{"id":563,"date":"2016-04-07T08:59:54","date_gmt":"2016-04-07T08:59:54","guid":{"rendered":"http:\/\/abtt.nl\/site\/?p=563"},"modified":"2016-04-09T20:19:48","modified_gmt":"2016-04-09T20:19:48","slug":"1966","status":"publish","type":"post","link":"https:\/\/abtt.nl\/site\/index.php\/2016\/04\/07\/1966\/","title":{"rendered":"1966"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
28 mrt 1966 – Voorloper\u00a0 (draaivolgorde):<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nIsely Brothers<\/td>\nThis old heart of mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWho<\/td>\nSubstitude<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nLen Barry<\/td>\nSomewhere<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSpencer Davis Group<\/td>\nSomebody help me<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nGary Lewis & Playboys<\/td>\nSure gonna miss her<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMoody Blues<\/td>\nStop !<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nHollies<\/td>\nI can’t let go<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nHerb Alpert<\/td>\nWhat now my love<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nNorma Tanega<\/td>\nWalking my cat named dog<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nCliff Richard<\/td>\nBlue turns to grey<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDave Clark 5<\/td>\nTry too hard<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBoudewijn de Groot<\/td>\nWelterusten mijnheer de President<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nBoudewijn de Groot<\/td>\nLP\u00a0 Boudewijn de Groot<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWayne Fontana<\/td>\nCome on home<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nOverlanders<\/td>\nMy life<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPetula Clark<\/td>\nSign of the times<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nLovin’ Spoonful<\/td>\nDaydream<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nPaul Revere & the Raiders<\/td>\nKicks<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWho<\/td>\nLegal matter<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nOutsiders<\/td>\nTime won’t let me<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nWalker Brothers<\/td>\nThe sun ain’t gonna shine anymore<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nMamas and the Papas<\/td>\nCalifornia dreamin’<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nRighteous Brothers<\/td>\nSoul and inspiration<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nHet<\/td>\nKeije nagaan<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSimon & Garfunkel<\/td>\nHomeward bound<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nDave Dee, Dozy, Bicky, Mick & Tich<\/td>\nHold tight<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nJets<\/td>\nPied piper<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nSandy Coast<\/td>\nThat girl was mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
4 april 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\n6<\/td>\n1<\/td>\nDave Clark 5<\/td>\nTry too hard<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n2<\/td>\nMoody Blues<\/td>\nStop !<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nLovin’ Spoonful<\/td>\nDaydream<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n4<\/td>\nBoudewijn de Groot<\/td>\nWelterusten mijnheer de President + LP<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\nGary Lewis & Playboys<\/td>\nSure gonna miss her<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n6<\/td>\nWho<\/td>\nSubstitude \/ Legal matter<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\nSpencer Davis Group<\/td>\nSomebody help me<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n8<\/td>\nWalker Brothers<\/td>\nThe sun ain’t gonna shine anymore<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\nIsely Brothers<\/td>\nThis old heart of mine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10<\/td>\nHet<\/td>\nKeije nagaan<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
11 april 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n1<\/td>\nOutsiders<\/td>\nTime won’t let me<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n1<\/td>\nWalker Brothers<\/td>\nThe sun ain’t gonna shine anymore<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n2<\/td>\nDave Clark 5<\/td>\nTry too hard<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n3<\/td>\nLovin’ Spoonful<\/td>\nDaydream<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n4<\/td>\nSpencer Davis Group<\/td>\nSomebody help me<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nCher<\/td>\nBang Bang (My baby shot me down)<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nWayne Fontana<\/td>\nCome on home<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n6<\/td>\nMoody Blues<\/td>\nStop !<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nPaul Revere & the Raiders<\/td>\nKicks<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nYoung Rascals<\/td>\nGood lovin’<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nCliff Richard<\/td>\nBlue turns to grey<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n9<\/td>\nOverlanders<\/td>\nMy life<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n9<\/td>\nWho<\/td>\nSubstitude \/ Legal matter<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nLeroy van Dyke<\/td>\nYou couldn’t get my love back<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
18 april 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nAftermath\u00a0 \u00a0LP<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nOutsiders<\/td>\nTime won’t let me<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n2<\/td>\nYoung Rascals<\/td>\nGood lovin’<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n2<\/td>\nPaul Revere & the Raiders<\/td>\nKicks<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nSearchers<\/td>\nTake it or leave it<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nWayne Fontana<\/td>\nCome on home<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n4<\/td>\nMotions<\/td>\nWhy don’t you take it \/ My love is growing<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n5<\/td>\nDave Clark 5<\/td>\nTry too hard<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n5<\/td>\nCliff Richard & the Shadows<\/td>\nBlue turns to grey<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nAlan Price Set<\/td>\nI put a spell on you<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nByrds<\/td>\nEight miles high<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nMindbenders<\/td>\nI can’t live with you, can’t live without you<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n8<\/td>\nLeroy van Dyke<\/td>\nYou couldn’t get my love back<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nRoy C<\/td>\nShotgun wedding<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nPeter J Muller<\/td>\nBeter langharig dan kortzichtig<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nTroggs<\/td>\nWild thing<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
25 april 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n1<\/td>\nSearchers<\/td>\nTake it or leave it<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nRolling Stones<\/td>\nAftermath\u00a0\u00a0 LP<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n2<\/td>\nAlan Price Set<\/td>\nI put a spell on you<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n3<\/td>\nOutsiders<\/td>\nTime won’t let me<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nGolden Earrings<\/td>\nIf you leave me<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n4<\/td>\nMindbenders<\/td>\nI can’t live with you, can’t live without you<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n5<\/td>\nByrds<\/td>\nEight miles high<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nYardbirds<\/td>\nShapes of things<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n6<\/td>\nRoy C<\/td>\nShotgun wedding<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nManfred Mann<\/td>\nPretty Flamingo<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n7<\/td>\nLeroy van Dyke<\/td>\nYou couldn’t get my love back<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n8<\/td>\nTroggs<\/td>\nWild thing<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n9<\/td>\nPaul Revere & the Raiders<\/td>\nKicks<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n9<\/td>\nWayne Fontana<\/td>\nCome on home<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nKoobas<\/td>\nYou better make up your mind<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2 mei 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nSearchers<\/td>\nTake it or leave it<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n1<\/td>\nByrds<\/td>\nEight miles high<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n2<\/td>\nYardbirds<\/td>\nShapes of things<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n3<\/td>\nRolling Stones<\/td>\nAftermath\u00a0\u00a0 LP<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n3<\/td>\nManfred Mann<\/td>\nPretty Flamingo<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n4<\/td>\nTroggs<\/td>\nWild thing<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n5<\/td>\nMindbenders<\/td>\nI can’t live with you, can’t live without you<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n5<\/td>\nLeroy van Dyke<\/td>\nYou couldn’t get my love back<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nBob Dylan<\/td>\nRainy day woman nrs 12 # 35<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n7<\/td>\nAlan Price Set<\/td>\nI put a spell on you<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nSam & Dave<\/td>\nHold on, i’m coming<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nLove<\/td>\nMy little red book<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nBobby Moore<\/td>\nSearchin’ for my love<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nWilson Pickett<\/td>\n634-5789 (Soulsville \u2013 USA)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
9 mei 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nByrds<\/td>\nEight miles high<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n2<\/td>\nManfred Mann<\/td>\nPretty Flamingo<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nAnimals<\/td>\nDon’t bring me down<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n3<\/td>\nSam & Dave<\/td>\nHold on, i’m coming<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n4<\/td>\nBob Dylan<\/td>\nRainy day woman nrs 12 # 35<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n5<\/td>\nTroggs<\/td>\nWild thing<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n6<\/td>\nLove<\/td>\nMy little red book<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n6<\/td>\nYardbirds<\/td>\nShapes of things<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nHunters<\/td>\nRussian spy and I<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n8<\/td>\nBobby Moore & Rhythm Aces<\/td>\nSearchin’ for my love<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n9<\/td>\nLeroy van Dyke<\/td>\nYou couldn’t get my love back<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n9<\/td>\nWilson Pickett<\/td>\n634-5789 (Soulsville \u2013 USA)<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nOutsiders<\/td>\nLying all the time<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
16 mei 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n1<\/td>\nRolling Stones<\/td>\nPaint it black<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nAnimals<\/td>\nDon’t bring me down<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n2<\/td>\nLove<\/td>\nMy little red book<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n3<\/td>\nHunters<\/td>\nRussian spy and I<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n3<\/td>\nByrds<\/td>\nEight miles high<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n4<\/td>\nSandie Shaw<\/td>\nNothing comes easy<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n4<\/td>\nSam & Dave<\/td>\nHold on, i’m coming<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nJames Brown<\/td>\nIt’s a man’s man’s man’s world<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nIvy Leaque<\/td>\nRunning round in circles<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nLes Baroques<\/td>\nI know<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nChiffons<\/td>\nSweet talkin’ guy<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nSwingin’ Medallions<\/td>\nDouble shot (of my baby’s love)<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nLysett<\/td>\nIt’s the little things<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nRob Hoeke Rhythm and Blues Group<\/td>\nMargio \/ Rigmore<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nManfred Mann<\/td>\nPretty Flamingo<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
23 mei 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\nRolling Stones<\/td>\nPaint it black<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n2<\/td>\nSandie Shaw<\/td>\nIt don’t comes easy<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n3<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n3<\/td>\nAnimals<\/td>\nDon’t bring me down<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n4<\/td>\nJames Brown<\/td>\nIt’s a man’s man’s man’s world<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\nIvy Leaque<\/td>\nRunning round in circles<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\nChiffons<\/td>\nSweet talkin’ guy<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n6<\/td>\nRob Hoeke Rhythm and Blues Group<\/td>\nMargio \/ Rigmore<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\nLove<\/td>\nMy little red book<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\nSwingin’ Medallions<\/td>\nDouble shot (of my baby’s love)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n8<\/td>\nFrankie Valli<\/td>\nYou’re ready now<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\nYardbirds<\/td>\nOver under sideways down<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\nLysett<\/td>\nIt’s the little things<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10<\/td>\nGary Lewis & Playboys<\/td>\nGreen grass<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
30 mei 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n2<\/td>\nJames Brown<\/td>\nIt’s a man’s man’s man’s world<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n3<\/td>\nFrankie Valli<\/td>\nYou’re ready now<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nChiffons<\/td>\nSweet talkin’ guy<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n4<\/td>\n4 Seasons<\/td>\nOpus 17<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nSwinging Medallions<\/td>\nDouble shot (of my baby’s love)<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n5<\/td>\nSandie Shaw<\/td>\nIt don’t comes easy<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n6<\/td>\nYardbirds<\/td>\nOver under sideways down<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nTwice as Much<\/td>\nSittin\u00b4 on a fence<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nTom Jones<\/td>\nNot responsible<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n8<\/td>\nAnimals<\/td>\nDon’t bring me down<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nShirley Bassey<\/td>\nDon’t take the lovers from the world<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nWilleke Alberti<\/td>\nJij alleen<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nGentry’s<\/td>\nEveryday I have to cry<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
6 juni 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n1<\/td>\nBeatles<\/td>\nPaperback writer<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n2<\/td>\nQ65<\/td>\nThe life I live<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nKinks<\/td>\nSunny afternoon<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n3<\/td>\n4 Seasons<\/td>\nOpus 17<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n4<\/td>\nYardbirds<\/td>\nOver under sideways down<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n5<\/td>\nFrankie Valli<\/td>\nYou’re ready now<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nThem<\/td>\nRichard Cory<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n6<\/td>\nTom Jones<\/td>\nNot responsible<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n7<\/td>\nShirley Bassey<\/td>\nDon’t take the lovers from the world<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nIke & Tina Turner<\/td>\nRiver deep, mountain high<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n8<\/td>\nChiffons<\/td>\nSweet talkin’ guy<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nHu & Hilltops<\/td>\nLet it ride<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n9<\/td>\nGentry’s<\/td>\nEveryday I have to cry<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nFrancoise Hardy<\/td>\nLa mason ou j’ai grandi<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n10<\/td>\nJames Brown<\/td>\nIt’s a man’s man’s man’s world<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
13 juni 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nKinks<\/td>\nSunny afternoon<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n2<\/td>\nQ65<\/td>\nThe life I live<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nThem<\/td>\nRichard Cory<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n3<\/td>\nIke & Tina Turner<\/td>\nRiver deep, mountain high<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n4<\/td>\nHu & Hilltops<\/td>\nLet it ride<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n5<\/td>\n4 Seasons<\/td>\nOpus 17\u00a0 (Don’t you worry about me)<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n5<\/td>\nNeil Diamond<\/td>\nSolitary man<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n6<\/td>\nYardbirds<\/td>\nOver under sideways down<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nTommy James & Shondells<\/td>\nHanky panky<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nAssociation<\/td>\nAlong comes Mary<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nRoy Orbison<\/td>\nLana<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\nFrankie Valli<\/td>\nYou’re ready now<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nSyndicate of Sound<\/td>\nLittle girl<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nRob de Nijs<\/td>\nEen kaartenhuis<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nBilly Joe Royal<\/td>\nHeart’s disire<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
20 juni 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n1<\/td>\nHollies<\/td>\nBusstop<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nKinks<\/td>\nSunny afternoon<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n2<\/td>\nAssociation<\/td>\nAlong comes Mary<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nLos Bravos<\/td>\nBlack is black<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n3<\/td>\nSyndicate of Sound<\/td>\nLittle girl<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n4<\/td>\nThem<\/td>\nRichard Cory<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nBobby Hebb<\/td>\nSunny<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n5<\/td>\nTommy James & Shondells<\/td>\nHanky panky<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nChris Farlowe<\/td>\nOut of time<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n7<\/td>\nRoy Orbison<\/td>\nLana<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nGeorgie Fame<\/td>\nGet away<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n8<\/td>\nHu & Hilltops<\/td>\nLet it ride<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nFortunes<\/td>\nYou gave me somebody to love<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n9<\/td>\nIke & Tina Turner<\/td>\nRiver deep, mountain high<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nBachelors<\/td>\nCan I trust you<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nMichel Polnareff<\/td>\nLa poupee qui fait non<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
27 juni 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nLos Bravos<\/td>\nBlack is black<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n1<\/td>\nAssociation<\/td>\nAlong comes Mary<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n2<\/td>\nSyndicate of Sound<\/td>\nLittle girl<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n3<\/td>\nChris Farlowe<\/td>\nOut of time<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n4<\/td>\nGeorgie Fame<\/td>\nGet away<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nByrds<\/td>\n5 D (Fitth dimension)<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nSam The Sham<\/td>\nLil’ red ridin’ hood<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n7<\/td>\nFortunes<\/td>\nYou gave me somebody to love<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n7<\/td>\nThem<\/td>\nRichard Cory<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nIncrouwd<\/td>\nHalf dollar man \/ I’ll be free<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n9<\/td>\nMichel Polnareff<\/td>\nLa poupee qui fait non<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n10<\/td>\nBobby Hebb<\/td>\nSunny<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n10<\/td>\nRoy Orbison<\/td>\nLana<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
4 juli 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nLos Bravos<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n2<\/td>\nChris Farlowe<\/td>\nOut of time<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nByrds<\/td>\n5 D (Fitth dimension)<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nBob Dylan<\/td>\nI want you<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n4<\/td>\nAssociation<\/td>\nAlong comes Mary<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nDusty Springfield<\/td>\nGoing back<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n6<\/td>\nSam The Sham<\/td>\nLil’ red ridin’ hood<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nWalker Brothers<\/td>\n(Baby) You don’t have to tell me<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n7<\/td>\nSyndicate of Sound<\/td>\nLittle girl<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nVerdelle Smith<\/td>\nTar and cement<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n9<\/td>\nGeorgie Fame<\/td>\nGet away<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nCritters<\/td>\nYounger girl<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nDave Berry<\/td>\nMama<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
11 juli 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nBob Dylan<\/td>\nI want you<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n2<\/td>\nByrds<\/td>\n5 D (Fitth dimension)<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nDusty Springfield<\/td>\nGoing back<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nLovin’ Spoonful<\/td>\nSummer in the city<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n4<\/td>\nWalker Brothers<\/td>\n(Baby) You don’t have to tell me<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nTroggs<\/td>\nWith a girl like you<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n5<\/td>\nSam The Sham<\/td>\nLil’ red ridin’ hood<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n6<\/td>\nChris Farlowe<\/td>\nOut of time<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nMamas & the Papas<\/td>\nI saw her again<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n7<\/td>\nVerdelle Smith<\/td>\nTar and cement<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nAlan Price Set<\/td>\nHi-lili, hi-lo<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n9<\/td>\nLos Bravos<\/td>\nBlack is black<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nShangri-Las<\/td>\nPast, present and future<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n10<\/td>\nAssociation<\/td>\nAlong comes Mary<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
18 juli 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nBob Dylan<\/td>\nI want you<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nLovin’ Spoonful<\/td>\nSummer in the city<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n2<\/td>\nDusty Springfield<\/td>\nGoing back<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n3<\/td>\nWalker Brothers<\/td>\n(Baby) You don’t have to tell me<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n4<\/td>\nTroggs<\/td>\nWith a girl like you<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n5<\/td>\nByrds<\/td>\n5 D (Fitth dimension)<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n5<\/td>\nSam the Sham<\/td>\nLil’ red ridin’ hood<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n6<\/td>\nShangri-Las<\/td>\nPast, present and future<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nBrian Hyland<\/td>\nThe joker went wild<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n7<\/td>\nVerdelle Smith<\/td>\nTar and cement<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nRolling Stones<\/td>\nMothers little helper<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nNancy Sinatra<\/td>\nFriday’s child<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n9<\/td>\nMamas & the Papas<\/td>\nI saw her again<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nDel Shannon<\/td>\nFor a little while<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n10<\/td>\nAlan Price Set<\/td>\nHi-lili, hi-lo<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
25 juli 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nGod only knows \/ Wouldn’t it be nice<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nBob Dylan<\/td>\nI want you<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nLovin’ Spoonful<\/td>\nSummer in the city<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n2<\/td>\nBeatles<\/td>\nBandje met 4 songs van Revolver<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n3<\/td>\nBrian Hyland<\/td>\nThe joker went wild<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n4<\/td>\nRolling Stones<\/td>\nMothers little helper<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n5<\/td>\nDel Shannon<\/td>\nFor a little while<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n5<\/td>\nNancy Sinatra<\/td>\nFriday’s child<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nManfred Mann<\/td>\nJust like a woman<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n7<\/td>\nShangri-Las<\/td>\nPast, present and future<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n7<\/td>\nDusty Springfield<\/td>\nGoing back<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nNapoleon XIV<\/td>\nThere coming to take me away<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n9<\/td>\nWalker Brothers<\/td>\n(Baby) You don’t have to tell me<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nStevie Wonder<\/td>\nBlowin’ in he wind<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1 aug 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n1<\/td>\nBeatles<\/td>\nRevolver<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nBeach Boys<\/td>\nGod only knows \/ Wouldn’t it be nice<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n2<\/td>\nRolling Stones<\/td>\nMothers little helper<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n3<\/td>\nBrian Hyland<\/td>\nThe joker went wild<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n4<\/td>\nSmall Faces<\/td>\nAll or nothing<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n5<\/td>\nDel Shannon<\/td>\nFor a little while<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nBoudewijn de Groot<\/td>\nKen je dat land<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nDonovan<\/td>\nSunshine superman<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n7<\/td>\nManfred Mann<\/td>\nJust like a woman<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nCliff Bennett & the Rebel Rousers<\/td>\nGot to get you into my life<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n8<\/td>\nNancy Sinatra<\/td>\nFriday’s child<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nZoot Money’s Big Roll Band<\/td>\nBig time operator<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nBarbara Lewis<\/td>\nMake me belong to you<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nTee-Set<\/td>\nEarly in the morning<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nTom Jones<\/td>\nThis and that<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
8 aug 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nBeatles<\/td>\nYellow submarine \/ Revolver<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nBeach Boys<\/td>\nGod only knows \/ Wouldn’t it be nice<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n2<\/td>\nRolling Stones<\/td>\nMothers little helper<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n3<\/td>\nSmall Faces<\/td>\nAll or nothing<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nBoudewijn de Groot<\/td>\nKen je dat land<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n4<\/td>\nDel Shannon<\/td>\nFor a little while<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n5<\/td>\nCliff Bennett & the Rebel Rousers<\/td>\nGot to get you into my life<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n5<\/td>\nDonovan<\/td>\nSunshine superman<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n6<\/td>\nTom Jones<\/td>\nThis and that<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nSimon & Garfunkel<\/td>\nThe dangling conversation<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n7<\/td>\nBrian Hyland<\/td>\nThe joker went wild<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n8<\/td>\nBarbara Lewis<\/td>\nMake me belong to you<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nChris Andrews<\/td>\nStop that girl<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nLee Dorsey<\/td>\nWorking in a coalmine<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nJr. Walker & the All Stars<\/td>\nHow sweet it is (to be loved by you)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
15 aug 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n1<\/td>\nDonovan<\/td>\nSunshine superman<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nBeach Boys<\/td>\nGod only knows \/ Wouldn’t it be nice<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n2<\/td>\nBoudewijn de Groot<\/td>\nKen je dat land<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n3<\/td>\nSmall Faces<\/td>\nAll or nothing<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n3<\/td>\nSimon & Garfunkel<\/td>\nThe dangling conversation<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n4<\/td>\nCliff Bennett & the Rebel Rousers<\/td>\nGot to get you into my life<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n5<\/td>\nChris Andrews<\/td>\nStop that girl<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n5<\/td>\nTom Jones<\/td>\nThis and that<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n6<\/td>\nJr. Walker & the All Stars<\/td>\nHow sweet it is (to be loved by you)<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n7<\/td>\nDel Shannon<\/td>\nFor a little while<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nSantells<\/td>\nSo fine<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n8<\/td>\nLee Dorsey<\/td>\nWorking in a coalmine<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nWilson Pickett<\/td>\nLand of the 1000 dances<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nOutsiders<\/td>\nKeep on trying<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nGlen Dale<\/td>\nGoodday sunshine<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n10<\/td>\nBrian Hyland<\/td>\nThe joker went wild<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10b<\/td>\nBilly Stewart<\/td>\nSummertime<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
22 aug 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nSimon & Garfunkel<\/td>\nThe dangling conversation<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n1<\/td>\nJr. Walker & the All Stars<\/td>\nHow sweet it is (to be loved by you)<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n2<\/td>\nChris Andrews<\/td>\nStop that girl<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nSupremes<\/td>\nYou cant hurry love<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n3<\/td>\nWilson Pickett<\/td>\nLand of the 1000 dances<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n4<\/td>\nSmall Faces<\/td>\nAll or nothing<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n5<\/td>\nDonovan<\/td>\nSunshine superman<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n5<\/td>\nBeach Boys<\/td>\nGod only knows \/ Wouldn’t it be nice<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n6<\/td>\nOutsiders<\/td>\nKeep on trying<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nNeil Diamond<\/td>\nCherry cherry<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n7<\/td>\nSantells<\/td>\nSo fine<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nSandie Shaw<\/td>\nRun<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nWho<\/td>\nI’m a boy\u00a0 \/ The kids are alright<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nOtis Redding<\/td>\nI can’t turn you loose<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nLove<\/td>\n7 and 7 is<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nHunters<\/td>\nJanosh<\/td>\n<\/tr>\n
<\/td>\n10b<\/td>\n10b<\/td>\nBilly Stewart<\/td>\nSummertime<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
29 aug 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nGolden Earrings<\/td>\nDaddy buy me a girl<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n1<\/td>\nSupremes<\/td>\nYou cant hurry love<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nNeil Diamond<\/td>\nCherry cherry<\/td>\n<\/tr>\n
4<\/td>\n9<\/td>\n3<\/td>\nWho<\/td>\nI’m a boy\u00a0 \/ The kids are alright<\/td>\n<\/tr>\n
5<\/td>\n8<\/td>\n3<\/td>\nSandie Shaw<\/td>\nRun<\/td>\n<\/tr>\n
6<\/td>\n1<\/td>\n4<\/td>\nJr. Walker & the All Stars<\/td>\nHow sweet it is (to be loved by you)<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n5<\/td>\nChrispian St.Peters<\/td>\nChanges<\/td>\n<\/tr>\n
8<\/td>\n2<\/td>\n5<\/td>\nChris Andrews<\/td>\nStop that girl<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n6<\/td>\nFortunes<\/td>\nIs it realy worth you’re while<\/td>\n<\/tr>\n
10<\/td>\n10<\/td>\n7<\/td>\nLove<\/td>\n7 and 7 is<\/td>\n<\/tr>\n
11<\/td>\n–<\/td>\n7<\/td>\nNicky and the Shouts<\/td>\nTears inside<\/td>\n<\/tr>\n
12<\/td>\n–<\/td>\n8<\/td>\nFour Tops<\/td>\nReach out i’ll be there<\/td>\n<\/tr>\n
13<\/td>\n9<\/td>\n8<\/td>\nOtis Redding<\/td>\nI can’t turn you loose<\/td>\n<\/tr>\n
14<\/td>\n–<\/td>\n9<\/td>\nTemptations<\/td>\nBeauty is only skin deep<\/td>\n<\/tr>\n
15<\/td>\n–<\/td>\n9<\/td>\nMoody Blues<\/td>\nThis is my house \/ Boulevard de Madelaine<\/td>\n<\/tr>\n
16<\/td>\n3<\/td>\n10<\/td>\nWilson Pickett<\/td>\nLand of the 1000 dances<\/td>\n<\/tr>\n
17<\/td>\n–<\/td>\n10<\/td>\nRoaring Sixties<\/td>\nWe love the piratestations<\/td>\n<\/tr>\n
18<\/td>\n10b<\/td>\n10b<\/td>\nBilly Stewart<\/td>\nSummertime<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
5 sept 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\n1<\/td>\n1<\/td>\nSupremes<\/td>\nYou can’t hurry love<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n1<\/td>\nGolden Earrings<\/td>\nDaddy buy me a girl<\/td>\n<\/tr>\n
3<\/td>\n8<\/td>\n2<\/td>\nFour Tops<\/td>\nReach out i’ll be there<\/td>\n<\/tr>\n
4<\/td>\n6<\/td>\n2<\/td>\nFortunes<\/td>\nIs it realy worth you’re while<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n3<\/td>\nWho<\/td>\nI’m a boy\u00a0 \/ The kids are alright<\/td>\n<\/tr>\n
6<\/td>\n9<\/td>\n3<\/td>\nMoody Blues<\/td>\nBoulevard de Madelaine \/ This is my house<\/td>\n<\/tr>\n
7<\/td>\n2<\/td>\n4<\/td>\nNeil Diamond<\/td>\nCherry cherry<\/td>\n<\/tr>\n
8<\/td>\n5<\/td>\n5<\/td>\nChrispian St.Peters<\/td>\nChanges<\/td>\n<\/tr>\n
9<\/td>\n–<\/td>\n5<\/td>\nJacques Dutronc<\/td>\nEt moi, et moi, et moi<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n6<\/td>\nMotions<\/td>\nEvery step I take<\/td>\n<\/tr>\n
11<\/td>\n3<\/td>\n6<\/td>\nSandie Shaw<\/td>\nRun<\/td>\n<\/tr>\n
12<\/td>\n9<\/td>\n7<\/td>\nTemptations<\/td>\nBeauty is only skin deep<\/td>\n<\/tr>\n
13<\/td>\n–<\/td>\n7<\/td>\nChiffons<\/td>\nOut of this world<\/td>\n<\/tr>\n
14<\/td>\n7<\/td>\n8<\/td>\nNicky and the Shouts<\/td>\nTears inside<\/td>\n<\/tr>\n
15<\/td>\n–<\/td>\n9<\/td>\nCarla Thomas<\/td>\nB.a.b.y.<\/td>\n<\/tr>\n
16<\/td>\n7<\/td>\n9<\/td>\nLove<\/td>\n7 and 7 is<\/td>\n<\/tr>\n
17<\/td>\n–<\/td>\n10<\/td>\nSearchers<\/td>\nHave you ever loved somebody<\/td>\n<\/tr>\n
18<\/td>\n–<\/td>\n10<\/td>\nSonny & Cher<\/td>\nLittle man<\/td>\n<\/tr>\n
19<\/td>\n10b<\/td>\n10b<\/td>\nHerb Alpert<\/td>\nFlamingo<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
12 sept 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n1<\/td>\nFour Tops<\/td>\nReach out i’ll be there<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\nMoody Blues<\/td>\nBoulevard de Madelaine \/ This is my house<\/td>\n<\/tr>\n
3<\/td>\n–<\/td>\n2<\/td>\nMonkees<\/td>\nLast train to Clarksville<\/td>\n<\/tr>\n
4<\/td>\n1<\/td>\n3<\/td>\nSupremes<\/td>\nYou cant hurry love<\/td>\n<\/tr>\n
5<\/td>\n–<\/td>\n3<\/td>\n4 Seasons<\/td>\nI’ve got you under my skin<\/td>\n<\/tr>\n
6<\/td>\n2<\/td>\n4<\/td>\nFortunes<\/td>\nIs it realy worth you’re while<\/td>\n<\/tr>\n
7<\/td>\n7<\/td>\n4<\/td>\nTemptations<\/td>\nBeauty is only skin deep<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n5<\/td>\nPeter & Gordon<\/td>\nLady Godiva<\/td>\n<\/tr>\n
9<\/td>\n5<\/td>\n5<\/td>\nChrispian St.Peters<\/td>\nChanges<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n6<\/td>\nDD,D,B,M & T<\/td>\nBend it<\/td>\n<\/tr>\n
11<\/td>\n5<\/td>\n6<\/td>\nJacques Dutronc<\/td>\nEt moi, et moi, et moi<\/td>\n<\/tr>\n
12<\/td>\n–<\/td>\n7<\/td>\nSearchers<\/td>\nHave you ever loved somebody<\/td>\n<\/tr>\n
13<\/td>\n–<\/td>\n7<\/td>\nQuestion Mark & Mysterians<\/td>\n96 Tears<\/td>\n<\/tr>\n
14<\/td>\n–<\/td>\n8<\/td>\nHollies<\/td>\nVery last day<\/td>\n<\/tr>\n
15<\/td>\n–<\/td>\n8<\/td>\nLittle Anthony & the Imperials<\/td>\nI’m gonna fix you good<\/td>\n<\/tr>\n
16<\/td>\n–<\/td>\n9<\/td>\nAssociation<\/td>\nCherish<\/td>\n<\/tr>\n
17<\/td>\n–<\/td>\n9<\/td>\nCount Five<\/td>\nPsychotic reaction<\/td>\n<\/tr>\n
18<\/td>\n9<\/td>\n10<\/td>\nCarla Thomas<\/td>\nB.a.b.y.<\/td>\n<\/tr>\n
19<\/td>\n–<\/td>\n10<\/td>\nLos Bravos<\/td>\nI don’t care<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
19 sept 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n1<\/td>\nMonkees<\/td>\nLast train to Clarksville<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n2<\/td>\n4 Seasons<\/td>\nI’ve got you under my skin<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nTemptations<\/td>\nBeauty is only skin deep<\/td>\n<\/tr>\n
4<\/td>\n7<\/td>\n3<\/td>\nSearchers<\/td>\nHave you ever loved somebody<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n3<\/td>\nAssociation<\/td>\nCherish<\/td>\n<\/tr>\n
6<\/td>\n6<\/td>\n4<\/td>\nJacques Dutronc<\/td>\nEt moi, et moi, et moi<\/td>\n<\/tr>\n
7<\/td>\n10<\/td>\n4<\/td>\nLos Bravos<\/td>\nI don’t care<\/td>\n<\/tr>\n
8<\/td>\n7<\/td>\n5<\/td>\nQuestion Mark & Mysterians<\/td>\n96 Tears<\/td>\n<\/tr>\n
9<\/td>\n2<\/td>\n5<\/td>\nMoody Blues<\/td>\nBoulevard de Madelaine \/ This is my house<\/td>\n<\/tr>\n
10<\/td>\n8<\/td>\n6<\/td>\nHollies<\/td>\nVery last day<\/td>\n<\/tr>\n
11<\/td>\n–<\/td>\n6<\/td>\nRob Hoeke Rhythm and Blues Group<\/td>\nWhen people talk<\/td>\n<\/tr>\n
12<\/td>\n8<\/td>\n7<\/td>\nLittle Anthony & the Imperials<\/td>\nI’m gonna fix you good<\/td>\n<\/tr>\n
13<\/td>\n–<\/td>\n7<\/td>\nLeft Banke<\/td>\nWalk away Renee<\/td>\n<\/tr>\n
14<\/td>\n–<\/td>\n8<\/td>\nNancy Sinatra<\/td>\nIn our time<\/td>\n<\/tr>\n
15<\/td>\n6<\/td>\n8<\/td>\nDD,D,B,M & T<\/td>\nBend it<\/td>\n<\/tr>\n
16<\/td>\n1<\/td>\n9<\/td>\nFour Tops<\/td>\nReach out i’ll be there<\/td>\n<\/tr>\n
17<\/td>\n–<\/td>\n9<\/td>\nHayes & Wady<\/td>\nWhat does she wants<\/td>\n<\/tr>\n
18<\/td>\n3<\/td>\n10<\/td>\nSupremes<\/td>\nYou cant hurry love<\/td>\n<\/tr>\n
19<\/td>\n9<\/td>\n10<\/td>\nCount Five<\/td>\nPsychotic reaction<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
26 sept 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nAssociation<\/td>\nCherish<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n2<\/td>\nQuestion Mark & Mysterians<\/td>\n96 Tears<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n3<\/td>\nSearchers<\/td>\nHave you ever loved somebody<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n3<\/td>\nRob Hoeke Rhythm and Blues Group<\/td>\nWhen people talk<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n4<\/td>\nTroggs<\/td>\nI can’t control myself<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n5<\/td>\nLeft Banke<\/td>\nWalk away Renee<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nByrds<\/td>\nMr. Spaceman<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n6<\/td>\nNancy Sinatra<\/td>\nIn our time<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nHerman’s Hermits<\/td>\nNo milk today<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nHollies<\/td>\nStop stop stop \/ Very last day<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nCreation<\/td>\nPainter man<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n8<\/td>\n4 Seasons<\/td>\nI’ve got you under my skin<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n9<\/td>\nTemptations<\/td>\nBeauty is only skin deep<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nBeverly<\/td>\nHappy new year<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n10<\/td>\nHayes & Wady<\/td>\nWhat does she wants<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nKeith<\/td>\nAin’t gonna lie<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
3 okt 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n1<\/td>\nQuestion Mark & Mysterians<\/td>\n96 Tears<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n2<\/td>\nByrds<\/td>\nMr. Spaceman<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nLeft Banke<\/td>\nWalk away Renee<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nPaul Jones<\/td>\nHigh time<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n4<\/td>\nCreation<\/td>\nPainter man<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nJames & Bobby Purify<\/td>\nI’m your puppet<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n5<\/td>\nBeverly<\/td>\nHappy new year<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n6<\/td>\nRob Hoeke Rhythm and Blues Group<\/td>\nWhen people talk<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nBobby Darin<\/td>\nIf I where a carpenter<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n7<\/td>\nKeith<\/td>\nAin’t gonna lie<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n8<\/td>\nTroggs<\/td>\nI can’t control myself<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nCat Stevens<\/td>\nI love my dog<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nJohnny Rivers<\/td>\nPoor side of town<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nHu & Hilltops<\/td>\nCan you hear me<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nClassics<\/td>\nPollyanna<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10b<\/td>\nRaumpatroulle<\/td>\nPeter Thomas Sound Orchester<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
10 okt 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\n2<\/td>\n1<\/td>\nByrds<\/td>\nMr. Spaceman<\/td>\n<\/tr>\n
2<\/td>\n3<\/td>\n1<\/td>\nPaul Jones<\/td>\nHigh time<\/td>\n<\/tr>\n
3<\/td>\n7<\/td>\n2<\/td>\nBobby Darin<\/td>\nIf I where a carpenter<\/td>\n<\/tr>\n
4<\/td>\n5<\/td>\n3<\/td>\nJames & Bobby Purify<\/td>\nI’m your puppet<\/td>\n<\/tr>\n
5<\/td>\n9<\/td>\n3<\/td>\nCat Stevens<\/td>\nI love my dog<\/td>\n<\/tr>\n
6<\/td>\n–<\/td>\n4<\/td>\nEasybeats<\/td>\nFriday on my mind<\/td>\n<\/tr>\n
7<\/td>\n–<\/td>\n5<\/td>\nFrankie Valli<\/td>\nYou’re ready now\u00a0 (re-entry)<\/td>\n<\/tr>\n
8<\/td>\n1<\/td>\n5<\/td>\nQuestion Mark & Mysterians<\/td>\n96 Tears<\/td>\n<\/tr>\n
9<\/td>\n9<\/td>\n6<\/td>\nJohnny Rivers<\/td>\nPoor side of town<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n7<\/td>\nQ65<\/td>\nSour wine\u00a0 (Revolution<\/td>\n<\/tr>\n
11<\/td>\n5<\/td>\n7<\/td>\nBeverly<\/td>\nHappy new year<\/td>\n<\/tr>\n
12<\/td>\n–<\/td>\n8<\/td>\nPJ Proby<\/td>\nI can’t make it alone<\/td>\n<\/tr>\n
13<\/td>\n10<\/td>\n9<\/td>\nClassics<\/td>\nPollyanna<\/td>\n<\/tr>\n
14<\/td>\n–<\/td>\n9<\/td>\nFerre Grignard<\/td>\nDrunken sailor<\/td>\n<\/tr>\n
15<\/td>\n–<\/td>\n10<\/td>\nEddie Floyd<\/td>\nKnock on wood<\/td>\n<\/tr>\n
16<\/td>\n–<\/td>\n10<\/td>\nPetula Clark<\/td>\nWho am I?<\/td>\n<\/tr>\n
17<\/td>\n–<\/td>\n10b<\/td>\nMods<\/td>\nMoef Ga Ga<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
17 okt 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\n–<\/td>\n1<\/td>\nBeach Boys<\/td>\nGood vibrations<\/td>\n<\/tr>\n
2<\/td>\n1<\/td>\n1<\/td>\nPaul Jones<\/td>\nHigh time<\/td>\n<\/tr>\n
3<\/td>\n4<\/td>\n2<\/td>\nEasybeats<\/td>\nFriday on my mind<\/td>\n<\/tr>\n
4<\/td>\n2<\/td>\n3<\/td>\nBobby Darin<\/td>\nIf I where a carpenter<\/td>\n<\/tr>\n
5<\/td>\n3<\/td>\n3<\/td>\nCat Stevens<\/td>\nI love my dog<\/td>\n<\/tr>\n
6<\/td>\n7<\/td>\n4<\/td>\nQ65<\/td>\nSour wine\u00a0 (Revolution<\/td>\n<\/tr>\n
7<\/td>\n8<\/td>\n5<\/td>\nPJ Proby<\/td>\nI can’t make it alone<\/td>\n<\/tr>\n
8<\/td>\n–<\/td>\n5<\/td>\nGolden Earrings<\/td>\nDon’t run too far<\/td>\n<\/tr>\n
9<\/td>\n9<\/td>\n6<\/td>\nFerre Grignard<\/td>\nDrunken sailor<\/td>\n<\/tr>\n
10<\/td>\n–<\/td>\n6<\/td>\nSpencer Davis Group<\/td>\nGimme some lovin’<\/td>\n<\/tr>\n
11<\/td>\n5<\/td>\n7<\/td>\nFrankie Valli<\/td>\nYou’re ready now<\/td>\n<\/tr>\n
12<\/td>\n10<\/td>\n7<\/td>\nPetula Clark<\/td>\nWho am I?<\/td>\n<\/tr>\n
19<\/td>\n1<\/td>\n8<\/td>\nByrds<\/td>\nMr. Spaceman<\/td>\n<\/tr>\n
13<\/td>\n–<\/td>\n8<\/td>\nChris Farlowe<\/td>\nRide on baby<\/td>\n<\/tr>\n
14<\/td>\n–<\/td>\n9<\/td>\nIvy Leaque<\/td>\nMy world fell down<\/td>\n<\/tr>\n
15<\/td>\n–<\/td>\n9<\/td>\nShoes<\/td>\nStanding and staring<\/td>\n<\/tr>\n
16<\/td>\n–<\/td>\n10<\/td>\nBrenda Lee<\/td>\nComing on strong<\/td>\n<\/tr>\n
17<\/td>\n3<\/td>\n10<\/td>\nJames & Bobby Purify<\/td>\nI’m your puppet<\/td>\n<\/tr>\n
18<\/td>\n<\/td>\n10b<\/td>\nCliff Richard<\/td>\nTime drags by<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
24 okt 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nBeach Boys<\/td>\nGood vibrations<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n1<\/td>\nSpencer Davis Group<\/td>\nGimme some lovin’<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n2<\/td>\nEasybeats<\/td>\nFriday on my mind<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n2<\/td>\nSupremes<\/td>\nYou keep me hangin’ on<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nPJ Proby<\/td>\nI can’t make it alone<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n3<\/td>\nIvy Leaque<\/td>\nMy world fell down<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n4<\/td>\nMartha & the Vandellas<\/td>\nI’m ready for love<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n4<\/td>\nChris Farlowe<\/td>\nRide on baby<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n5<\/td>\nCat Stevens<\/td>\nI love my dog<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nManfred Mann<\/td>\nSemi-detached surburban Mr. James<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n6<\/td>\nShoes<\/td>\nStanding and staring<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nEric Burdon & the Animals<\/td>\nHelp me girl<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nLovin’ Spoonful<\/td>\nRain on the roof<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nLee Dorsey<\/td>\nHoly cow<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nOutsiders<\/td>\nTouch<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n8<\/td>\nPaul Jones<\/td>\nHigh time<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n9<\/td>\nGolden Earrings<\/td>\nDon’t run too far<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nCream<\/td>\nWrapping paper<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nYardbirds<\/td>\nHappenings ten years time ago<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nMitch Ryder & Detroit Wheels<\/td>\nDevil with a blue dress\/Good golly miss<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
31 okt 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nSpencer Davis Group<\/td>\nGimme some lovin’<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n2<\/td>\nSupremes<\/td>\nYou keep me hangin’ on<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nMartha & the Vandellas<\/td>\nI’m ready for love<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n3<\/td>\nIvy League<\/td>\nMy world fell down<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n4<\/td>\nManfred Mann<\/td>\nSemi-detached surburban Mr. James<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n5<\/td>\nEric Burdon & the Animals<\/td>\nHelp me girl \/ See see rider<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n5<\/td>\nChris Farlowe<\/td>\nRide on baby<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n6<\/td>\nLee Dorsey<\/td>\nHoly cow<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n6<\/td>\nOutsiders<\/td>\nTouch<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n7<\/td>\nYardbirds<\/td>\nHappenings ten years time ago<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n7<\/td>\nPJ Proby<\/td>\nI can’t make it alone<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n8<\/td>\nShoes<\/td>\nStanding and staring<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nDonovan<\/td>\nMellow yellow<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n9<\/td>\nEasybeats<\/td>\nFriday on my mind<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nElgins<\/td>\nHeaven must have send you<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nSkope<\/td>\nBe mine again<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
7 nov 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n1<\/td>\nSupremes<\/td>\nYou keep me hangin’ on<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nMartha & the Vandellas<\/td>\nI’m ready for love<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n2<\/td>\nEric Burdon & the Animals<\/td>\nHelp me girl \/ See see rider<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n3<\/td>\nManfred Mann<\/td>\nSemi-detached surburban Mr. James<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n3<\/td>\nLee Dorsey<\/td>\nHoly cow<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n4<\/td>\nOutsiders<\/td>\nTouch<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n5<\/td>\nDonovan<\/td>\nMellow yellow<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n5<\/td>\nIvy League<\/td>\nMy world fell down<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n6<\/td>\nSimon & Garfunkel<\/td>\nHazy shade of winter<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n7<\/td>\nYardbirds<\/td>\nHappenings ten years time ago<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n7<\/td>\nSkope<\/td>\nBe mine again<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nGeno Washington & Ram Jam Band<\/td>\nQue sera sera \/ Hi hi Hazel<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nSandy Coast<\/td>\nSorry she’s mine \/ Make me belong to you<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n9<\/td>\nElgins<\/td>\nHeaven must have send you<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n10<\/td>\nChris Farlowe<\/td>\nRide on baby<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nBrian Hyland<\/td>\nRun run, look and see<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10b<\/td>\nArmand<\/td>\nEn een van hen ben ik<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
14 nov 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n1<\/td>\nSimon & Garfunkel<\/td>\nHazy shade of winter<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nSupremes<\/td>\nYou keep me hangin’ on<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n2<\/td>\nMartha & the Vandellas<\/td>\nI’m ready for love<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n3<\/td>\nKinks<\/td>\nDead end street<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n3<\/td>\nEric Burdon & the Animals<\/td>\nHelp me girl \/ See see rider<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n4<\/td>\nDonovan<\/td>\nMellow yellow<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n5<\/td>\nLee Dorsey<\/td>\nHoly cow<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nSandie Shaw<\/td>\nThink sometimes about me<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n6<\/td>\nBrian Hyland<\/td>\nRun run, look and see<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n7<\/td>\nMotions<\/td>\nThe same old song \/ Someday child<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nNancy Sinatra<\/td>\nSugar town \/ Summerwine<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nPebbles<\/td>\nSomeone to love<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nLes Baroques<\/td>\nWorking on a tsjing tsjang<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nWayne Fontana<\/td>\nPamela Pamela<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nSmall Faces<\/td>\nMy mind’s eye<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n10<\/td>\nIvy League<\/td>\nMy world fell down<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
21 nov 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n1<\/td>\nKinks<\/td>\nDead end street \/ Big black smoke<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n2<\/td>\nBoudewijn de Groot<\/td>\nVoor de overlevenden\u00a0\u00a0 LP<\/td>\n<\/tr>\n
<\/td>\n4<\/td>\n2<\/td>\nDonovan<\/td>\nMellow yellow<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n3<\/td>\nSimon & Garfunkel<\/td>\nHazy shade of winter<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n3<\/td>\nWayne Fontana<\/td>\nPamela Pamela<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n4<\/td>\nMartha & the Vandellas<\/td>\nI’m ready for love<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nWilson Pickett<\/td>\nMustang Sally<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nTwice as Much<\/td>\nTrue story<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n6<\/td>\nNancy Sinatra \/ & Lee Hazelwood<\/td>\nSugar town \/ Summerwine<\/td>\n<\/tr>\n
<\/td>\n8<\/td>\n7<\/td>\nPebbles<\/td>\nSomeone to love<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n7<\/td>\nHerman’s Hermits<\/td>\nEast west<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n8<\/td>\nMotions<\/td>\nSame old song<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nPeter & Gordon<\/td>\nThe knight in rusty armour<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n9<\/td>\nSandie Shaw<\/td>\nThink sometimes about me<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n10<\/td>\nSmall Faces<\/td>\nMy mind’s eye<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
28 nov 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n1<\/td>\n1<\/td>\nBoudewijn de Groot<\/td>\nVoor de overlevenden\u00a0\u00a0 LP<\/td>\n<\/tr>\n
<\/td>\n2<\/td>\n1<\/td>\nKinks<\/td>\nDead end street \/ Big black smoke<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n2<\/td>\nWayne Fontana<\/td>\nPamela Pamela<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n3<\/td>\nWilson Pickett<\/td>\nMustang Sally<\/td>\n<\/tr>\n
<\/td>\n6<\/td>\n3<\/td>\nNancy Sinatra<\/td>\nSugar town \/ Summerwine<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n4<\/td>\nDD,D,B,M & T<\/td>\nSave me<\/td>\n<\/tr>\n
<\/td>\n9<\/td>\n5<\/td>\nPeter & Gordon<\/td>\nThe knight in rusty armour<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n5<\/td>\nBlues Magoos<\/td>\n(We ain’t got) Nothing yet<\/td>\n<\/tr>\n
<\/td>\n10<\/td>\n6<\/td>\nSmall Faces<\/td>\nMy mind’s eye<\/td>\n<\/tr>\n
<\/td>\n5<\/td>\n7<\/td>\nTwice as Much<\/td>\nTrue story<\/td>\n<\/tr>\n
<\/td>\n7<\/td>\n7<\/td>\nHerman’s Hermits<\/td>\nEast west<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n8<\/td>\nAaron Neville<\/td>\nTell it like it is<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n9<\/td>\nCats<\/td>\nWhat a crazy life<\/td>\n<\/tr>\n
<\/td>\n3<\/td>\n9<\/td>\nSimon & Garfunkel<\/td>\nHazy shade of winter<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nTemptations<\/td>\n(I know) I’m losing you<\/td>\n<\/tr>\n
<\/td>\n–<\/td>\n10<\/td>\nBaja Marimba Band<\/td>\nGhost riders in the sky<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
5 dec 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
12 dec 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
19 dec 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n6<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n7<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n8<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n9<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n10<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
26 dec 1966<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
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\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

28 mrt 1966 – Voorloper\u00a0 (draaivolgorde): Isely Brothers This old heart of mine Who Substitude Len Barry Somewhere Spencer Davis Group Somebody help me Gary Lewis & Playboys Sure gonna miss her Moody Blues Stop ! Hollies I can’t let go Herb Alpert What now my love Norma Tanega Walking my cat named dog Cliff […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/563"}],"collection":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/comments?post=563"}],"version-history":[{"count":3,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/563\/revisions"}],"predecessor-version":[{"id":567,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/posts\/563\/revisions\/567"}],"wp:attachment":[{"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/media?parent=563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/categories?post=563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abtt.nl\/site\/index.php\/wp-json\/wp\/v2\/tags?post=563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}