{"id":239,"date":"2016-01-20T16:10:44","date_gmt":"2016-01-20T16:10:44","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=239"},"modified":"2016-01-20T16:11:03","modified_gmt":"2016-01-20T16:11:03","slug":"1977","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/01\/20\/1977\/","title":{"rendered":"1977"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
A<\/b>BTT nr.1 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAl Stewart<\/td>\nYear of the cat (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nGeorge Benson<\/td>\nBreezin’<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nLost without your love (LP)<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n1<\/td>\nCate Brothers<\/td>\nWhere can we go<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nHaagse Harry<\/td>\nRoosje<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTony Wilson<\/td>\nI like your style (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nLove<\/td>\nMy little red book<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nStevie Wonder<\/td>\nSongs in the key of life (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGenesis<\/td>\nWind and wuthering (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPousette Dart Band<\/td>\nWhat can I say<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.2 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nBread<\/td>\nLost without your love (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nAl Stewart<\/td>\nYear of the cat (LP)<\/td>\n<\/tr>\n
3<\/td>\n9<\/td>\n2<\/td>\nGenesis<\/td>\nWind and wuthering (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nManfred Mann’s Earth Band<\/td>\nQuestions<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSimon Stokes & Nighthawkes<\/td>\nVoodoo Woman<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n2<\/td>\nGeorge Benson<\/td>\nBreezin’<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nRoderick Falcones<\/td>\nPlay it again<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n2<\/td>\nHaagse Harry<\/td>\nRoosje<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n2<\/td>\nStevie Wonder<\/td>\nSongs in the key of life (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nWings over America (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.3 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nManfred Mann’s Earth Band<\/td>\nQuestions<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nBread<\/td>\nLost without your love (LP)<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nAl Stewart<\/td>\nYear of the cat (LP)<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nRoderick Falconer<\/td>\nPlay it again<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAmboy Dukes<\/td>\nJourney to the centre of the mind<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nGenesis<\/td>\nWind and wuthering (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSherbet<\/td>\nIf I had my way<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDavid Dundas<\/td>\nJeans on<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGary Wright<\/td>\nThe light of smiles<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nLow (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.4 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n10<\/td>\n2<\/td>\nDavid Bowie<\/td>\nLow (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nEagles<\/td>\nNew kid in town<\/td>\n<\/tr>\n
3<\/td>\n9<\/td>\n2<\/td>\nGary Wright<\/td>\nThe light of smiles (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nTodd Rundgren<\/td>\nRa (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nWarm Sounds<\/td>\nBirds and bees<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLeo Sayer<\/td>\nWhen I need you<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPink Floyd<\/td>\nAnimals (LP)<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n2<\/td>\nSherbet<\/td>\nIf I had my way<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n4<\/td>\nBread<\/td>\nLost without your love (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPietje Potent<\/td>\nBrand in het bordeel<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.5 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nEagles<\/td>\nNew kid in town<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nTodd Rundgren<\/td>\nRa (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nDavid Bowie<\/td>\nLow (LP)<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nPink Floyd<\/td>\nAnimals (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nKnicker Bockers<\/td>\nLies<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nPietje Potent<\/td>\nBrand in het bordeel<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n3<\/td>\nGary Wright<\/td>\nThe light of smiles (LP)<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n2<\/td>\nLeo Sayer<\/td>\nWhen I need you<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRick Wakeman<\/td>\nWhite Rock<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBarry Biggs<\/td>\nSide show<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.6 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n3<\/td>\nPink Floyd<\/td>\nAnimals (LP)<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nTodd Rundgren<\/td>\nRa (LP)<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n3<\/td>\nPietje Potent<\/td>\nBrand in he bordeel<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nSomething magic (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBuddy Holly<\/td>\nBrown eyed handsome man<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nRose Royce<\/td>\nCarwash<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nRick Wakeman<\/td>\nWhite Rock (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBuiten dienst<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGeo<\/td>\nHurry boy<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n4<\/td>\nGary Wright<\/td>\nThe light of smiles (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.7 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nProcol Harum<\/td>\nSomething magic (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nHall & Oates<\/td>\nRich girl<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nRose Royce<\/td>\nCarwash<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nPink Floyd<\/td>\nAnimals (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nCrabby Appleton<\/td>\nGo back<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSteely Dan<\/td>\nHaitian divorce<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nRick Wakeman<\/td>\nWhite Rock (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFleetwood Mac<\/td>\nGo your own way<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nTodd Rundgren<\/td>\nRa (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nalle tien de songfestivallers<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nDick Rienstra<\/td>\nJouw lach<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nHeddy Lester<\/td>\nMallemolen<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nAir Bubble<\/td>\nJany<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nBonnie St.Claire<\/td>\nStop me<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nPeter Cook<\/td>\nPinokkio<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nLoeki Knol<\/td>\nIk zal de wereld laten zien dat ik kan dansen<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nRita Hovink<\/td>\nToen kwam jij<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nMaggie MacNeal<\/td>\nJij alleen<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nOscar Haris<\/td>\nSuperster<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n1<\/td>\nArjan Brass<\/td>\nAnnabella<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.8 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nSteely Dan<\/td>\nHaitian Divorce<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nHeart<\/td>\nCrazy on you<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nFleetwood Mac<\/td>\nRumours (LP)<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nRose Royce<\/td>\nCarwash<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBlues<\/td>\nWe ain’t got nothing yet<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n3<\/td>\nProcol Harum<\/td>\nSomething magic (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nKinks<\/td>\nSleepwalker<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n5<\/td>\nPink Floyd<\/td>\nAnimals (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nMock Turtle<\/td>\nLady of 5th Avenue<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSutherland Brothers & Quiver<\/td>\nIf I could have your loving<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.9 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nFleetwood Mac<\/td>\nRumours (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nJ.J. Cale<\/td>\nTraveling light<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nKinks<\/td>\nSleepwalker (LP)<\/td>\n<\/tr>\n
4<\/td>\n10<\/td>\n2<\/td>\nSutherland Brothers & Quiver<\/td>\nIf I could have your loving<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nIvy League<\/td>\nRunning round in circles<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n3<\/td>\nSteely Dan<\/td>\nHaitian Divorce<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nMock Turtle<\/td>\nLady of the 5th Avenue<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nE.L.O.<\/td>\nRock Aria<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nEric Clapton<\/td>\nCarnival<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLiverpool Express<\/td>\nDoing it all again<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.10 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nSantana<\/td>\nLet the children play<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nFleetwood Mac<\/td>\nRumours (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBoz Scaggs<\/td>\nWhat can I say<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n2<\/td>\nJ.J. Cale<\/td>\nTraveling light<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBrad<\/td>\nDismond D.<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n3<\/td>\nMock Turtle<\/td>\nLady of 5th Avenue<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nFirefly (LP)<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n4<\/td>\nSteely Dan<\/td>\nHaitian divorce<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nJim Capaldi<\/td>\nIf you think you know how to love me<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n3<\/td>\nKinks<\/td>\nSleepwalker (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.11 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nSantana<\/td>\nLet the children play<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nBoz Scaggs<\/td>\nWhat can I say<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nUriah Heep<\/td>\nFirefly (LP)<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nFleetwood Mac<\/td>\nRumours (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\n5-4-3-2-1<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nLivin’ Blues<\/td>\nSkylina<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nJim Capaldi<\/td>\nIf you think you know how to love me<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nGary Glitter<\/td>\nIt takes all night long<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nJ.J.Cale<\/td>\nTraveling light<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSmokie<\/td>\nLay back in the arms of someone<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.12 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nUriah Heep<\/td>\nFirefly (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nMr.Big<\/td>\nRomeo<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nSantana<\/td>\nLet the children play<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nLivin’ Blues<\/td>\nSkylina<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nIncense and Peppermint<\/td>\nStrawberry alarmclock<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nBoz Scaggs<\/td>\nWhat can I say<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nAtlantic Rhythm Section<\/td>\nSo into you<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBad Company<\/td>\nLP Burning Sky<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nSound and vision<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n5<\/td>\nFleetwood Mac<\/td>\nRumours (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.13 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nMr. Big<\/td>\nRomeo<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nAtlanta Rhythm Section<\/td>\nSo into you<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nUriah Heep<\/td>\nFirefly (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nMagna Carta<\/td>\nOh my dear rose<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSnelbinders<\/td>\nDa’s te gek<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n4<\/td>\nSantana<\/td>\nLet the children play<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nRoy Harper<\/td>\nOne of those days in England<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n3<\/td>\nLivin’ Blues<\/td>\nSkylina<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nJohn Lodge<\/td>\nSay you love me<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nEmerson, Lake & Palmer<\/td>\nWorks (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.14 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nRoy Harper<\/td>\nOne of those days in England<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nMr. Big<\/td>\nRomeo<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nSupertramp<\/td>\nEven in the quietest moments (LP)<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n2<\/td>\nMagna Carta<\/td>\nOh my dear rose<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDave Clark Five<\/td>\nBecause<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nStevie Wonder<\/td>\nSir Duke<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nEmerson, Lake & Palmer<\/td>\nWorks (LP)<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n5<\/td>\nSantana<\/td>\nLet the children play<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nShadows<\/td>\n20 golden greats (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nLove you (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.15 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nSupertramp<\/td>\nEven in the quietest moments (LP)<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n3<\/td>\nEmerson, Lake & Palmer<\/td>\nWorks (LP)<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nStevie Wonder<\/td>\nSir Duke<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nRoy Harper<\/td>\nOne of those days in England<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nTimebox<\/td>\nGirl don’t make me wait<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n4<\/td>\nMr. Big<\/td>\nRomeo<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nClimax Blues Band<\/td>\nCouldn’t get it right<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nBeach Boys<\/td>\nLove You (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBreeze<\/td>\nGypsy woman<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCerrone<\/td>\nLove in ‘C’ minor<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nMetro<\/td>\nCriminal world<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n6<\/td>\nSantana<\/td>\nLet the children play<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.16 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nSupertramp<\/td>\nEven in the quietest moments (LP)<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n5<\/td>\nMr. Big<\/td>\nRomeo<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n3<\/td>\nBeach Boys<\/td>\nLove you (LP)<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nCerrone<\/td>\nLove in ‘C’ minor<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nOutsiders<\/td>\nTime won’t let me<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nBreeze<\/td>\nGipsy woman<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nMetro<\/td>\nCriminal world<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n3<\/td>\nStevie Wonder<\/td>\nSir Duke<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAnita Garbo<\/td>\nMiracles<\/td>\n<\/tr>\n
10<\/td>\n2<\/td>\n4<\/td>\nEmerson, Lake & Palmer<\/td>\nWorks (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.17 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nClimax Blues Band<\/td>\nCouldn’t get it right<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nSupertramp<\/td>\nEven in the quietest moments (LP)<\/td>\n<\/tr>\n
3<\/td>\n9<\/td>\n2<\/td>\nAnita Garbo<\/td>\nMiracles<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n3<\/td>\nMetro<\/td>\nCriminal world<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLOVE<\/td>\n7+ 7<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n4<\/td>\nBeach Boys<\/td>\nLove you (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFleetwood Mac<\/td>\nDreams<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nBreeze<\/td>\nGipsy woman<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\n10 CC<\/td>\nDeceptive Band (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nRoy Buchanan<\/td>\nPlease don’t turn me away<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.18 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nFleetwood Mac<\/td>\nDreams<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nClimax Blues Band<\/td>\nCouldn’t get it right<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n4<\/td>\nMetro<\/td>\nCriminal world<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n5<\/td>\nSupertramp<\/td>\nEven in the quietest moments (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nWaiting for the sun<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nAnita Garbo (Sparks)<\/td>\nMiracles<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\n10 CC<\/td>\nDeceptive bands (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nSteve Miller Band<\/td>\nJet airliner<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFour Seasons<\/td>\nHelicon (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nSergio Mendes & new Brasil’77<\/td>\nLove me tomorrow<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.19 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n8<\/td>\n2<\/td>\nSteve Miller Band<\/td>\nJet airliner<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n3<\/td>\n10 CC<\/td>\nDeceptive bands (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nMarc and Clark Band<\/td>\nWorn down piano<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nFour Seasons<\/td>\nHelicon (LP)<\/td>\n<\/tr>\n
5<\/td>\n2<\/td>\n3<\/td>\nClimax Blues Band<\/td>\nCouldn\/t get it right<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n3<\/td>\nFleetwood Mac<\/td>\nDreams<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSeatrain<\/td>\nThirteen questions<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nHerman Brood<\/td>\nStreet (LP)<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nSergio Mendez & new Brasil’77<\/td>\nLove me tomorrow<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n6<\/td>\nSupertramp<\/td>\nEven in the quietest moments (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.20 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n–<\/td>\n–<\/td>\n–<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nSteve Miller Band<\/td>\nJet airliner<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n3<\/td>\nFour Seasons<\/td>\nHelicon (LP)<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nHerman Brood<\/td>\nStreet (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nJ.J. Cale<\/td>\nAfter midnight<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n3<\/td>\nSergio Mendes & new Brasil’77<\/td>\nLove me tomorrow<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n4<\/td>\n10 CC<\/td>\nDeceptive bands (LP)<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n2<\/td>\nMark and Clark Band<\/td>\nWorn down piano<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBoston<\/td>\nPiece of mind<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nIzitso (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.21 – Ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nPolydor Original artists<\/td>\nOriginal albums serie<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nEric Clapton<\/td>\nOriginal albums serie<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nJimmy Hendrix<\/td>\nOriginal albums serie<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nSupersister<\/td>\nOriginal albums serie<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nJoe Cicker<\/td>\nOriginal albums serie<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nFocus<\/td>\nOriginal albums serie<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nEarth, Wind & Fire<\/td>\nOriginal albums serie<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nRandy Newman<\/td>\nOriginal albums serie<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nOtis Way Goodband<\/td>\nGet it started<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n4<\/td>\nSteve Miller Band<\/td>\nJet airliner<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBruce Johnston<\/td>\nPipeline<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nHello I love you<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nCat Stevens<\/td>\nIzitso (LP)<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n3<\/td>\nHerman Brood<\/td>\nStreet (LP)<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nBoston<\/td>\nPeace of mind<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n4<\/td>\nSergio Mendes & new Brasil’77<\/td>\nLove me tomorrow<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAndrew Gold<\/td>\nLonely boy<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.22 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nDan Fogelberg<\/td>\nNetherlands<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n3<\/td>\nCat Stevens<\/td>\nIzitso (LP)<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n3<\/td>\nBoston<\/td>\nPeace of mind<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nHeart<\/td>\nLittle queen (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nTimebox<\/td>\nBeggin’<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n2<\/td>\nOtis Way Goodband<\/td>\nGet it started<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nJohnny Guitar Watson<\/td>\nA real mother for ya<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDan Fogelberg<\/td>\nNetherlands (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBryan Ferry<\/td>\nTokio Joe<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n5<\/td>\nSteve Miller Band<\/td>\nJet Airliner<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.23 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n4<\/td>\nBoston<\/td>\nPeace of mind<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nJohnny guitar Watson<\/td>\nA real mother for ya<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nJean-Michel Jarre<\/td>\nOxygene (LP)<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n2<\/td>\nHeart<\/td>\nLittle queen (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDelaney, Bonnie & friends<\/td>\nFree the people<\/td>\n<\/tr>\n
6<\/td>\n1+8<\/td>\n2<\/td>\nDan Fogelberg<\/td>\nNetherlands (LP)<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n4<\/td>\nCat Stevens<\/td>\nIzitso (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nKlaatu<\/td>\nCalling occupants<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nKenny Rogers<\/td>\nLucille<\/td>\n<\/tr>\n
10<\/td>\n9<\/td>\n2<\/td>\nBrian Ferry<\/td>\nTokyo Joe<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.24 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n8<\/td>\n2<\/td>\nKlaatu<\/td>\nCalling occupants<\/td>\n<\/tr>\n
2<\/td>\n9<\/td>\n2<\/td>\nKenny Rogers<\/td>\nLucille<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n5<\/td>\nBoston<\/td>\nPeace of mind<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nOutlaws<\/td>\nHurry Sundown (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nProcol Harum<\/td>\nHomburg<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nJohnny guitar Watson<\/td>\nA real mother for ya<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nE.L.O.<\/td>\nTelephone line<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nStarbuck<\/td>\nEverybody be dancin’<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRacing Cars<\/td>\nLadee -lo<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n3<\/td>\nDan Fogelberg<\/td>\nNetherlands (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.25 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nOutlaws<\/td>\nHurry Sundown (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nKlaatu<\/td>\nCalling occupants<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nE.L.O.<\/td>\nTelephone line<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nCrosby, Stills & Nash<\/td>\nJust a song before I go<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDee Jays<\/td>\nComing on strong<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nRacing Cars<\/td>\nLadee-lo<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nKenny Rogers<\/td>\nLucille<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBob Marley & Wailers<\/td>\nExodus<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n4<\/td>\nJohnny guitar Watson<\/td>\nA real mother for ya<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n6<\/td>\nBoston<\/td>\nPeace of mind<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.26 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n8<\/td>\n2<\/td>\nBob Marley & Wailers<\/td>\nExodus<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nCrosby Stills & Nash<\/td>\nJust a song before I go<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nFlash and the Pan<\/td>\nHey St.Peter<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMove<\/td>\nNight of fear<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBeatles<\/td>\nPlease please me<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nHot Clocolate<\/td>\nSo you win again<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n4<\/td>\nKlaatu<\/td>\nCalling occupants<\/td>\n<\/tr>\n
9<\/td>\n1<\/td>\n3<\/td>\nOutlaws<\/td>\nHurry sundown<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDavid Bowie<\/td>\nBe my wife<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.27 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nHot Chocolate<\/td>\nSo you win again<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nFlash and the Pan<\/td>\nHey St.Peter<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBig Wha Koo<\/td>\nLove’s been known<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nBob Marley & Wailers<\/td>\nExodus<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nGary Lewis & Playboys<\/td>\nEverybody loves a clown<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n4<\/td>\nE.L.O.<\/td>\nTelephone line<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nLittle River Band<\/td>\nDiamantia Cocktail (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCliff Richard<\/td>\nWhen two worlds grow apart<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nDavid Bowie<\/td>\nBe my wife<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n5<\/td>\nKlaatu<\/td>\nCalling occupants<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.28 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nTurtles<\/td>\nShe’s my girl<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nTurtles<\/td>\nHappy together<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nTurtles<\/td>\nYou know what I mean<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nBig Wha Koo<\/td>\nLove’s been known<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nLittle River Band<\/td>\nDiamantia Cocktail (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBob Seeger<\/td>\nMainstreet<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\n–<\/td>\n–<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nFlash and the Pan<\/td>\nHey St.Peter<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDillinger<\/td>\nCokane in my brain<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCarole Bayer Sager<\/td>\nYou’r moving out today<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n2<\/td>\nCliff Richard<\/td>\nWhen two worlds grow apart<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPete Frampton<\/td>\nI’m in you<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.29 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nGoing for the one (LP)<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nDillinger<\/td>\nCokane in my brain<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nGeils<\/td>\nMonkey Island (LP)<\/td>\n<\/tr>\n
4<\/td>\n10<\/td>\n2<\/td>\nPeter Frampton<\/td>\nI’m in you<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nHolies<\/td>\nJust one look<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nFirefall<\/td>\nCinderella<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nCarole Bayer Sager<\/td>\nYou’re moving out today<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n2<\/td>\nBob Seger<\/td>\nMain street<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBad Company<\/td>\nCan’t get enough<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDonna Summer<\/td>\nI feel love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.30 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nYes<\/td>\nGoing for the one (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nEmerson Lake & Palmer<\/td>\nFanfare for the common man<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nFirefall<\/td>\nCinderella<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n2<\/td>\nGeils<\/td>\nMonkey Island (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLoving Spoonful<\/td>\nDarling be home soon<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSupertramp<\/td>\nGive a little bit<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nFrankie Miller<\/td>\nLove letters<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n3<\/td>\nBob Seger<\/td>\nMain street<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGraham Bonnet<\/td>\nIt’s all over now baby blue<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nRoaring Sixties<\/td>\nWe love the Pirate Stations<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.31 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nSupertramp<\/td>\nGive a little bit<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nYes<\/td>\nLP Going for the one<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nFrankie Miller<\/td>\nLove letters<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n2<\/td>\nEmerson Lake & Palmer<\/td>\nFanfare for the common man<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBeatles<\/td>\nI’ll be back<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n3<\/td>\nGeils<\/td>\nMonkey Island (LP)<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n4<\/td>\nBob Seger<\/td>\nMainstreet<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nGraham Bonnet<\/td>\nIt’s all over now baby blue<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n3<\/td>\nFirefall<\/td>\nCinderella<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLove and kisses<\/td>\nI’ve found love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.32 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nFrankie Miller<\/td>\nLove letters<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nSupertramp<\/td>\nGive a little bit<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nLittle River Band<\/td>\nHelp is on its way<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nWindjammer<\/td>\nHarbourlight<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nScorpions<\/td>\nHello Josephine<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n3<\/td>\nGraham Bonnet<\/td>\nIt’s all over now<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nLove and Kisses<\/td>\nI found love<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nPeter Koelewijn<\/td>\nHet beste in mij is niet goed genoeg voor jou (LP)<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nEmerson Lake & Palmer<\/td>\nFanfare for the common man<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nChris Rainbow<\/td>\nLiving in a world today<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.33 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n4<\/td>\nGraham Bonnet<\/td>\nIt’s all over now<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nColin Scott<\/td>\nMandoline man (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n4<\/td>\nFrankie Miller<\/td>\nLove letters<\/td>\n<\/tr>\n
3,5<\/td>\n–<\/td>\n1<\/td>\nThe King Harry<\/td>\nDivided we stand (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nAlan David<\/td>\nGet your love right<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nManfred Mann’s Earth Band<\/td>\nJoybringer<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nPeter Koelewijn<\/td>\nHet beste in mij (LP)<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n4<\/td>\nSupertramp<\/td>\nGive a little bit<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nThe original Animals<\/td>\nBefore we were so rudely interrupted (LP)<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n2<\/td>\nWindjammer<\/td>\nHarbourlight<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nMichael Robinson<\/td>\nThe day the music died<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nTrinity<\/td>\nWe love the pirates<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.34 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3,5<\/td>\n2<\/td>\nKing Harry<\/td>\nDivided we stand (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nSanta Esmeralda & Larry Gomez<\/td>\nDon’t let me be misunderstood<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nSlave<\/td>\nSlide<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nThe original Animals<\/td>\nBefore we were so rudely interrupted (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nElvis Presley<\/td>\nReturn to sender<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n2<\/td>\nColin Scott<\/td>\nMandoline man (LP)<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n2<\/td>\nAlan David<\/td>\nGet your love right<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nPeter Koelewijn<\/td>\nHet beste in mij (LP)<\/td>\n<\/tr>\n
9<\/td>\n1<\/td>\n5<\/td>\nGraham Bonnet<\/td>\nIt’s all over now<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBruce Johnston<\/td>\nPipeline<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.35 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nDoobie Brothers<\/td>\nLiving on the fault line (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nKing Harry<\/td>\nDivided we stand (LP)<\/td>\n<\/tr>\n
3<\/td>\n10<\/td>\n2<\/td>\nBruce Johnston<\/td>\nPipeline<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n3<\/td>\nThe Original Animals<\/td>\nBefore we were so rudely interrupted (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nHawkwind<\/td>\nSilver machine<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nFloaters<\/td>\nFloat on<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBrothers Johnson<\/td>\nStrawberry Letter 23<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nColin Scott<\/td>\nMandoline man<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDingetje<\/td>\nIk ga weg Leen<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLong Tall Ernie & Shakers<\/td>\nRemember<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.36 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nBrothers Johnson<\/td>\nStrawberry Letter 23<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nFloaters<\/td>\nFloat on<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nDoobie Brothers<\/td>\nLiving on the fault line (LP)<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nKing Harry<\/td>\nDivided we stand (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBlood Rock<\/td>\nD.O.A.<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nLong Tall Ernie & Shakers<\/td>\nRemember<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nDennis Wilson<\/td>\nPacific Ocean Blue (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nPhyllis Hyman<\/td>\nLoving you losing you (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nLiberation of Man<\/td>\nDance with me<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n3<\/td>\nBruce Johnston<\/td>\nPipeline<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.35 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nBrothers Johnson<\/td>\nStrawberry letter 23<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nSteve Gibbons Band<\/td>\nTulane<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nDennis Wilson<\/td>\nPacific Ocean blue (LP)<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n5<\/td>\nKing Harry<\/td>\nDivided we stand (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nKenny Rogers & 1st Edition<\/td>\nJust dropped in<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nPhyllis Hyman<\/td>\nLoving you losing you<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n3<\/td>\nDoobie Brothers<\/td>\nLivin’ on the fault line (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJethro Tull<\/td>\nThe whistler<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nAlan Parsons Project<\/td>\nI wouldn’t want to be like you<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nMaggie MacNeal<\/td>\nFools together<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.38 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n3<\/td>\nPhyllis Hyman<\/td>\nLoving you losing you<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n4<\/td>\nBrothers Johnson<\/td>\nStrawberry letter 23<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nKing Harry<\/td>\nDear Matthew<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n6<\/td>\nKing Harry<\/td>\nDivided we stand (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nIvy League<\/td>\nOur love is slipping away<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nDennis Wilson<\/td>\nPacific ocean blue (LP)<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nMaggie MacNeal<\/td>\nFools together<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nPierce Arrow<\/td>\nPierce Arrow (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nJacksons<\/td>\nDreamer<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n4<\/td>\nDoobie Brothers<\/td>\nLiving on the fault line (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.39 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nKlaatu<\/td>\nHope (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nRoger Daltrey<\/td>\nSay it ain’t so Joe<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nPUNK<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n5<\/td>\nBrothers Johnson<\/td>\nStrawberry letter 23<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAce<\/td>\nHow long<\/td>\n<\/tr>\n
6<\/td>\n8<\/td>\n2<\/td>\nPierce Arrow<\/td>\nPierce Arrow (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nKayak<\/td>\nStarlight dancer<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nDetroit Emeralds<\/td>\nFeel the need<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n2<\/td>\nKing Harry<\/td>\nDear Matthew<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n7<\/td>\nKing Harry<\/td>\nDivided we stand (LP)<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n3<\/td>\nMaggie MacNeal<\/td>\nFools together<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.40 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n8<\/td>\n2<\/td>\nDetroit Emeralds<\/td>\nFeel the need<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nPUNK<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nKlaatu<\/td>\nHope (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDooleys<\/td>\nThink I’m gonna fall in love<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nPaul Revere & Raiders<\/td>\nLet me<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n1<\/td>\nKayak<\/td>\nStarlight dancer<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n6<\/td>\nBrothers Johnson<\/td>\nStrawberry letter 23<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nPierce Arrow<\/td>\nPierce Arrow (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nLittle River Band<\/td>\nHome on a Monday<\/td>\n<\/tr>\n
10<\/td>\n2<\/td>\n2<\/td>\nRoger Daltrey<\/td>\nSay it ain’t so Joe<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.41 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n8<\/td>\n4<\/td>\nPierce Arrow<\/td>\nPierce Arrow (LP)<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nPUNK<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nSlave<\/td>\nSlide<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nPandemonium<\/td>\n1941<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMink Deville<\/td>\nSpanish stroll<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n2<\/td>\nLittle River Band<\/td>\nHome on a Monday<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n3<\/td>\nRoger Daltrey<\/td>\nSay it ain’t so Joe<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nCliff Richard<\/td>\n40 grote hits (LP)<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n3<\/td>\nKlaatu<\/td>\nHope (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nMichel Polnareff<\/td>\nLettre a France<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.42 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n4<\/td>\nRoger Daltrey<\/td>\nSay it ain’t so Joe<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nMarvin Hamlish<\/td>\nBand 77<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nMink Deville<\/td>\nSpanish stroll<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nMike Batt<\/td>\nSchizophonia (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nCupid Inspiration<\/td>\nYesterday has gone<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n5<\/td>\nPierce Arrow<\/td>\nPierce Arrow (LP)<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n2<\/td>\nSlave<\/td>\nSlide<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n4<\/td>\nPUNK<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n2<\/td>\nPandemonium<\/td>\n1941<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nRod Stewart<\/td>\nYou’re in my heart<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.43 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nMike Batt<\/td>\nSchizophonia (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nKop erwtensoep met veel worst<\/td>\n(snert)<\/td>\n<\/tr>\n
3<\/td>\n10<\/td>\n2<\/td>\nRod Stewart<\/td>\nYou’re in my heart<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nRick vd.Linden<\/td>\nGX I<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBrainbox<\/td>\nDown man<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n2<\/td>\nMarvin Hamlish<\/td>\nBond 77<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nJan Akkerman<\/td>\nJan Akkerman (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nLinda Ronstadt<\/td>\nIt’s so easy<\/td>\n<\/tr>\n
9<\/td>\n1<\/td>\n5<\/td>\nRoger Daltrey<\/td>\nSay it ain’t so Joe<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nGruppo Sportivo<\/td>\nTen mistakes (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.44 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nSolution<\/td>\nFully interlocking (LP)<\/td>\n<\/tr>\n
2<\/td>\n8<\/td>\n2<\/td>\nLinda Rondstadt<\/td>\nIt\u00d5s so easy<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nJan Akkerman<\/td>\nJan Akkerman (LP)<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n2<\/td>\nRick vd.Linden<\/td>\nGX 1 (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nGrassroots<\/td>\nMidnight confessions<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n3<\/td>\nMike Batt<\/td>\nSchizophonia (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nWater<\/td>\nOn we rode<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nFrankie Miller<\/td>\nBe good for yourself<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nInnocent victim (LP)<\/td>\n<\/tr>\n
10<\/td>\n10<\/td>\n2<\/td>\nGruppo Sportivo<\/td>\nTen mistakes (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr. 45 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nE.L.O.<\/td>\nOut of the blue (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nSolution<\/td>\nFully interlocking (LP)<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nWater<\/td>\nOn we rock<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nLondon Symphony Orchestra<\/td>\nClassic Rock (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nJimmy Hendrix<\/td>\nHey Joe<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nJan Akkerman<\/td>\nJan Akkerman (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nRaul de Sousa<\/td>\nSweet Lucy<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n3<\/td>\nRick vd.Linden<\/td>\nGX 1 (LP)<\/td>\n<\/tr>\n
9<\/td>\n8<\/td>\n2<\/td>\nFrankie Miller<\/td>\nBe good to yourself<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n4<\/td>\nMike Batt<\/td>\nSchizophonia (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.46 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nLondon Symphony Orchestra<\/td>\nClassic rock (LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nE.L.O.<\/td>\nOut of the blue (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBeatles<\/td>\nLove songs (2LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nStars in the sky<\/td>\nBaby hold on<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBuoys<\/td>\nLook back America the beautiful<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nRaul de Souza<\/td>\nSweet Lucy<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nEarh & Fire<\/td>\nGate to infinity (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nElvis Costello<\/td>\nWatching the detectives<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nKnack<\/td>\nDo it<\/td>\n<\/tr>\n
10<\/td>\n2<\/td>\n3<\/td>\nSolution<\/td>\nFully interlocking (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.47 – ronde VI<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nEarth & Fire<\/td>\nGate to infinity (LP)<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nStars in the sky<\/td>\nBaby hold on<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nElvis Costello<\/td>\nWatching the detectives<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nE.L.O.<\/td>\nOut of the blue (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSteve Miller Band<\/td>\nGoing to the country<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n3<\/td>\nLondon Symphony Orchestra<\/td>\nClassic rock (LP)<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n3<\/td>\nBeatles<\/td>\nLove songs (2LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nEric Clapton<\/td>\nSlowhand (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRita Coolidge<\/td>\nHigher and higher<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nGino Vanelli<\/td>\nA pauper in paradise (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.48 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nMull of Kintyre<\/td>\n<\/tr>\n
2<\/td>\n10<\/td>\n2<\/td>\nGino Vanelli<\/td>\nA pauper in paradise (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nEarth & Fire<\/td>\nGate to infinity (LP)<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nEric Clapton<\/td>\nSlowhand (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMojo’s<\/td>\nWhy not tonight<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBoz Scaggs<\/td>\nDown two then left (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nNick Gailder<\/td>\nRunaways in the night<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nRita Coolidge<\/td>\nHigher and higher<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n3<\/td>\nStars in the sky<\/td>\nBaby hold on<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBabys<\/td>\nIsn’t it time<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.49 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n10<\/td>\n2<\/td>\nBabys<\/td>\nIsn’t it time<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nNick Gailder<\/td>\nRunaways in the night<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nBoz Scaggs<\/td>\nDown two then left (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nPlayer<\/td>\nBaby come back<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAmerica<\/td>\nHorse with no name<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n4<\/td>\nEarth & Fire<\/td>\nGate to infinity (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nHot Chocolate<\/td>\nPut your love in me<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nEric Clapton<\/td>\nSlowhand (LP)<\/td>\n<\/tr>\n
10<\/td>\n2<\/td>\n3<\/td>\nGino Vanelli<\/td>\nA pauper in paradise (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.50 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n3<\/td>\nBoz Scaggs<\/td>\nDown two, then left (LP)<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nPlayer<\/td>\nBaby come back<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nUriah Heep<\/td>\nFree me<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDavid Castle<\/td>\nCastle in the sky (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nEasy livin’<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nGreg Kihn<\/td>\nFor you<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nPartner<\/td>\nKayuta Hill<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDiv. Artiesten<\/td>\nSpijkergoed: 10 jaar Levi’s (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nRichard Anthony<\/td>\nEmbrasse moi<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.51 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nDavid Castle<\/td>\nCastle in the sky (LP)<\/td>\n<\/tr>\n
2<\/td>\n8<\/td>\n2<\/td>\nPartner<\/td>\nKayuta hill<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBonnie Tyler<\/td>\nIt\u00d5s a heartache<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nDiv. Artiesten<\/td>\nSpijkergoed: 10 jaar Levi’s (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDiv. Artiesten<\/td>\nVeronica’s Top 100 Aller Tijden (LP)<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n4<\/td>\nBoz Scaggs<\/td>\nDown two then left (LP)<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n3<\/td>\nUriah Heep<\/td>\nFree me<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n2<\/td>\nGreg Kihn<\/td>\nFor you<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n3<\/td>\nPlayer<\/td>\nBaby come back<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCommodores<\/td>\nBrick house<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.52 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nBonnie Tyler<\/td>\nIt’s a heartache<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n3<\/td>\nDiv. Artiesten<\/td>\nSpijkergoed: 10 jaar Levi’s (LP)<\/td>\n<\/tr>\n
3<\/td>\n5<\/td>\n2<\/td>\nDiv. Artiesten<\/td>\nVeronica’s top 100 Aller Tijden (LP)<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nDavid Castle<\/td>\nCastle in the sky (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nRoyal Guardsmen<\/td>\nSnoopy’s Christmas<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nABBA<\/td>\nThe Album (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBrighouse & Rastrick Brass Band<\/td>\nFloral dance<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n3<\/td>\nPartner<\/td>\nKayuta hill<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nCommodores<\/td>\nBrick house<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n3<\/td>\nGreg Kihn<\/td>\nFor you<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

ABTT nr.1 – ronde VI 1 – 1 Al Stewart Year of the cat (LP) 2 – 1 George Benson Breezin’ 3 – 1 Bread Lost without your love (LP) 4 1 Cate Brothers Where can we go 5 – 1 Haagse Harry Roosje 6 – 1 Tony Wilson I like your style (LP) 7 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/239"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=239"}],"version-history":[{"count":1,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/239\/revisions"}],"predecessor-version":[{"id":240,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/239\/revisions\/240"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}