{"id":246,"date":"2016-01-20T16:23:05","date_gmt":"2016-01-20T16:23:05","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=246"},"modified":"2016-01-20T17:08:53","modified_gmt":"2016-01-20T17:08:53","slug":"1978","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/01\/20\/1978\/","title":{"rendered":"1978"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
ABTT nr. 53 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nBrighouse & Rastrick Brass Band<\/td>\nFloral dance<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nABBA<\/td>\nThe album (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nBonnie Tyler<\/td>\nIt’s a heartache<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n4<\/td>\nDiv. Artiesten<\/td>\nSpijkergoed: 10 jaar Levi’s (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBrenda Lee<\/td>\nComing on strong<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nDiv. Artiesten<\/td>\nVeronica’s top 100 Aller Tijden (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nForeigner<\/td>\nLong way from home<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n4<\/td>\nDavid Castle<\/td>\nCastle in the sky (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nEddie Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.54 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n9<\/td>\n2<\/td>\nMother’s Finest<\/td>\nBaby love<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nAllan Jeffers<\/td>\nStop still<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nBrighouse & Rastrick Brass Band<\/td>\nFloral dance<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nForeigner<\/td>\nLong long way from home<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMonsoon<\/td>\nNight of the fly<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nABBA<\/td>\nThe album (LP)<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n4<\/td>\nBonnie Tyler<\/td>\nIt’s a heartache<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nEddie Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n4<\/td>\nDiv. Artiesten<\/td>\nSpijkergoed: 10 jaar Levi’s (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDaniel Sahuleka<\/td>\nThe Change<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.55 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nSweet<\/td>\nLove is like oxygene<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nMarjan Berk<\/td>\nMoeder en haar jongens (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nRare Earth<\/td>\nIs your teacher cool<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nMother’s Finest<\/td>\nBaby love<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nJimmy Gilmer & Fireballs<\/td>\nSugar shack<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSolution<\/td>\nEmpty faces<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nYes<\/td>\nWoundrous stories<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nKayak<\/td>\nStarlight dancer (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBabys<\/td>\nSilver dreams<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nL.T.D.<\/td>\nBack in love again<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.56 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nYes<\/td>\nWondrous stories<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nSolution<\/td>\nEmpty faces<\/td>\n<\/tr>\n
3<\/td>\n9<\/td>\n2<\/td>\nBabys<\/td>\nSilver dreams<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBob Welch<\/td>\nEbony eyes<\/td>\n<\/tr>\n
5<\/td>\n1<\/td>\n2<\/td>\nSweet<\/td>\nLove is like oxygene<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n2<\/td>\nMarjan Berk<\/td>\nMoeder en haar jongens (LP)<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nL.T.D.<\/td>\nBack in love again<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nKayak<\/td>\nStarlight dancer (LP)<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n2<\/td>\nRare Earth<\/td>\nIs your teacher cool<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nUmberto Tozzi<\/td>\nTi amo<\/td>\n<\/tr>\n
11<\/td>\n–<\/td>\n1<\/td>\nPaul Rever & Raiders<\/td>\nI had a dream<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.57 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAngel<\/td>\nWntersong<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n3<\/td>\nYes<\/td>\nWondrous stories<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nBob Welch<\/td>\nEbony eyes<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n3<\/td>\nBabys<\/td>\nIsn’t it time<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nWhite Plains<\/td>\nMy baby loves loving<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nUmberto Tozzi<\/td>\nTi amo<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nE.L.O.<\/td>\nMr. Blue sky<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nJigsaw<\/td>\nOnly when I’m lonely<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n3<\/td>\nSolution<\/td>\nEmpty faces<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nCats<\/td>\nBorder line<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.58 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAngel<\/td>\nWhite hot (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nManfred Mann’s Earth Band<\/td>\nWatch (LP)<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nE.L.O.<\/td>\nMr. Blue sky<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nSweet<\/td>\nLevel headed (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMoody Blues<\/td>\nGo now<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n4<\/td>\nYes<\/td>\nWondrous stories<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n2<\/td>\nJigsaw<\/td>\nOnly when I’m lonely<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n3<\/td>\nBob Welch<\/td>\nEbony eyes<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n4<\/td>\nBabys<\/td>\nIsn’t it time<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPlayer<\/td>\nBaby come back<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.59 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nManfred Mann’s Earth Band<\/td>\nWatch (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nAlthia & Donna<\/td>\nUp town top ranking<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nJourney<\/td>\nInfinity (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBabys<\/td>\nPiece of the action<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSteppenwolf<\/td>\nMagic carpet ride<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n2<\/td>\nAngel<\/td>\nWhite hot (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nUriah Heep<\/td>\nLady in black<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBread<\/td>\nSound of Bread (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nEarth, Wind & Fire<\/td>\nFantasy<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n4<\/td>\nBob Welch<\/td>\nEbony eyes<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.60 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n9<\/td>\n2<\/td>\nEarth, Wind & Fire<\/td>\nFantasy<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nBabys<\/td>\nPiece of the action<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nUriah Heep<\/td>\nLady in black<\/td>\n<\/tr>\n
4<\/td>\n3<\/td>\n2<\/td>\nJourney<\/td>\nInfinity (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nJanis Joplin<\/td>\nDown on me<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nRaydio<\/td>\nJack and Jill<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBreece<\/td>\nIt\u00c3\u2022s only a matter of time<\/td>\n<\/tr>\n
8<\/td>\n8<\/td>\n2<\/td>\nBread<\/td>\nSound of Bread (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nNavel<\/td>\nPlayback<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDingetje<\/td>\nPluggerdragers<\/td>\n<\/tr>\n
11<\/td>\n–<\/td>\n1<\/td>\nTeaser<\/td>\nDo it to me<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.61 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nRaydio<\/td>\nJack & Jill<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nManfred Mann<\/td>\nWatch (LP)<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nBabys<\/td>\nPiece of the action<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nNavel<\/td>\nPlayback<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSpencer Davis Group<\/td>\nKeep on running<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n3<\/td>\nUriah Heep<\/td>\nLady in black<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n3<\/td>\nEarth, Wind & Fire<\/td>\nFantasy<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nEarthquake<\/td>\nFinders keepers<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nJourney<\/td>\nInfinity (LP)<\/td>\n<\/tr>\n
10<\/td>\n11<\/td>\n2<\/td>\nTeaser<\/td>\nDo it to me<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.62 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nRaydio<\/td>\nRaydio (LP)<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nRaydio<\/td>\nJack & Jill<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nNick Lowe<\/td>\nI love the sound of breaking glass<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nEarthquake<\/td>\nFinders keepers<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDusty Springfield<\/td>\nIt begins again (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLulu<\/td>\nThe boat that I row<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nGruppo Sportivo<\/td>\nRock and roll<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nJan Akkerman<\/td>\nCrackers<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n2<\/td>\nManfred Mann<\/td>\nWatch (LP)<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nNavel<\/td>\nPlayback<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nNilsson<\/td>\nAll I think about is you<\/td>\n<\/tr>\n
T<\/td>\n–<\/td>\n1<\/td>\nWindjammer<\/td>\nStill the one<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.63 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nGodley & Creme<\/td>\nFive o’clock in the morning<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nDusty Springfield<\/td>\nIt begins again (LP)<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nJan Akkerman<\/td>\nCrackers<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nSqueeze<\/td>\nTake me I’m yours<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMove<\/td>\nTonight<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTalking Heads<\/td>\nPsycho killer<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nNilsson<\/td>\nAll I think about is you<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nGenesis<\/td>\nFollow you follow me<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n2<\/td>\nNick Lowe<\/td>\nI love the sound of breaking glass<\/td>\n<\/tr>\n
10<\/td>\n1<\/td>\n2<\/td>\nRaydio<\/td>\nRaydio (LP)<\/td>\n<\/tr>\n
10<\/td>\n1<\/td>\n4<\/td>\nRaydio<\/td>\nJack & Jill<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.64 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nGodley & Creme<\/td>\nFive o’clock in the morning<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nSqueeze<\/td>\nTake me I’m yours<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nGenesis<\/td>\nFollow you follow me<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nRichard Myhill<\/td>\nIt takes two to tango<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nNilsson<\/td>\nEverybody’s talking<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nDusty Springfield<\/td>\nIt begins again (LP)<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n3<\/td>\nNilsson<\/td>\nAll I think about is you<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nYvonne Elliman<\/td>\nIf I can’t have you<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nBilly Joel<\/td>\nJust the way you are<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nHighlight<\/td>\nOne, one and one<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.65 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nGenesis<\/td>\nAnd then there were three (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nVan Halen<\/td>\nYou really got me<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nGodley & Creme<\/td>\nFive o’clock in the morning<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nElvis Costello<\/td>\nChelsea<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nTraffic<\/td>\nHere we go round the mulberry bush<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nTraffic<\/td>\nNo fadce, no name, no number<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nTraffic<\/td>\nPapersun<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nTraffic<\/td>\nHole in my shoe<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n2<\/td>\nRichard Myhill<\/td>\nIt takes two to tango<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nStranglers<\/td>\nFive minutes<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nEddie Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nMistral<\/td>\nStarship 109<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nAshwood<\/td>\nOut of love (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.66 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nVan Halen<\/td>\nYou really got me<\/td>\n<\/tr>\n
2<\/td>\n4<\/td>\n2<\/td>\nElvis Costello<\/td>\nChelsea<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nGenesis<\/td>\nAnd then there were three (LP)<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nEddie Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nFamily<\/td>\nMe my friend<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nLondon town (LP)<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n2<\/td>\nAshwood<\/td>\nOut of love (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nHot Chocolate<\/td>\nEveryone’s a winner<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCheyenne<\/td>\nSeparated love<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nMaureen McGovern<\/td>\nWe never have to say goodbye again<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.67 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nJohn Williams \/ Capuano<\/td>\nClose encounters of the third kind<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nWings<\/td>\nLondon town (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nSteely Dan<\/td>\nPeg<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nVan Halen<\/td>\nYou really got me<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nFree<\/td>\nWishing well<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nElvis Costello<\/td>\nChelsea<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nGraham Bonnet<\/td>\nOne ride<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n3<\/td>\nGenesis<\/td>\nAnd then there were three (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nGino Vanelli<\/td>\nA song and dance<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n3<\/td>\nEddie Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.68 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nWings<\/td>\nLondon town (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nCrystal Gayle<\/td>\nI want to come back to you<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBand<\/td>\nThe last waltz (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nGerry Rafferty<\/td>\nBaker street<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDave Clark Five<\/td>\nAny way you want it<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n2<\/td>\nJohn Williams \/ Capuano<\/td>\nClose encounters of the third kind<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n4<\/td>\nEddie Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
8<\/td>\n4<\/td>\n4<\/td>\nVan Halen<\/td>\nYou really got me<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n2<\/td>\nSteely Dan<\/td>\nPeg<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n4<\/td>\nGenesis<\/td>\nAnd then there were three (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.69 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nRobert Palmer<\/td>\nBest of both worlds<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nPatti Smith Group<\/td>\nBecause the night<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n2<\/td>\nBand<\/td>\nThe last waltz (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nKraftwerk<\/td>\nMan machine (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nElectric Prunes<\/td>\nI had too much to dream about<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n2<\/td>\nCrystal Gayle<\/td>\nI want to go back to you<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n4<\/td>\nWings<\/td>\nLondon town (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nRubberen Robbie<\/td>\nGeef mij maar drank<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n2<\/td>\nGerry Rafferty<\/td>\nBaker street<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n5<\/td>\nEddy Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.70 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n2<\/td>\nPatti Smith Group<\/td>\nBecause the night<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nRobert Palmer<\/td>\nBest of both worlds<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nABBA<\/td>\nEagle<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nCommodores<\/td>\nEasy<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAmsterdam<\/td>\nLucy lucy<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nJefferson Starship<\/td>\nCount on me<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n6<\/td>\nEddie Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMichael Zager Band<\/td>\nLet’s all chant<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRose Royce<\/td>\nWishing on a star<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n2<\/td>\nKraftwerk<\/td>\nMan machine (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.71 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n3<\/td>\nPatti Smith Group<\/td>\nBecause the night<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nBlondie<\/td>\nPresence dear<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nSuzi Quatro<\/td>\nIf you can’t give me love<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nJefferson Starship<\/td>\nCount on me<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nByrds<\/td>\nMr. Spaceman<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nDevo<\/td>\nSatisfaction<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n2<\/td>\nCommodores<\/td>\nEasy<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n3<\/td>\nRobert Palmer<\/td>\nBest of both worlds<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n2<\/td>\nABBA<\/td>\nEagle<\/td>\n<\/tr>\n
10<\/td>\n10<\/td>\n3<\/td>\nKraftwerk<\/td>\nMan machine (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.72 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nChris Rea<\/td>\nFool<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nSuzi Quatro<\/td>\nIf you can’t give me love<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nLittle River Band<\/td>\nSleeper Catcher (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nDiv. Artiesten<\/td>\nF.M. (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nTommy James & Shondells<\/td>\nCrystal blue persuasion<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nAlive and Kicking<\/td>\nTighter tighter<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n4<\/td>\nPatti Smith Group<\/td>\nBecause the night<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSherbet<\/td>\nMagazine Madonna<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n2<\/td>\nBlondie<\/td>\nPresence dear<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n2<\/td>\nDevo<\/td>\nSatisfaction<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nJohnny Cougar<\/td>\nI need a lover<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.73 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nDiv. Artiesten<\/td>\nF.M. (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nStyx<\/td>\nFooling yourself<\/td>\n<\/tr>\n
3<\/td>\n3<\/td>\n2<\/td>\nLittle River Band<\/td>\nSleeper Catcher (LP)<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n2<\/td>\nChris Rea<\/td>\nFool<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nCastaways<\/td>\nLiar liar<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n3<\/td>\nSuzi Quatro<\/td>\nIf you can’t give me love<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nAndrew Gold<\/td>\nHow can this be love<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n2<\/td>\nSherbet<\/td>\nMazine Madonna<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nJohnny Cougar<\/td>\nI need a lover<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nMassada<\/td>\nLP Astaganaga<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.74 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nAlan Parsons Project<\/td>\nPyramid (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nMiss you<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nDiv. Artiesten<\/td>\nF.M. (LP)<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nAndrew Gould<\/td>\nHow can this be love<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nWalker Brothers<\/td>\nWalking in the rain<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n2<\/td>\nStyx<\/td>\nFooling yourself<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nChris Rea<\/td>\nWhatever happened to Benny Santini (LP)<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n3<\/td>\nChris Rea<\/td>\nFool<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nAC\/DC<\/td>\nWhole lotta Rosie<\/td>\n<\/tr>\n
9<\/td>\n3<\/td>\n3<\/td>\nLittle River Band<\/td>\nSleeper Catcher (LP)<\/td>\n<\/tr>\n
10<\/td>\n10<\/td>\n2<\/td>\nMassada<\/td>\nAstaganaga (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.75 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nAlan Parsons Projects<\/td>\nPyramid (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nIan Dury<\/td>\nWake up<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n2<\/td>\nRolling Stones<\/td>\nMiss you<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nAC\/DC<\/td>\nWhole lotta Rosie<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLove Unlimited<\/td>\nWalking in the rain<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nTalking Heads<\/td>\nUh-oh love comes to town<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nJohn Travolta & Olivia Newton John<\/td>\nGrease (2LP)<\/td>\n<\/tr>\n
8<\/td>\n6<\/td>\n3<\/td>\nStyx<\/td>\nFooling yourself<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nAndrew Gold<\/td>\nHow can this be love<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n2<\/td>\nChris Rea<\/td>\nWhatever happened to Benny Santini (LP)<\/td>\n<\/tr>\n
10<\/td>\n7<\/td>\n4<\/td>\nChris Rea<\/td>\nFool<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.76 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nSome girls (LP)<\/td>\n<\/tr>\n
2<\/td>\n7<\/td>\n2<\/td>\nJohn Travolta & Olivia Newton John<\/td>\nGrease (2LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nBardot<\/td>\nWitchfire<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nTalking Heads<\/td>\nUh-oh love comes to town<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nFour Seasons<\/td>\nTell it to the rain<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n3<\/td>\nAlan Parsons Projects<\/td>\nPyramid (LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nJeff Wayne<\/td>\nWar of the Worlds (2LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nMeat Loaf<\/td>\nYou took the words<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nRubberen Robbie<\/td>\nZuipen<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n3<\/td>\nAC\/DC<\/td>\nWhole lotta Rosie<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.77 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nJeff Wayne<\/td>\nWar of the Worlds (2LP)<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\nRolling Stones<\/td>\nSome girls (LP)<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nMotors<\/td>\nAirport<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nBob Seger<\/td>\nStill the same<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nChambers Brothers<\/td>\nTime has come today<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n3<\/td>\nTalking Heads<\/td>\nUh-oh love comes to town<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n2<\/td>\nBardot<\/td>\nWitchfire<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nRubberen Robbie<\/td>\nZuipen<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSteve Ellis<\/td>\nRag and bone<\/td>\n<\/tr>\n
10<\/td>\n6<\/td>\n4<\/td>\nAlan Parsons Project<\/td>\nPyramid (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.78 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n4<\/td>\n2<\/td>\nBob Seger<\/td>\nStill the same<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nMotors<\/td>\nAirport<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nAlan Ross<\/td>\nGet the guns<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nJeff Wayne<\/td>\nWar of the Worlds (2LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nIdes of March<\/td>\nVehicle<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBruce Springsteen<\/td>\nProve it all night<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n3<\/td>\nRolling Stones<\/td>\nSome girls (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBob Dylan<\/td>\nStreet legal (LP)<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nKinks<\/td>\nRock ‘n roll fantasy<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nRare Earth<\/td>\nWarm ride<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.79 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nAlan Ross<\/td>\nGet the guns<\/td>\n<\/tr>\n
2<\/td>\n8<\/td>\n2<\/td>\nBob Dylan<\/td>\nStreet Legal (LP)<\/td>\n<\/tr>\n
3<\/td>\n6<\/td>\n2<\/td>\nBruce Springsteen<\/td>\nProve it all night<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nBob Seger<\/td>\nStill the same<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nDo it again<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nWings<\/td>\nDeliver your children<\/td>\n<\/tr>\n
7<\/td>\n4<\/td>\n4<\/td>\nJeff Wayne<\/td>\nWar of the worlds (2LP)<\/td>\n<\/tr>\n
8<\/td>\n9<\/td>\n2<\/td>\nKinks<\/td>\nRock ‘n’ roll fantasy<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n3<\/td>\nMotors<\/td>\nAirport<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nKraftwerk<\/td>\nRobots<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.80 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n6<\/td>\n2<\/td>\nWings<\/td>\nDeliver your children<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nBruce Springsteen<\/td>\nProve it all night<\/td>\n<\/tr>\n
3<\/td>\n2<\/td>\n3<\/td>\nBob Dylan<\/td>\nStreet legal (LP)<\/td>\n<\/tr>\n
4<\/td>\n10<\/td>\n2<\/td>\nKrafwerk<\/td>\nRobots<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nTouch me<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n5<\/td>\nJeff Wayne<\/td>\nWar of the worlds (2LP)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nMieke<\/td>\nIk heb vandaag de zon besteld<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nTour de France toertip<\/td>\nFiets<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n4<\/td>\nBob Seger<\/td>\nStill the same<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nArgent<\/td>\nBest of Argent (LP)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Adriaan Bouman Flop 10<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nWings<\/td>\nI’ve had enough<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nPeter Gabriel<\/td>\nD.I.Y.<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nArno & Gradje<\/td>\nPappie ik zie tranen<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nBoemerang<\/td>\nPapaveri<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nPeter Maffay<\/td>\nDu<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nCosta Cordalis<\/td>\nNimm das n\u00c5\u00a0chste Schiff<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nSex Pistols<\/td>\nMy way<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nMariska Veres Band<\/td>\nBye bye to romance<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nKokka<\/td>\nAmerican Eagles<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nShaun Cassidy<\/td>\nDo you believe in magic?<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.81 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nSteely Dan<\/td>\nF.M. (LP)<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nMoody Blues<\/td>\nHad to fall in love<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nDiv. Artiesten<\/td>\nSgt.Pepper’s (LP)<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nHerbie Hancock<\/td>\nSunlight (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nChris Montez<\/td>\nLet’s dance<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nMarshall Hain<\/td>\nDancing in the city<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n<\/td>\nBob Dylan<\/td>\nStreet legal (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBruce Springsteen<\/td>\nDarkness on the edge of town (LP)<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n<\/td>\nBruce Springsteen<\/td>\nProve it all night<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n<\/td>\nKraftwerk<\/td>\nRobots<\/td>\n<\/tr>\n
10<\/td>\n1<\/td>\n<\/td>\nWings<\/td>\nDeliver your children<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.82 -ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nIke & Tina Turner<\/td>\nNutbush city limits<\/td>\n<\/tr>\n
1A<\/td>\n2<\/td>\n2<\/td>\nMoody Blues<\/td>\nHad to fall in love<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nDiv. Artiesten<\/td>\nSgt. Pepper’s (LP)<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nHerbie Hancock<\/td>\nSunlight (LP)<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n2<\/td>\nSteely Dan<\/td>\nF.M. (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nNirvana<\/td>\nRainbow chaser<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nSupercharge<\/td>\nI think I’m gonna fall in love<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nHerman Brood & Wild Romance<\/td>\nSaturday night<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nNavel<\/td>\nOnly for you<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFlash & the Pan<\/td>\nDown and among the dead<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nPolice<\/td>\nRoxanne<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.83 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nIke & Tina Turner<\/td>\nNutbush city limits<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nSupercharge<\/td>\nI think I’m gonna fall in love<\/td>\n<\/tr>\n
3<\/td>\n10<\/td>\n2<\/td>\nPolice<\/td>\nRoxanne<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nNavel<\/td>\nOnly for you<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLinsey de Paul<\/td>\nSugar me<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nHerman Brood & Wild Romance<\/td>\nSaturday night<\/td>\n<\/tr>\n
7<\/td>\n3<\/td>\n3<\/td>\nHerbie Hancock<\/td>\nSunshine (LP)<\/td>\n<\/tr>\n
8<\/td>\n1A<\/td>\n3<\/td>\nMoody Blues<\/td>\nHad to fall in love<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDire Straits<\/td>\nSultans of swing<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nTarney Spencer Band<\/td>\nBye bye sweet love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.84 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\n10CC<\/td>\nDreadlock holiday<\/td>\n<\/tr>\n
2<\/td>\n2<\/td>\n3<\/td>\nSupercharge<\/td>\nI think I’m gonna fall in love<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nLindisfarne<\/td>\nRun for home<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n2<\/td>\nDire Straits<\/td>\nSultan of swing<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDiana Ross & Marvin Gaye<\/td>\nYou are everything<\/td>\n<\/tr>\n
6<\/td>\n3<\/td>\n3<\/td>\nPolice<\/td>\nRoxanne<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nNeil Young<\/td>\nComes a time (LP)<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nPaul Nicholas<\/td>\nOn the strip<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nHad enough<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nBilly Preston<\/td>\nDisco dancing<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.85 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nWho are you<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n2<\/td>\n10CC<\/td>\nDreadlock holiday<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nNavel<\/td>\nA rainy day at Chateau Lafite ’41 (LP)<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n2<\/td>\nNeil Young<\/td>\nComes a time (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nLemon Pipers<\/td>\nGreen tambourine<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nBlondie<\/td>\nI’m gonna love you too<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nPaul Nicholas<\/td>\nOn the strip<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nWhakoo<\/td>\nFabulous dancer<\/td>\n<\/tr>\n
9<\/td>\n10<\/td>\n2<\/td>\nBilly Preston<\/td>\nDisco dancin’<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLindisfarne<\/td>\nBack and fourth (LP)<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n2<\/td>\nLindisfarne<\/td>\nRun for home<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.86n – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n3<\/td>\n2<\/td>\nNavel<\/td>\nA rainy day at Chateau Lafite ’41 (LP)<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nBlondie<\/td>\nI’m gonna love you too<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nWho<\/td>\nWho are you (LP)<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nWho<\/td>\nWho are you<\/td>\n<\/tr>\n
4<\/td>\n8<\/td>\n2<\/td>\nWhakoo<\/td>\nFabulous dancer<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nDoors<\/td>\nWaitin’ for the sun<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n2<\/td>\nPaul Nicholas<\/td>\nOn the strip<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nKim Larson<\/td>\nSans Souci<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBischops<\/td>\nI want candy<\/td>\n<\/tr>\n
9<\/td>\n4<\/td>\n3<\/td>\nNeil Young<\/td>\nComes a time (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nDee Dee<\/td>\nI put a spell on you<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.96 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nKraftwerk<\/td>\nThe model<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nHamilton Bohannon<\/td>\nLet’s start the dance<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n3<\/td>\nMeat Loaf<\/td>\nParadise by the dashboard light<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nE.L.O.<\/td>\nSweet talkin’ woman<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nFrankie Valli & Four Seasons<\/td>\nYou’re ready now<\/td>\n<\/tr>\n
6<\/td>\n4<\/td>\n3<\/td>\nLindisfarne<\/td>\nRock ‘n’ roll gipsy<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n3<\/td>\nRose Royce<\/td>\nLove don’t live here anymore<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n4<\/td>\nNick Gilder<\/td>\nHot child in the city<\/td>\n<\/tr>\n
9<\/td>\n6<\/td>\n2<\/td>\nElton John<\/td>\nSingle man (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nStephen Bishop<\/td>\nEverybody needs love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.97 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n2<\/td>\nKraftwerk<\/td>\nThe model<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nBrothers Johnson<\/td>\nAin’t we funky now<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nNL versie 30-10-1978<\/td>\nWar of the worlds<\/td>\n<\/tr>\n
4<\/td>\n10<\/td>\n2<\/td>\nStephen Bishop<\/td>\nEverybody needs love<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nHerd<\/td>\nFrom the underworld<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n2<\/td>\nHamilton Bohannon<\/td>\nLet’s start the dance<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nSeals & Crofts<\/td>\nTakin’ it easy<\/td>\n<\/tr>\n
8<\/td>\n3<\/td>\n4<\/td>\nMeatloaf<\/td>\nParadise by the dashboard light<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nFirefall<\/td>\nElan (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nLittle River Band<\/td>\nReminiscing<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.98 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n7<\/td>\n2<\/td>\nSeals & Crofts<\/td>\nTakin’ it easy<\/td>\n<\/tr>\n
2<\/td>\n8<\/td>\n5<\/td>\nMeatloaf<\/td>\nParadise by the dashboard light<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nKraftwerk<\/td>\nThe model<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n2<\/td>\nBrothers Johnson<\/td>\nAin’t we funky now<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nRichie Valens<\/td>\nLa Bamba<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nEric Clapton<\/td>\nBackless (LP)<\/td>\n<\/tr>\n
7<\/td>\n9<\/td>\n2<\/td>\nFirefall<\/td>\nElan (LP)<\/td>\n<\/tr>\n
8<\/td>\n10<\/td>\n2<\/td>\nLittle River Band<\/td>\nReminiscing<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nElton John<\/td>\nPart time love<\/td>\n<\/tr>\n
10<\/td>\n4<\/td>\n3<\/td>\nStephen Bishop<\/td>\nEverybody needs love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.99 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n6<\/td>\nMeatloaf<\/td>\nParadise by the dashboard light<\/td>\n<\/tr>\n
2<\/td>\n–<\/td>\n1<\/td>\nComic Romance<\/td>\nCowboys and indians<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nPromises<\/td>\nBaby it’s you<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nEric Clapton<\/td>\nBackless (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nBalls<\/td>\nFight for my country<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nCars<\/td>\nAll mixed up<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nBee Gees<\/td>\nToo much heaven<\/td>\n<\/tr>\n
8<\/td>\n1<\/td>\n3<\/td>\nSeals & Crofts<\/td>\nTakin’ it easy<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDarts<\/td>\nDon’t let it fade away<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nJoe Cocker<\/td>\nA whiter shade of pale<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.100 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nRod Stewart<\/td>\nDa’ ya’ think I’m sexy<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nCars<\/td>\nAll mixed up<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n1<\/td>\nToto<\/td>\nHold the line<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nEric Clapton<\/td>\nPromises<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nFortunes<\/td>\nThis golden ring<\/td>\n<\/tr>\n
6<\/td>\n10<\/td>\n2<\/td>\nJoe Cocker<\/td>\nA whiter shade of pale<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n2<\/td>\nComic Romance<\/td>\nCowboys and indians<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nHerman Brood & Wild Romance<\/td>\nStill believe<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nSylvester<\/td>\nYou make me feel<\/td>\n<\/tr>\n
10<\/td>\n3<\/td>\n2<\/td>\nPromises<\/td>\nBaby it’s you<\/td>\n<\/tr>\n
11<\/td>\n–<\/td>\n1<\/td>\nHylda Baker & Arthur Mullard<\/td>\nYou’re the one that I want<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.101 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nEagles<\/td>\nPlease come home for Christmas<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nToto<\/td>\nHold the line<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nHerman Brood & Wild Romance<\/td>\nStill believe<\/td>\n<\/tr>\n
4<\/td>\n–<\/td>\n1<\/td>\nJean Michel Jarre<\/td>\nEquinoxe (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nSteve Miller<\/td>\nThe Joker<\/td>\n<\/tr>\n
6<\/td>\n6<\/td>\n3<\/td>\nJoe Cocker<\/td>\nA whiter shade of pale<\/td>\n<\/tr>\n
7<\/td>\n1<\/td>\n2<\/td>\nRod Stewart<\/td>\nDa’ ya’ think I’m sexy<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n3<\/td>\nCars<\/td>\nAll mixed op<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nDavid Essex<\/td>\nBrave new world<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nChic<\/td>\nLe freak<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.102 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n3<\/td>\nToto<\/td>\nHold the line<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n3<\/td>\nHerman Brood & Wild Romance<\/td>\nStill believe<\/td>\n<\/tr>\n
3<\/td>\n1<\/td>\n2<\/td>\nEagles<\/td>\nPlease come home for Christmas<\/td>\n<\/tr>\n
4<\/td>\n4<\/td>\n2<\/td>\nJean Michel Jarre<\/td>\nEquinoxe (LP)<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nMary McGregor<\/td>\nTorn between two lovers<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nIan Dury<\/td>\nHit me<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nZwol<\/td>\nNew York city<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n1<\/td>\nBram Tchaikovsky<\/td>\nSarah smiles<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nCat Stevens<\/td>\nBack to earth (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nNew Dutch Organ Group<\/td>\nHolland disco<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.103 – ronde VI<\/td>\n<\/tr>\n
1<\/td>\n8<\/td>\n2<\/td>\nBram Tchaikovsky<\/td>\nSarah smiles<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n2<\/td>\nIan Dury<\/td>\nHit me<\/td>\n<\/tr>\n
3<\/td>\n9<\/td>\n2<\/td>\nCat Stevens<\/td>\nBack to earth (LP)<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n4<\/td>\nToto<\/td>\nHold the line<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n1<\/td>\nGolden Earring<\/td>\nDream<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n1<\/td>\nNirvana<\/td>\nLove is<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n1<\/td>\nElvis Costello<\/td>\nRadio radio<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n4<\/td>\nHerman Brood & Wild Romance<\/td>\nStill believe<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n1<\/td>\nNina Hagen Band<\/td>\nNina Hagen Band (LP)<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n1<\/td>\nUpstairs<\/td>\nBeggin’<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ABTT nr.104 – ronde VIDe Meest-er van 1978<\/td>\n<\/tr>\n
1<\/td>\n<\/td>\n<\/td>\nPlayer<\/td>\nBaby come back<\/td>\n<\/tr>\n
2<\/td>\n<\/td>\n<\/td>\nEagles<\/td>\nHotel California (LP)<\/td>\n<\/tr>\n
3<\/td>\n<\/td>\n<\/td>\nKlaatu<\/td>\nCalling occupants<\/td>\n<\/tr>\n
4<\/td>\n<\/td>\n<\/td>\nFleetwood Mac<\/td>\nRumours (LP)<\/td>\n<\/tr>\n
5<\/td>\n<\/td>\n<\/td>\nE.L.O.<\/td>\nOut of the blue (LP)<\/td>\n<\/tr>\n
6<\/td>\n<\/td>\n<\/td>\nAl Stewart<\/td>\nYear of the cat (LP)<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\nFour Seasons<\/td>\nHelicon (LP)<\/td>\n<\/tr>\n
8<\/td>\n<\/td>\n<\/td>\nBoz Scaggs<\/td>\nWhat can I say<\/td>\n<\/tr>\n
9<\/td>\n<\/td>\n<\/td>\nRaydio<\/td>\nJack and Jill<\/td>\n<\/tr>\n
10<\/td>\n<\/td>\n<\/td>\nJeff Wayne<\/td>\nWar of the worlds (LP)<\/td>\n<\/tr>\n
11<\/td>\n<\/td>\n<\/td>\nEddie Money<\/td>\nBaby hold on<\/td>\n<\/tr>\n
12<\/td>\n<\/td>\n<\/td>\nBabies<\/td>\nIsn’t it time<\/td>\n<\/tr>\n
13<\/td>\n<\/td>\n<\/td>\nBrothers Johnson<\/td>\nStrawberry letter 23<\/td>\n<\/tr>\n
14<\/td>\n<\/td>\n<\/td>\nPietje Potent<\/td>\nBrand in het bordeel<\/td>\n<\/tr>\n
15<\/td>\n<\/td>\n<\/td>\nAlan Parsons Project<\/td>\nPyramid (LP)<\/td>\n<\/tr>\n
16<\/td>\n<\/td>\n<\/td>\nSupertramp<\/td>\nEven in the quitest moments (LP)<\/td>\n<\/tr>\n
17<\/td>\n<\/td>\n<\/td>\nMeatloaf<\/td>\nParadise by the dashboard light<\/td>\n<\/tr>\n
18<\/td>\n<\/td>\n<\/td>\nSantana<\/td>\nLet the children play<\/td>\n<\/tr>\n
19<\/td>\n<\/td>\n<\/td>\nChris Rea<\/td>\nFool<\/td>\n<\/tr>\n
20<\/td>\n<\/td>\n<\/td>\nCapuano<\/td>\nClose encounters of the third kind<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

ABTT nr. 53 – ronde VI 1 7 2 Brighouse & Rastrick Brass Band Floral dance 2 6 2 ABBA The album (LP) 3 1 3 Bonnie Tyler It’s a heartache 4 2 4 Div. Artiesten Spijkergoed: 10 jaar Levi’s (LP) 5 – 1 Brenda Lee Coming on strong 6 3 3 Div. Artiesten Veronica’s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/246"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=246"}],"version-history":[{"count":3,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/246\/revisions"}],"predecessor-version":[{"id":263,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/246\/revisions\/263"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}