Side<\/td>\nTessie<\/td>\n<\/tr>\n
10<\/td>\n5<\/td>\n<\/td>\nAce<\/td>\nHow long<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nSailor<\/td>\nSailor<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nMoments & Whatnauts<\/td>\nGirls<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n<\/td>\nSplinter<\/td>\nCostafine town<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nPilot<\/td>\nIt’s magic<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n<\/td>\nSupertramp<\/td>\nLP \u00a0Crime of the century<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n<\/td>\nDoobie Brothers<\/td>\nListen to the music<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n<\/td>\nJohn Holt<\/td>\nHelp me make it trough the night<\/td>\n<\/tr>\n
5<\/td>\n10<\/td>\n<\/td>\nGuess Who<\/td>\nDancing fool<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n<\/td>\nDan Fogelberg<\/td>\nPart of the plan<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n<\/td>\nTymes<\/td>\nMrs. Grace<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n<\/td>\nCape Canary<\/td>\nLet there be light<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n<\/td>\nStatus Quo<\/td>\nDown down<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n<\/td>\nJohn Lennon<\/td>\n# 9 Dream<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
25 jan 1975<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nABTT nr.1 – ronde IV<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\nx<\/td>\nSupertramp<\/td>\nLP\u00a0 Crime of the century<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n<\/td>\nDoobie Brothers<\/td>\nListen to the music<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\nx<\/td>\nRoyal Philharmonic Orches. & M.O.<\/td>\nOrchestral Tubular Bells<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\nx<\/td>\nRod Stewart &\u00a0 Faces<\/td>\nYou can make me dance…<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\nx<\/td>\nKevin Johnson \/\u00a0 The Cats<\/td>\nR’n’R (I gave you the best years<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n<\/td>\nCape Canary<\/td>\nLet there be light<\/td>\n<\/tr>\n
6<\/td>\n5<\/td>\nx<\/td>\nJohn Holt<\/td>\nHelp me make it trough the night<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\nx<\/td>\nLove Unlimited<\/td>\nIt may be winter outside<\/td>\n<\/tr>\n
5<\/td>\n7 & \u2013<\/td>\nx<\/td>\nPilot<\/td>\nMagic \/ January<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n<\/td>\nSailor<\/td>\nSailor<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n<\/td>\nStatus Quo<\/td>\nDown down<\/td>\n<\/tr>\n
3<\/td>\n9<\/td>\n<\/td>\nMoments & Whatnauts<\/td>\nGirls<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n<\/td>\nTymes<\/td>\nMrs. Grace<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\nx<\/td>\nDan Fogelberg<\/td>\nPart of the plan<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1 febr 1975<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n<\/td>\nStatus Quo<\/td>\nDown down<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nBen E King<\/td>\nSuper natural prt 1 & 2<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n<\/td>\nRoyal Philharmonic Orches. & M.O.<\/td>\nOrchestral Tubular Bells<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nSoundtrack<\/td>\nLP\u00a0 Stardust<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nFrankie Valli<\/td>\nMy eyes adored you<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n<\/td>\nBachman, Turner & Overdrive<\/td>\nRoll on down the highway<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n<\/td>\nDan Fogelberg<\/td>\nPart of the plan<\/td>\n<\/tr>\n
5<\/td>\n5<\/td>\n<\/td>\nPilot<\/td>\nJanuary<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n<\/td>\nRod Stewart &\u00a0 Faces<\/td>\nYou can make me dance……….<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n<\/td>\nJohn Lennon<\/td>\n# 9 Dream \u00a0(vorige week vergeten)<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n<\/td>\nLove Unlimited<\/td>\nIt may be winter outside<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n<\/td>\nStylistics<\/td>\nLove is the answer<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n<\/td>\nMoments & Whatnauts<\/td>\nGirls<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
8 febr 1975<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nABTT nr.2 – ronde IV<\/td>\n<\/td>\n<\/tr>\n
10-B<\/td>\n–<\/td>\n<\/td>\nM 2000 uit Amsterdam<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\n10<\/td>\n<\/td>\nStevie Wright<\/td>\nEvie prt.1, prt 2 and prt.3<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nEric Burdon<\/td>\nLP \u00a0Sun secrets<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n<\/td>\nBob Dylan<\/td>\nLP \u00a0Blood on the tracks<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n<\/td>\nJohn Lennon<\/td>\n# 9 Dream<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n<\/td>\nMike Oldfield<\/td>\nOrchestral Tubular Bells<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n<\/td>\nBrenton Wood<\/td>\nGimme little sign<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n<\/td>\nGrand Funk Railroad<\/td>\nSome kinda wonderful<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n<\/td>\nTimmy Thomas<\/td>\nYou’re the song<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n<\/td>\nDiverse groepen<\/td>\nLP\u00a0 Stardust<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n<\/td>\nStylistics<\/td>\nLove is the answer (voc)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
15 febr 1975<\/td>\n<\/tr>\n
10-B<\/td>\n–<\/td>\n<\/td>\nOhio Players<\/td>\nFire<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n<\/td>\nShirley & Company<\/td>\nShame shame shame<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n<\/td>\nBen E King<\/td>\nSuper natural prt.1<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nSteve Harley & Cockney Rebel<\/td>\nMake me smile<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n<\/td>\nStevie Wright<\/td>\nEvie prt.1, prt 2 and prt.3<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nDavid Gates<\/td>\nLP \u00a0Never let her go<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nBill Amesbury<\/td>\nVirginia (Touch me like you do)<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n<\/td>\nBob Dylan<\/td>\nLP \u00a0Blood on the tracks<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n<\/td>\nEric Burdon Band<\/td>\nLP\u00a0 Sun secrets<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n<\/td>\nDiverse groepen<\/td>\nLP\u00a0 Stardust<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n<\/td>\nStylistics<\/td>\nLove is the answer<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n<\/td>\nELO<\/td>\nLP\u00a0 El Dorado<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n<\/td>\nTimmy Thomas<\/td>\nYou’re the song<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n<\/td>\nGrand Funk Railroad<\/td>\nSome kinda wonderful<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n<\/td>\nGolden Earring<\/td>\nCe soir<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
22 febr 1975<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n<\/td>\nStevie Wright<\/td>\nEvie prt.1, prt 2 and prt.3<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nRighteous Brothers<\/td>\nDream on<\/td>\n<\/tr>\n
8<\/td>\n1<\/td>\n<\/td>\nGolden Earring<\/td>\nCe soir<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nOzark Mountain Devils<\/td>\nJackie Blue<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n<\/td>\nTimmy Thomas<\/td>\nYou’re the song<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n<\/td>\nDavid Gates<\/td>\nLP\u00a0 Never let her go<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n<\/td>\nEarth, Wind & Fire<\/td>\nShinning star<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n<\/td>\nSteve Harley & Cockney Rebel<\/td>\nMake me smile<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n<\/td>\nBill Amesbury<\/td>\nVirginia (Touch me like you do)<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n<\/td>\nGrand Funk Railroad<\/td>\nSome kinda wonderful<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n<\/td>\nELO<\/td>\nLP\u00a0 El Dorado<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1 maart 1975<\/td>\n<\/tr>\n
10 A<\/td>\n–<\/td>\n<\/td>\nSupertramp<\/td>\nDreamer<\/td>\n<\/tr>\n
10 B<\/td>\n–<\/td>\n<\/td>\nMike Oldfield<\/td>\nTubular bells<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nGrand Funk Railroad<\/td>\nSome kinda wonderful<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n<\/td>\nAverage White Band<\/td>\nPick up the pieces<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n<\/td>\nSteve Harley & Cockney Rebel<\/td>\nMake me smile<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nDavid Bowie<\/td>\nYoung Americans<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n<\/td>\nRighteous Brothers<\/td>\nDream on<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n<\/td>\nDon Downing<\/td>\nDream world<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n<\/td>\nOzark Mountain Devils<\/td>\nJackie Blue<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n<\/td>\nEWF<\/td>\nShinning star<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n<\/td>\nBill Amesbury<\/td>\nVirginia<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n<\/td>\nELO<\/td>\nLP\u00a0 El Dorado<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
8 maart 1975<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nABTT nr.3 – ronde IV<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n<\/td>\nNeil Sedaka<\/td>\nLaughter in the rain<\/td>\n<\/tr>\n
9<\/td>\n1<\/td>\n<\/td>\nStylistics<\/td>\nLove is the answer<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n<\/td>\nDan Fogelberg<\/td>\nPart of the plan<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nBobby Walker<\/td>\nSexy lady<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n<\/td>\nELO<\/td>\nCan’t get it out of my head<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n<\/td>\nWizzard<\/td>\nAre you ready to rock<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n<\/td>\nBill Amesbury<\/td>\nVirginia<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n<\/td>\nDavid Gates<\/td>\nLP\u00a0 Never let her go<\/td>\n<\/tr>\n
2<\/td>\n5<\/td>\n<\/td>\nDon Downing<\/td>\nDream world<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n<\/td>\nTymes<\/td>\nMs. Grace<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
15 maart 1975<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n<\/td>\nLed Zeppelin<\/td>\nLP\u00a0 Physical Graffiti<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nGino Vannelli<\/td>\nLP\u00a0 Powerful people<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n<\/td>\nBobby Walker<\/td>\nSexy lady<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nGolden Earring<\/td>\nLP\u00a0 Switch<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n<\/td>\nOzark Mountain Devils<\/td>\nJackie Blue<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n<\/td>\nJim Gilstrap<\/td>\nSwing your Daddy<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n<\/td>\nMick Ronson<\/td>\nBilly Porter<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n<\/td>\nWizzard<\/td>\nAre you ready to rock<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n<\/td>\nBarry White<\/td>\nWhat am I gonna do with yo<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n<\/td>\nDon Downing<\/td>\nDream world<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n<\/td>\nRighteous Brothers<\/td>\nDream on<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n<\/td>\nBill Amesbury<\/td>\nVirginia (Touch me like you do)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
22 maart 1975<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nABTT nr.4 – ronde IV<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n<\/td>\nDonovan<\/td>\nSalvation stomp<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n<\/td>\nQueen<\/td>\nNow I’m here<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n…1…<\/td>\nBill Amesbury<\/td>\nVirginia<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n<\/td>\nPilot<\/td>\nJanuary<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n…9…<\/td>\nGino Vanelli<\/td>\nLP\u00a0 Powerful people<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n…3…<\/td>\nBarry White<\/td>\nWhat am I gonna do with yo<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n…7…<\/td>\nSteve Harley & Cockney Rebel<\/td>\nMake me smile<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n…7…<\/td>\nGolden Earring<\/td>\nLP\u00a0 Switch<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n<\/td>\nSupertramp<\/td>\noptreden in Carr\u00e9<\/td>\n<\/tr>\n
1<\/td>\n5<\/td>\n<\/td>\nMick Ronson<\/td>\nBilly Porter<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
7 juni 1975<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nABTT nr.5 – ronde IV<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFields<\/td>\nFriend of mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nYardbirds<\/td>\nShape of things<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAl Stewart<\/td>\nCarol<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nYes<\/td>\nYours is no disgrace<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nJohn Lennon<\/td>\nStand by me<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRetta Young<\/td>\nSendin out an SOS<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMFSB<\/td>\nSexy<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nELO<\/td>\nDreaming<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMike Oldfield<\/td>\nLP \u00a0Tubular Bells<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSeventh Wave<\/td>\nLP\u00a0 Things to come<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSutherland Brothers & Quiver<\/td>\nYou got me anyway<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nTangerine Dream<\/td>\nLP Phaedra<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCountry Joe and the Fish<\/td>\nI feel like I’m fixing to die<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSimplistisch Verbond<\/td>\nGeen demonstruktie<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nEric Clapton<\/td>\nLet it rain<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nManfred Mann<\/td>\nJoybringer<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nNeil Young<\/td>\nOh lonesome me<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nEmerson, Lake & Palmer<\/td>\nJeremy Bender<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMick Ronson<\/td>\nBilly Porter<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nAnimals<\/td>\nMonterrey<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nEsperanto<\/td>\nLast tango<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

4 jan 1975 10b – Perry Como Christmas dream 10 – Trammps Shout! 9 6 John Lennon # 9 Dream 8 – Dan Fogelberg Part of the plan 7 3 LaBelle Lady Marmalade 7 5 Harry Chapin Cat’s in the cradle 6 – Left Side Tessie 5 3 Gino Vanelli People gotta move 5 7 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/235"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":6,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/235\/revisions"}],"predecessor-version":[{"id":573,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/235\/revisions\/573"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}